Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
The bible of B-movies is back--and better than ever! From Abby to Zontar, this book covers more than 9,000 amazing movies--from the turn of the century right up to today's Golden Age of Video--all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out thie treasure trove of cinematic lore--an essential reference for every bad film fan.
Filmmakers have often encouraged us to regard people with physical disabilities in terms of pity, awe, humor, or fearas "Others" who somehow deserve to be isolated from the rest of society. In this first history of the portrayal of physical disability in the movies, Martin Norden examines hundreds of Hollywood movies (and notable international ones), finds their place within mainstream society, and uncovers the movie industry's practices for maintaining the status quokeeping people with disabilities dependent and "in their place." Norden offers a dazzling array of physically disabled characters who embody or break out of the stereotypes that have both influenced and been symptomatic of societys fluctuating relationship with its physically disabled minority. He shows us "sweet innocents" like Tiny Tim, "obsessive avengers" like Quasimodo, variations on the disabled veteran, and many others. He observes the arrival of a new set of stereotypes tied to the growth of science and technology in the 1970s and 1980s, and underscores movies like My Left Foot and The Waterdance that display a newfound sensitivity. Nordens in-depth knowledge of disability history makes for a particularly intelligent and sensitive approach to this long-overlooked issue in media studies.
Understanding Comedy through College Comedies explains the nature of comedy through the study of college comedy films, including classics (College, The Freshman); romantic/screwball comedies (Where the Boys Are, Ball of Fire, Sterile Cuckoo); famous comedian comedies (Horse Feathers, The Nutty Professor, The Klumps); intergenerational college comedies (That’s My Boy, Back to School, Old School); social comedies (The Graduate, Breaking Away, Risky Business); political comedies (Getting Straight, Strawberry Statement, Last Supper); ethnic comedies (School Daze, Soul Man, How High); and college farces (Charlie’s Aunt, Animal House, Revenge of the Nerds, Slackers). In this book, Norman Kagan explains comic terminology, concepts, and theories, including Freud’s “displaced sexual content” in Decline of the American Empires, Langer’s “vitalism” in Slacker, Bergson’s “anesthesia of the heart” in The Squid and the Whale, and Frye’s “reversal of literary modes” in Storytelling. The reader will discover the reasons why they are laughing, new reasons to laugh, and new films that will provide new sources of laughter.
George R. R. Martin’s Wild Cards rampage through unrecorded history! Mike Mignola’s Hellboy battles the fiendish Nuckelavee! Can Camille Alexa’s Pinktastic prevent the end of the world? Will Jonathan Lethem’s Dystopianist cause the end of the world? In these pages, you’ll find the exploits, machinations, and epic mêlées of these superpowered aliens, undead crusaders, costumed crime fighters, unholy cabals, Amazon warriors, demon hunters, cyberpunk luchadores, nefarious megalomaniacs, daredevil sidekicks, atavistic avatars, adventuring aviators, gunslinging outlaws, love-struck adversaries, and supernatural detectives. In these twenty-eight astounding Super Stories, join larger-than-life heroes and villains in the never-ending battle of good versus evil!
This book covers over fifty years of television programs by the Hallmark Hall of Fame. Each program listed in the book contains a summary, the date when the program was originally broadcast and its length of time. Also listed is information such as the directors, writers, actors, and producers involved in each production.
