Forty years after Life magazine sent writer Gilbert Moore and photographer Howard Bingham to document and tell the story of the Black Panthers. The very secretive Panthers and their Minister of Information, Eldridge Cleaver would only allow Life to do the story if Bingham was the photographer. Bingham and Moore followed the Panthers for months from Oakland to New York to Los Angeles only to have the story pulled due to a disagreement between Moore and the magazine. Now, Forty years later, these photographs and their story will finally be published. The book will include interviews with Bingham and Moore about the assignment, the Black Panthers and their place in history.
Forty years after "Life" magazine sent writer Gilbert Moore and photographer Bingham to document and tell the story of the Black Panthers--a story that was eventually pulled due to a disagreement between Moore and the magazine--the photographs and their story are finally being published.
Following his groundbreaking explorations of the blues and American popular music in Escaping the Delta and How the Beatles Destroyed Rock 'n' Roll, Elijah Wald turns his attention to the tradition of African American street rhyming and verbal combat that ruled urban neighborhoods long before rap: the viciously funny, outrageously inventive insult game called "the dozens."At its simplest, the dozens is a comic concatenation of "yo' mama" jokes. At its most complex, it is a form of social interaction that reaches back to African ceremonial rituals. Whether considered vernacular poetry, verbal dueling, a test of street cool, or just a mess of dirty insults, the dozens has been a basic building block of African-American culture. A game which could inspire raucous laughter or escalate to violence, it provided a wellspring of rhymes, attitude, and raw humor that has influenced pop musicians from Jelly Roll Morton to Ice Cube. Wald explores the depth of the dozens' roots, looking at mother-insulting and verbal combat from Greenland to the sources of the Niger, and shows its breadth of influence in the seminal writings of Richard Wright, Langston Hughes, and Zora Neale Hurston; the comedy of Richard Pryor and George Carlin; the dark humor of the blues; the hip slang and competitive jamming of jazz; and most recently in the improvisatory battling of rap. A forbidden language beneath the surface of American popular culture, the dozens links children's clapping rhymes to low-down juke joints and the most modern street verse to the earliest African American folklore.In tracing the form and its variations over more than a century of African American culture and music, The Dozens sheds fascinating new light on schoolyard games and rural work songs, serious literature and nightclub comedy, and pop hits from ragtime to rap.
A stunning portrait captured in the never-before-published work of an award-winning photographer. Combining the best elements of photo documentary, portraiture, and sports photography, Bingham captures Ali the public figure, in the ring and out, surrounded by the biggest stars of stage, screen, and sports.
The electrifying story of the turbulent year when the sixties ended and America teetered on the edge of revolution NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE ST. LOUIS POST-DISPATCH As the 1960s drew to a close, the United States was coming apart at the seams. From August 1969 to August 1970, the nation witnessed nine thousand protests and eighty-four acts of arson or bombings at schools across the country. It was the year of the My Lai massacre investigation, the Cambodia invasion, Woodstock, and the Moratorium to End the War. The American death toll in Vietnam was approaching fifty thousand, and the ascendant counterculture was challenging nearly every aspect of American society. Witness to the Revolution, Clara Bingham’s unique oral history of that tumultuous time, unveils anew that moment when America careened to the brink of a civil war at home, as it fought a long, futile war abroad. Woven together from one hundred original interviews, Witness to the Revolution provides a firsthand narrative of that period of upheaval in the words of those closest to the action—the activists, organizers, radicals, and resisters who manned the barricades of what Students for a Democratic Society leader Tom Hayden called “the Great Refusal.” We meet Bill Ayers and Bernardine Dohrn of the Weather Underground; Daniel Ellsberg, the former Defense Department employee who released the Pentagon Papers; feminist theorist Robin Morgan; actor and activist Jane Fonda; and many others whose powerful personal stories capture the essence of an era. We witness how the killing of four students at Kent State turned a straitlaced social worker into a hippie, how the civil rights movement gave birth to the women’s movement, and how opposition to the war in Vietnam turned college students into prisoners, veterans into peace marchers, and intellectuals into bombers. With lessons that can be applied to our time, Witness to the Revolution is more than just a record of the death throes of the Age of Aquarius. Today, when America is once again enmeshed in racial turmoil, extended wars overseas, and distrust of the government, the insights contained in this book are more relevant than ever. Praise for Witness to the Revolution “Especially for younger generations who didn’t live through it, Witness to the Revolution is a valuable and entertaining primer on a moment in American history the likes of which we may never see again.”