Just because I am a girl does not mean I like the color pink, so declares the fashion-forward, independent-minded young lady in I Don't Like Pink - a story about about a well-dressed little girl who does not fit the norm. She does not like the color pink, or does she? Children and adults will fall in love with the whimsical illustrations and independence of this character.
Peggy Orenstein, acclaimed author of the groundbreaking New York Times bestsellers Girls & Sex and Schoolgirls, offers a radical, timely wake-up call for parents, revealing the dark side of a pretty and pink culture confronting girls at every turn as they grow into adults. Sweet and sassy or predatory and hardened, sexualized girlhood influences our daughters from infancy onward, telling them that how a girl looks matters more than who she is. Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as the source of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages. But how dangerous is pink and pretty, anyway? Being a princess is just make-believe; eventually they grow out of it . . . or do they? In search of answers, Peggy Orenstein visited Disneyland, trolled American Girl Place, and met parents of beauty-pageant preschoolers tricked out like Vegas showgirls. The stakes turn out to be higher than she ever imagined. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable—yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.
THE STORIES: A delightful collection of monologues for young actors, SHORT AND SWEET explores subjects as diverse as bullies, first kisses, fat camp and diaries, and even turns an unblinking eye towards that most vexing of questions--how you can lov
A story about a wonderfully enthusiastic boy named Kai who shows his new playground friend that it's okay to be exactly who you are.I like pink celebrates kids' uniqueness and encourages them to feel comfortable with who they are, what they like, what they do, and to love themselves. This simple story moves beyond stereotypes and allows the engaging characters, Kai and Mila, to safely self-express at their beloved playground.
Growing up fundamentalist and female-and maturing into a feminist By the age of twelve, Susan Campbell had been flirting with Jesus for some time, and in her mind, Jesus had been flirting back. Why wouldn't he? She went to his house three times a week, sat in his living room, listened to his stories, loudly and lustily sang songs to him. So, one Sunday morning, she walked to the front of her fundamentalist Christian church to profess her love for Jesus and to be baptized. But from the moment her robe floated to the surface of the baptistery water, she began to question her fundamentalist Christian faith. If baptism requires complete immersion underwater, what does it mean, she wondered, if a piece of fabric attached to a would-be Christian floats to the top? Does the baptism still count? In this lovingly told tale, Susan Campbell takes us into the world of fundamentalism-a world where the details really, really matter. And she shows us what happened when she finally came to admit that in her faith, women would never be allowed a seat at the throne.
An empowering and educational board book that proves colors are for everyone, regardless of gender. Pink is for boys . . . and girls . . . and everyone! This timely and beautiful board book rethinks and reframes the stereotypical blue/pink gender binary and empowers kids-and their grown-ups-to express themselves in every color of the rainbow. Featuring a diverse group of relatable characters, Pink Is for Boys invites and encourages children to enjoy what they love to do, whether it's racing cars and playing baseball, or loving unicorns and dressing up. Vibrant illustrations help children learn and identify the myriad colors that surround them every day, from the orange of a popsicle, to the green of a grassy field, all the way up to the wonder of a multicolored rainbow. Parents and kids will delight in Robb Pearlman's sweet, simple script, as well as its powerful message: life is not color-coded.
It's Pinkalicious meets Fear Factor in this nonfiction picture book introducing the weirdest, wildest, pinkest critters in the animal kingdom! Some people think pink is a pretty color. A fluffy, sparkly, princess-y color. But it's so much more. Sure, pink is the color of princesses and bubblegum, but it's also the color of monster slugs and poisonous insects. Not to mention ultra-intelligent dolphins, naked mole rats and bizarre, bloated blobfish. Isn't it about time to rethink pink? Slip on your rose-colored glasses and take a walk on the wild side with zoologist Jess Keating, whose other books in the World of Weird Animals series include What Makes a Monster? and Cute as an Axolotl. A New York Public Library Best Book for Kids, 2016 "The 2016 Ambassador to Young People’s Science and Nature books is unquestionably the blobfish." —Shelftalker "Readers will never look at pink the same way." —Publishers Weekly
Mother-daughter book clubs are a great way to encourage reading, bonding, and socializing among mothers, daughters, and their friends. But these clubs can do more than that, suggests educational psychologist and parenting coach Lori Day. They can create a safe and empowering haven where girls can freely discuss and navigate issues surrounding girlhood. In Her Next Chapter, Day draws from experiences in her own club and her expertise as an educator to offer a timely and inspiring take on mother-daughter book clubs. She provides overviews of eight of the biggest challenges facing girls today, such as negative body image, bullying, gender stereotypes, media sexualization, unhealthy relationships, and more, while weaving in carefully chosen book, movie, and media recommendations; thoughtful discussion questions; and group activities and outings that extend and enrich conversations and make clubs fun. Her Next Chapter outlines how mothers can use the magic of books to build girls' confidence and sense of possibility as leaders, allies, and agents of change. A list of further resources and reflections and observations from Day's now-adult daughter, Charlotte, round out this indispensible resource for anyone who cares about, teaches, or works with girls.
Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement. Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns. Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
