The epigraph for Howl is from Walt Whitman: "Unscrew the locks from the doors!/Unscrew the doors themselves from their jambs!" Announcing his intentions with this ringing motto, Allen Ginsberg published a volume of poetry which broke so many social...
Allen Ginsberg was the bard of the beat generation, and Howl, Kaddish and Other Poems is a collection of his finest work published in Penguin Modern Classics, including 'Howl', whose vindication at an obscenity trial was a watershed moment in twentieth-century history. 'I saw the best minds of my generation destroyed by madness, starving hysterical naked' Beat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. This new collection brings together the famous poems that made his name as a defining figure of the counterculture. They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'. Dark, ecstatic and rhapsodic, they show why Ginsberg was one of the most influential poets of the twentieth century. Allen Ginsberg (1926-97) was an American poet, best known for the poem 'Howl' (1956), celebrating his friends of the Beat Generation and attacking what he saw as the destructive forces of materialism and conformity in the United States at the time. He was inducted into the American Academy of Arts and Letters, was awarded the medal of Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, won the National Book Award for The Fall of America and was a co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, the first accredited Buddhist college in the Western world. If you enjoyed Howl, Kaddish and Other Poems, you might like Jack Kerouac's On the Road, also available in Penguin Modern Classics. 'The poem that defined a generation' Guardian on 'Howl' 'He avoids nothing but experiences it to the hilt' William Carlos Williams
Beat movement icon and visionary poet, Allen Ginsberg was one of the most influential poets of the twentieth century, and broke boundaries with his fearless, pyrotechnic verse. The apocalyptic 'Howl', originally written as a performance piece, became the subject of an obscenity trial when it was first published in 1956. It is considered to be one of the defining works of the Beat Generation, standing alongside that of Burroughs, Kerouac, and Corso. In it, Ginsberg attacks what he saw as the destructive forces of materialism and conformity in the United States at the time, and takes on issues of sex, drugs and race, simultaneously creating what would become the poetic anthem for US counterculture.
Visionary poet Allen Ginsberg was one of the most influential cultural and literary figures of the 20th century, his face and political causes familiar to millions who had never even read his poetry. And yet he is a figure that remains little understood, especially how a troubled young man became one of the intellectual and artistic giants of the postwar era. He never published an autobiography or memoirs, believing that his body of work should suffice. The Essential Ginsberg attempts a more intimate and rounded portrait of this iconic poet by bringing together for the first time his most memorable poetry but also journals, music, photographs and letters, much of it never before published.
First published in 1956, Allen Ginsberg's Howl is a prophetic masterpiece—an epic raging against dehumanizing society that overcame censorship trials and obscenity charges to become one of the most widely read poems of the century. This annotated version of Ginsberg's classic is the poet's own re-creation of the revolutionary work's composition process—as well as a treasure trove of anecdotes, an intimate look at the poet's writing techniques, and a veritable social history of the 1950s.
To celebrate the 50th anniversary of Howl and Other Poems, with nearly one million copies in print, City Lights presents the story of editing, publishing and defending Allen Ginsberg’s landmark poem within a broader context of obscenity issues and censorship of literary works. This collection begins with an introduction by publisher Lawrence Ferlinghetti, who shares his memories of hearing Howl first read at the 6 Gallery, of his arrest and of the subsequent legal defense of Howl’s publication. Never-before-published correspondence of Ginsberg, Ferlinghetti, Kerouac, Gregory Corso, John Hollander, Richard Eberhart and others provides an in-depth commentary on the poem’s ethical intent and its social significance to the author and his contemporaries. A section on the public reaction to the trial includes newspaper reportage, op-ed pieces by Ginsberg and Ferlinghetti and letters to the editor from the public, which provide fascinating background material on the cultural climate of the mid-1950s. A timeline of literary censorship in the United States places this battle for free expression in a historical context. Also included are photographs, transcripts of relevant trial testimony, Judge Clayton Horn’s decision and its ramifications and a long essay by Albert Bendich, the ACLU attorney who defended Howl on constitutional grounds. Editor Bill Morgan discusses more recent challenges to Howl in the late 1980s and how the fight against censorship continues today in new guises.
Lawrence Ferlinghetti’s name does not appear in any First Amendment treatise or casebook. And yet when the best-selling poet and proprietor of City Lights Books was indicted under California law for publishing and selling Allen Ginsberg’s poem, Howl, Ferglinghetti buttressed the tradition of dissident expression and ended an era when minds were still closed, candid literature still taboo, and when selling banned books was considered a crime. The People v. Ferlinghetti is the story of a rebellious poet, a revolutionary poem, an intrepid book publisher, and a bookseller unintimidated by federal or local officials. There is much color in that story: the bizarre twists of the trial, the swagger of the lead lawyer, the savvy of the young ACLU lawyer, and the surprise verdict of the Sunday school teacher who presided as judge. With a novelist’s flair, noted free speech authorities, Ronald K. L. Collins and David Skover tell the true story of an American maverick who refused to play it safe and who in the process gave staying power to freedom of the press in America. The People v. Ferlinghetti will be of interest to anyone interested the history of free speech in America and the history of the Beat poets.
"Reality Sandwiches" is a book of poetry by Allen Ginsberg published in 1963. The title comes from one of the included poems, "On Burroughs' Work": "A naked lunch is natural to us,/we eat reality sandwiches." The book is dedicated to friend and fellow Beat poet Gregory Corso. Despite Ginsberg's feeling that this collection was not his most significant, the poems still represent Ginsberg at a peak period of his craft. Contents: My Alba Sakyamuni Coming Out From The Mountain The Green Automobile Havana 1953 Siesta In Xbalba And Return To The States On Burroughs' Work Love Poem On Theme By Whitman Over Kansas Malest Cornifici Tuo Catullo Dream Record: June 8, 1955 Fragment 1956 A Strange New Cottage In Berkeley Sather Gate Illumination Scribble Afternoon Seattle Psalm III Tears Ready To Roll Wrote This Last Night Squeal American Change 'Back On Times Square, Dreaming Of Times Square' My Sad Self Battleship Newsreel I Beg You Come Back & Be Cheerful To An Old Poet In Peru Aether Fearfully Waiting Answer, A Magic Universe Have Felt Same Before Soundy Time, I Hear Again! Einstein Books' edition of "Reality Sandwiches" contains supplementary texts: * Selected Poems From Empty Mirror, By Allen Ginsberg. * Howl, By Allen Ginsberg. * A Few Selected Quotes Of Allen Ginsberg.