Hymns of the Atharvaveda: Vol. I

Hymns of the Atharvaveda: Vol. I

Author: Ralph T.H. Griffith

Publisher: Sanctum Books

Published: 101-01-01

Total Pages: 735

ISBN-13:

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In India both the Rgveda and the Atharvaveda represent the earliest age in the history of sacred literature. However the spirit of the Atharvaveda breathes of a prehistoric stage. Some of its charms, witchcrafts and exorcism go back to Indo-European period. Dr. A. Kuhn has proved how some of its spells for curing bodily ailments agree in purpose and content as well as to some extent even in form, with certain old German, Lettic and Russian charms. Every evil thing in nature, from a drought to a fever or bad qualities of the human heart, is personified and made the object of terror-stricken propitiation, or of attempt at circumvention through witchcraft, or the instrument of harm to others through the same compelling nature. Here as there, worship takes the form of conjuring, not prayer; its ministers are sorcerers, not priests. The synonyms of the Atharvaveda like Atharvangirasah, Bhrgavangirasah and Brahmaveda speak of the development and the status it has enjoyed from time to time. In domestic sacrifices the Atharvan influence has been indelible. A deep study of the Atharvaveda and other Vedic texts unfolds new dimensions to modern sciences namely Comparative Philology, Comparative Mythology, Comparative Religion and Comparative Literature. Though Vedic literature the practical teaching of the classical languages in Europe has undergone an important change. The intellectual debt of Europe to India has thus been immense. It may perhaps become greater still in these post-independence years. Its special features include: a comparative study of the Saunaka and the Paippalada schools; and pointed references to the latest but lesser known researches expressed in Sanskrit language in the sixteen volumes Vedic Padanukramakosa by Acarya Dr. Vishva Bandhu Shastri and his distinguishes colleagues. This will evoke response from enlightened scholars for our prospective publications on other works.


Hinduism - Ritual, Reason and Beyond

Hinduism - Ritual, Reason and Beyond

Author: Ashok Mishra

Publisher: StoryMirror Infotech Pvt Ltd

Published: 2019-08-03

Total Pages: 538

ISBN-13: 9388698134

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The book is journey through 5000 years of evolution of Hinduism, and is outcome of seven years of study to understand the roots of Hinduism. Tracing the genesis of Hinduism to pre-Indus Valley period, the book explains Hindu, Hinduism and Sanatana Dharma, before it takes one through Hinduism’s oldest scriptures - the four Vedas, the four components of each Veda, and what they contain. How all original translations of Vedic texts were done by Western Sanskrit scholars, and why their works have left scope for doubt about the fidelity of translations. The yajnas (yagya) like Ashvamedha, Rajsooya, Vajpeya, etc., about which we only hear on TV serials and talk shows, have been demystified. The reader will be taken aback reading the sheer size and scale of Soma yajna, described step by step, in great detail. Hinduism’s journey to the Age of Reason, the Upanishads, its encounter with Buddhism, and its transformation into idol worshipping society with many gods and a multitude of stories about its millions of gods is lucidly explained. Puranas, what they contain and what was the reason they were created, has been described and explained next. Hinduism's journey to its modern form - idol worship, the modern puja, detailed description of puja and Sanskaras like Vivaha, their detailed description, the meaning of each action and how they are conducted, the gift to the priest, types of idols, their consecration, all are explained to help a reader understand the why and the how of what we do as a Hindu. The book concludes with a discussion of - Do mantras have power? & Do rituals have meaning?


Nation and Classical Music

Nation and Classical Music

Author: Matthew Riley

Publisher: Boydell & Brewer

Published: 2016

Total Pages: 258

ISBN-13: 1783271426

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How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral works of Beethoven and Mendelssohn and extends into the mid-twentieth century in the music of Prokofiev, Shostakovich and Copland. The book addresses the representation of the national community, the incorporation of ethnic vernacular idioms into art music, the national homeland in music, musical adaptations of national myths and legends, the music of national commemoration and the canonisation of national music. Bringing together insights from nationalism studies, musicology and cultural history, it will be essential reading not only for musicologists but for cultural historians and historians of nationalism as well. MATTHEW RILEY is Reader in Music at the University of Birmingham. The late ANTHONY D. SMITH was Professor Emeritus of Nationalism andEthnicity at the London School of Economics.