—Bryan Burrough, The Wall Street Journal “A rich tapestry of a volatile period in American history.”—Time “A gripping oral history of the centrifugal social forces tearing America apart at the end of the ’60s . . . This is rousing reportage from the front lines of US history.”—O: The Oprah Magazine “The familiar voices and the unfamiliar ones are woven together with documents to make this a surprisingly powerful and moving book.”—New York Times Book Review “[An] Enthralling and brilliant chronology of the period between August 1969 and September 1970.”—Buffalo News “[Bingham] captures the essence of these fourteen months through the words of movement organizers, vets, students, draft resisters, journalists, musicians, government agents, writers, and others. . . . This oral history will enable readers to see that era in a new light and with fresh sympathy for the motivations of those involved. While Bingham’s is one of many retrospective looks at that period, it is one of the most immediate and personal.”—Booklist
This compact volume offers a compelling introduction to a group once deemed the greatest threat to the internal security of the United States, the Black Panther Party. In a time when African Americans' widespread tactic of direct, nonviolent protest was seen as the most effective way to fight for racial justice, the Black Panthers' confrontational style and critiques of local law enforcement throughout the nation defied both civil rights orthodoxy and white authority. The Black Panther Party: A Guide to an American Subculture situates the Black Panther Party within the shifting political terrain of the African American freedom struggle of the late 1960s and early 1970s. In an era when African Americans were assumed to have secured their basic constitutional rights, the Black Panther Party stood firm to remind black people and the nation that despite the gains of the Civil Rights Movement, social, economic, and political equality had not been achieved for large segments of African Americans, and that more needed to be done locally and nationally. Organized geographically, the book examines Black Panther Party chapters and affiliates throughout the United States. It covers the Panthers' most important developments and challenges, paying particular attention to local realities as they varied throughout the nation—from Oakland, California to New Haven, Connecticut.
To attempt to study Scripture without studying its law is to deny it. To attempt to understand Western civilization apart from the impact of Biblical law within it and upon it is to seek a fictitious history and to reject twenty centuries and their progress. The Institutes of Biblical Law has as its purpose a reversal of the present trend. it is called "Institutes" in the older meaning of the that word, i.e., fundamental principles, here of law, because it is intended as a beginning, as an instituting consideration of that law which must govern society, and which shall govern society under God. To understand Biblical law, it is necessary to understand also certain basic characteristics of that law. In it, certain broad premises or principles are declared. These are declarations of basic law. The Ten Commandments give us such declarations. A second characteristics of Biblical law, is that the major portion of the law is case law, i.e., the illustration of the basic principle in terms of specific cases. These specific cases are often illustrations of the extent of the application of the law; that is, by citing a minimal type of case, the necessary jurisdictions of the law are revealed. The law, then, asserts principles and cites cases to develop the implications of those principles, with is purpose and direction the restitution of God's order.
This book weaves together critical components of student development and community building for social justice to prepare students to engage effectively in community-campus partnerships for social change. The author combines diverse theoretical models such as critical pedagogy, asset-based community development, and healing justice with lessons from programs promoting indigenous knowledge, decolonization, and mindfulness. Most importantly, this book links theory to practice, offering service-learning classroom activities, course and community partnership criteria, learning outcomes, and assessment rubrics. It speaks to students, faculty, administrators, and community members who are interested in utilizing community engagement as a vehicle for the development of students and communities towards wellbeing and social justice.
Now an HBO film! Catch the premiere this fall. In 1966 Muhammad Ali announced his intention to refuse induction into the United States Army as a conscientious objector. This set off a five-year battle that would strip him of his world heavyweight title, bar him from boxing, and nearly send him to prison—all at the peak of his career as the greatest boxer in history. Ali defiantly proclaimed his refusal to go to war with the assertion that it violated his beliefs as a black Muslim. The subsequent legal battle proved to be a test tougher than fighting Sonny Liston, Joe Frazier and George Foreman combined. Framed with photos from Ali's photographer and good friend Howard Bingham, Muhammad Ali's Greatest Fight is the extraordinary story of the greatest challenge to the greatest champion of the century.
