In Amsterdam in the mid-1600s, Cornelia's life as the illegitimate child of renowned painter Rembrandt is marked by plague, poverty, and despair at ever earning her father's love, until she sees hope for a better future in the eyes of a wealthy suitor.
Based on historical fact, this moving story--an ALA Best Book for Young Adults--is a powerful account of a young woman's struggle to come of age within the shadow of one of the world's most brilliant and complicated artists.
1. To begin with -- 2. Human painter of the human condition -- 3. Rembrandt's Bible -- 4. Rembrandt's pictures -- 5. Rembrandt's meaning -- 6. Rembrandt's faith -- 7. Rembrandt's diary -- 8. To end with.
Fresh from San Francisco via Amtrak, ashes of her mother in tow, zany Rachel Sondheim lands in New York to bury them. She struggles against the odds, not only of Jewish law and history, but that of her older sister. Comic and serious by turns, Rachel weaves her way through high-jinx that counterpoint weighty discussions of mother and daughter, sister and sister, life and death, God. Through laughter and tears DAUGHTER shows us how modern spirituality thrives on its ancient connections.
"In 1634 the up-and-coming painting talent Rembrandt van Rijn wed the love of this life in Friesland: Saskia Uylenburgh, the daughter of a councillor at the Court of Friesland. The story of their marriage is also that of seventeenth-century marriages in general, from courtship to drawing up a will. How did such a stylish wedding come about, and how did life proceed afterwards, when love and suffering were shared? Using evocative paintings, etchings, documents and precious wedding gifts, this book shows us the world of Friesland's most famous bride and groom ever--and that marriage vows back then actually appear to differ little from those of today."--from back cover
From the bestselling author of Mrs. Poe and Twain’s End comes a “poignant, beautifully rendered story of two sisters who find the courage to reclaim their bond after years of misunderstandings and heartbreak” (Melanie Benjamin, New York Times bestselling author) during the Great Depression. 1934. Ruth has been single-handedly raising four young daughters and running her family’s Indiana farm for eight long years, ever since her husband, John, was infected by the infamous “sleeping sickness” devastating families across the country. If only she could trade places with her older sister, June: blonde and beautiful, married to a wealthy doctor, living in a mansion in St. Paul. And June has a coveted job, too, as one of “the Bettys,” the perky recipe developers who populate the famous Betty Crocker test kitchen. But these gilded trappings hide sorrows: she has borne no children. And the man she loves more than anything belongs to Ruth. When the two sisters reluctantly reunite after a long estrangement, June’s bitterness about her sister’s betrayal sets into motion a confrontation that’s been years in the making. And their mother, Dorothy, who’s brought the two of them together, has her own dark secrets, which might blow up the fragile peace she hopes to restore between her daughters. An emotional journey of redemption, inner strength, and the ties that bind families together, for better or worse, The Sisters of Summit Avenue is a moving and heartfelt tribute to mothers, daughters, and sisters everywhere.
In this standalone companion to The Van Gogh Deception, Art and Camille team up once again to solve a large museum theft, using one of the biggest heists in history to help them solve the case. Perfect for fans of Dan Brown and the Mr. Lemoncello's Library and Book Scavenger series. Something’s brewing at the National Portrait Gallery Museum in Washington, D.C. twelve-year-old Art is sure of it. But his only proof that a grand heist is about to take place is iced mocha, forty-two steps, and a mysterious woman who appears like clockwork in the museum. When Art convinces his best friend, Camille, that the heist is real, the two begin a thrilling chase through D.C. to uncover a villainous scheme that could be the biggest heist since the Isabelle Stewart Gardner Museum theft in 1990. With a billion dollars’ worth of paintings on the line, the clock is ticking for Art and Camille to solve the conspiracy.
Is your creative, intelligent, vibrant child struggling in school? Did you have a similar experience when you were in school? You or your child may be visual learners. In a test heavy education system, more and more children are underachieving, feeling lost and misunderstood. Because, schools are focused on teaching left-brain auditory learners and our right-brain visual kids are not getting what they need to succeed. In Being Visual, Bette Fetter, the founder of Young Rembrandts, discusses strategies to increase your visual learner’s success in school, identifying how… To use pictures to improve grades To use visual study techniques To use effective writing strategies To apply visual methods for students with ADD, dyslexia and autism Why drawing, doodling and imagery improves learning How art improves education outcomes Fetter also presents a fresh case for art class as a critical must-have for students dependent on their visual skills to learn. For over 20 Years, Young Rembrandts has helped tens of thousands of visual-spatial students reach their potential in the arts as well as the classroom. Training in the technical skills of art provides tools for creative endeavors, while developing essential visual skills and learning activities in all children.
For Rembrandt, as for Shakespeare, all the world was indeed a stage, and he knew in exhaustive detail the tactics of its performance: the strutting and mincing, the wardrobe and face-paint, the full repertoire and gesture and gimace, the flutter of hands and the roll of the eyes, the belly-laugh and the half-stifled sob. He knew what it looked like to seduce, to intimidate, to wheedle and to console; to strike a pose or preach a sermon, to shake a fist or uncover a breast; and how to sin and how to atone. No artist had ever been so fascinated by the fashioning of personae, beginning with his own. No painter ever looked with such unsparing intelligence or such bottomless compassion at our entrances and our exits and the whole rowdy show in between.