How To Scare A Monster - The Philosophy of Monsters, Inc.

How To Scare A Monster - The Philosophy of Monsters, Inc.

Author: Andrea Schäfer

Publisher: GRIN Verlag

Published: 2007-02-17

Total Pages: 15

ISBN-13: 3638611582

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Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Freiburg, course: Monsters, Monstrosoty and Alterity In Fiction and Film, language: English, abstract: The commercial slogan of the biggest power authority in Monstropolis sounds like a common saying that could also be heard in our TV and Radio programmes. And this slogan is not the only odd similarity between our human world and the movieMonsters, Inc.(2001). The movie, one of the latest works developed by Pixar Animation Studios in cooperation with Walt Disney Pictures, is an animated movie for children that sets in a parallel universe, namely a world of monsters: Monstropolis. While this movie was not only extremely successful in the Box office and nominated for an Academy Award in 2002 for Best Animated Feature, there is a lot more to discover beyond its surface. Considering the fact that “Monsters, Inc.” is a movie made for young people, especially for little children (rated TV-G in the US) the film needs to meet some expectations. It is clear that this movie is supposed to be funny, entertaining and suitable for children. At the same time it should be fun for the whole family, not only for the kids, because the parents form the audience that pays for the movie. Additionally, movies for kids are generally expected to fulfil a pedagogical task, as most of Disney’s movies do. There is always the plea for tolerance, equality and kindness in Disney-films, like inMulan, TarzanorThe Beauty and the Beast.The story inMonsters, Inc.however, is set on a much more complex basis than the movies that have been produced by Disney so far. The image of the monster behind closet doors and under the beds of little children - usually rather nightmarish material - is used to create a whole world beyond the scary creatures. This term paper serves to provide a closer look at how the monster is presented in the movie and how this typology can be compared to the common image or stereotype of a monster as well as providing a re-framing of the concept on the basis of monster theory in literature. There will also be a short discussion of how the characters in the movie are adopting human qualities while creating an everyday-life and whether this device is only applied in entertaining the audience. In a final step, there will be an examination on how this fact influences the story in an inverse manner and thus creates a comical and ironic view on the common concepts of a monster.


Monsters Get Scared of Doctors, Too

Monsters Get Scared of Doctors, Too

Author: Random House Disney

Publisher: RH/Disney

Published: 2004

Total Pages: 20

ISBN-13: 9780736421966

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The Monsters Get Scared, Too series continues! Sulley has a bad cold and needs to get better quick so he can go back to work. But the big furry monster is afraid to go to the doctor! Will Sulley muster up the courage to get the help he needs? Find out in this 16-page storybook with stickers!


Leonardo the terrible monster

Leonardo the terrible monster

Author: Mo Willems

Publisher:

Published: 2007

Total Pages: 42

ISBN-13: 9781406308075

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Leonardo is a terrible monster. He can't seem to frighten anyone. Then, one day, he meets a nervous boy called Sam and finds out that being a good friend is a whole lot more rewarding than trying to scare people.


Monsters University: Dare to Scare

Monsters University: Dare to Scare

Author: Disney Books

Publisher: Disney Electronic Content

Published: 2013-05-28

Total Pages: 68

ISBN-13: 1423199073

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Mike Wazowski and James P. "Sulley" Sullivan are an inseparable pair, but that wasn''t always the case. When these two mismatched monsters met, they couldn''t stand each other! In this chapter book retelling of Monsters University, the prequel to Disney/Pixar''s blockbuster hit Monsters, Inc., learn how Mike and Sulley overcame their differences and became the best of friends.


Monster theory [electronic resource]

Monster theory [electronic resource]

Author: Jeffrey Jerome Cohen

Publisher: U of Minnesota Press

Published: 1996-11-15

Total Pages: 331

ISBN-13: 1452900558

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The contributors to Monster Theory consider beasts, demons, freaks and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.


Sophie's World

Sophie's World

Author: Jostein Gaarder

Publisher: Farrar, Straus and Giroux

Published: 2007-03-20

Total Pages: 599

ISBN-13: 1466804270

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A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.


The Difficult Good

The Difficult Good

Author: Daniel McInerny

Publisher: Fordham Univ Press

Published: 2006

Total Pages: 238

ISBN-13: 9780823226214

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The claim that human agents are vulnerable to tragic conflict, situations in which one cannot help but do wrong, is a commonplace in contemporary moral philosophy. This book draws on Thomas Aquinas's moral thought in order to delineate an alternative view. While affirming that the human good can be attained only through difficulty, including the difficulty of moral conflict, it argues that Aquinas's understanding of a natural, hierarchical ordering of human goods allows for the rational resolution of moral conflict in a way that avoids tragic necessity.


The Pixar Theory

The Pixar Theory

Author: Jon Negroni

Publisher:

Published: 2015-06-04

Total Pages:

ISBN-13: 9780996396219

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"Every Pixar movie is connected. I explain how and possibly why." These are the words that began the detailed essay now known as "The Pixar Theory," which came out way back in 2013. It collected over 10 million views on Jon's blog alone, and was syndicated on Buzzfeed, Mashable, Huffpost, Entertainment Weekly, and more - generating over 100 million impressions and now translated into a dozen languages. Now, these thoughts and ideas first written by Jon Negroni have been fully realized inside this book, aptly named The Pixar Theory. In this book, you'll find an analysis of every single Pixar movie to date and how it tells a hidden story lurking behind these classic movies. You'll learn about how the toys of Toy Story secretly owe their existence to the events of The Incredibles. You'll learn about what truly happened to the civilization of cars from Cars before the events of WALL-E. And of course, you'll find out the possible truth for why "Boo" of Monsters Inc. is the most important Pixar character yet. Welcome to the Pixar Theory. Don't forget to fasten your imagination.


The Philosophy of Horror

The Philosophy of Horror

Author: Noel Carroll

Publisher: Routledge

Published: 2003-09-02

Total Pages: 502

ISBN-13: 113596503X

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Noel Carroll, film scholar and philosopher, offers the first serious look at the aesthetics of horror. In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified?