‘Your job is to go out there, grab the audience by the balls, and drag them up on stage with you!’ I was flabbergasted. This I understood. A language that I spoke – had spoken most of my life. It was the best acting note I ever got. John Wood grew up in working-class Melbourne; when he failed out of high school, an employment officer told him, ‘You have the mind of an artist and the body of a labourer.’ And so John continued to pursue his acting dreams in amateur theatre, sustaining himself by working jobs as a bricklayer, a railway clerk and even in the same abattoir as his father. When he won a scholarship to NIDA, in Sydney, it moved John into a new and at times baffling world, full of extraordinary characters. It was the start of a decades-long acting career, most famously on shows such as Rafferty’s Rules and Blue Heelers, where his charm made him beloved in households across the country. His popularity was such that he was nominated for a Gold Logie nine times in a row, finally culminating in a win in 2006. How I Clawed My Way to the Middle is a beguiling memoir from one of Australia’s most cherished actors on both stage and screen. Full of humility, warmth and humour, it tells of the ephemeral nature of theatre, the luminous personalities John encountered along the way, and the perilous reality of life as a professional actor in Australia.
"This is a work of genius, a metaphor-studded treasure chest, filled with wisdom for anyone willing to go look. I've already ordered ten copies." -- SETH GODIN, bestselling author of THE ICARUS DECEPTION --"Fun and insightful lessons from a man who's lived life on his terms." -- KAMAL RAVIKANT, bestselling author of LOVE YOURSELF LIKE YOUR LIFE DEPENDS ON IT HAVE YOU EVER: --Wished you were someone else? --Struggled to fit in with the crowd at school, at work, at the local American Legion Post? --Said something hurtful to your beloved for no apparent reason? --Regretted the choices you've made to stay safe and secure? I'M NOT FOR EVERYONE. NEITHER ARE YOU. Is a highly concentrated, straight-to-the-bloodstream three part collection of axioms designed to help you to discover your singular inner style and to best express it in all of your personal and professional relationships. Without apology. Written down as "notes to myself" over the course of eight decades plus as a dancer/advertising superstar/performer/playwright/author, David Leddick teaches us that how you see yourself is how others see you So find your own style and express it as freely as you would a work of art.
In the twenties, Edwin Hubble identified the galactic structure and expansion of the Universe. Many consider his discoveries as important as the work of Albert Einstein. Hubble Time explores the private lives of Edwin and Grace Hubble and their compelling legacy. This stylish “autobiography” is written by Hubble’s fictional granddaughter, Jane. It contains excerpts from Grace Hubble’s actual diaries as well as previously unpublished material by the Hubbles’ intimate friends Aldous Huxley and Anita Loos. In her nightly journal entries, Jane meditates on her grandparents’ clever set, which encapsulated the style and wit of Los Angeles in the thirties and forties, and she reflects wryly on living alone in Los Angeles today.
Did You Just Call Me Old Lady? is an upbeat look at aging and the impacts of Canada’s increasingly aged population through the eyes of a ninety-year-old woman. Far from seeing older citizens as a burden and a strain on our public health care system, Lillian Zimmerman gracefully, and often humourously, argues that long-livers are able to live fulfilling lives and make valuable contributions to society. Zimmerman illustrates how prevalent ageism - the dislike and prejudice against old people - is in society, media and popular culture, showing how language, advertisements for products to alleviate bodily failings, and jokes about memory loss and sexual infirmity are all examples of ageism, inevitably framing and fuelling negative attitudes towards older people. Ageism, much like sexism and racism, needs to be part of the conversations around social justice and anti-oppression. Zimmerman also recognizes that there are huge challenges to aging, some of which she has experienced herself, and that serious illnesses, mental deficiencies, low income and isolation are realities for some seniors. However, Zimmerman’s analysis shows that many of these problems result from inefficient management and poor policies.
Our heroine, a moderately successful TV writer in L.A., wants her life to be as sunny and perfect as a Hollywood rom-com: a cool job, a wacky best friend, and lots of age-appropriate hot guys just dying to date her. Instead, she’s a self-described spinster who is swimming in anxiety and just might have a tiny little brain tumor. So she turns to an unlikely source for inspiration: the eighteenth-century novelist and diarist Frances Burney, who pretty much invented the chick-lit novel. A semi-autobiographical unromantic comedy, The Spinster Diaries is a laugh-out-loud satire of both the TV business and the well-worn conventions of chick lit—as well as the true tale of the forgotten writer who inspired Jane Austen to greatness. It's an endearing and refreshingly honest testament to how one person’s life can reach out across the centuries to touch another’s.
A New York Times Best Cookbook of Fall 2016 • A warm and inviting guide to turning birthdays, holidays, and everyday occasions into cherished traditions, with more than 100 time-tested recipes—from the creator of the popular blog and book Dinner: A Love Story and author of the New York Times bestseller Dinner: The Playbook “Families crave rituals,” says Jenny Rosenstrach, and by rituals she means not just the big celebrations—Valentine’s Day dinners, Mother’s Day brunches, Halloween send-offs, Thanksgiving feasts, holiday cocktail parties—but the little ones we may not even realize are rituals: a platter of deluxe nachos on Super Bowl Sunday, or a bowl of creamy mashed potatoes after every braces-tightening session. Whether simple or elaborate, daily or annual, these rituals all serve the same purpose for Rosenstrach: to bring comfort, connection, and meaning to every day. 100+ recipes, including: • popovers, apple fritters, and golden pancakes, perfect for sleepover mornings or birthday breakfasts • “Interfaith Sliders”: one version with ham and another with brisket • Rosenstrach’s legendary chocolate Mud Cake—plus an entire section on birthdays, including a one-size-fits-all party planner that does not rely on pizza • complete menus for Thanksgiving, Christmas, and New Year’s Eve • and, of course, dozens of Rosenstrach’s signature family dinners: Grilled Soy-Glazed Pork Chops, Harissa Roasted Chicken, Crispy Chickpeas with Yogurt Sauce and Naan, Grilled Spicy Shrimp Tacos with Avocado Butter and Summer Cabbage, and more In this digital, overscheduled age, How to Celebrate Everything helps families slow down, capture the moments that matter—and eat well while doing it. Praise for How to Celebrate Everything “I have been an ardent fan of Jenny Rosenstrach’s beautiful writing for years. I always know that every word of her books will be something to savor, and How to Celebrate Everything will strike a chord with anyone who enjoys family, friends, and delicious food.”—Ree Drummond, New York Times bestselling author of The Pioneer Woman Cooks “Enjoy How to Celebrate Everything for the easy-to-follow recipes. But even more satisfying are the wonderful anecdotes of family life and [Jenny Rosenstrach’s] genial examination of the lasting role that food plays in our lives beyond the plate.”—Family Circle (September “What We’re Reading” Pick) “With characteristic warmth and humor, [Rosenstrach] urges readers to ritualize and celebrate the small moments in family life by sharing stories from her own. . . . Rosenstrach is a skilled storyteller and introduces each occasion with an engaging essay before offering up the much-loved recipes that inspired it. . . . A delicious and delightful ode to the ways family and food intertwine, reinforcing each other.”—Booklist “Featured recipes are proven kid friendly and presented with humorous mommy angst and nostalgic commentary . . . Rosenstrach inspires, reminding us that the real celebration is family itself.”—Publishers Weekly “This well-designed cookbook comes with a side helping of lifestyle inspiration.”—Library Journal
One of Indigo’s Most Anticipated Canadian Books A passionate advocate for gender equity, and one of our most respected journalists, explores the most pressing issues facing women in Canada today with humour and heart. The fight for women’s rights was supposed to have been settled. Or, to put it another way, women were supposed to have settled—for what we were grudgingly given, for the crumbs from the table that we had set. For thirty per cent of the seats in Canada’s Parliament; for five per cent of the CEO’s offices; for a tenth of the salary of male athletes; for the tiny per cent of sexual assault cases that result in convictions; for tenuous control over our health and bodies. "Aren’t we over it yet? No, we’re not," Elizabeth Renzetti writes. In this book, Renzetti draws upon her own life story and her years as an award-winning journalist at the Globe and Mail, where her columns followed the trajectory of women's rights. Forcefully argued, accessible, and witty, What She Said explores a range of issues: the increasingly hostile world of threats that deter young women from seeking a role in public life; the use of non-disclosure agreements to silence victims of sexual harassment and assault; the inadequacy of access to health care and reproductive justice, especially as experienced by Indigenous and racialized women; the ways in which future technologies must be made more inclusive; the disparity in pay, wealth, and savings, and how women are not yet socialized to be the best financial managers they can be; the imbalanced burden of care, from emotional labour to child care. Renzetti explores the nuance of these issues, so often presented as divisive, with humour and sympathy, in order to unite women at a time when women must work together to protect their fundamental right to exist fully and freely in the world. What She Said is a rallying cry for a more just future.
Wake Me Up Inside is a ghost story centered around Paige Maddison, a strong teen-age heroine. Paige is disturbed by nightmares of places she has never seen, and visions of a girl haunting her dreams. She is angry because she must move with her parents to an estate called O'Brien Manor, to help her estranged grandparents, one of whom is in ill health. As luck would have it, Paige meets Bradley Adam Parkman. Together they explore the estate and although they experience paranormal activity, neither one wants to discuss it in case the other would find them crazy. Paige stumbles onto a forgotten cemetery and a piece of a stone tablet. She is instantly curious and obsessed with what it is? During this quest, her grandfather's health fails and Paige bears the burden of solving a family secret which is tied to an evil spirit haunting the estate. Will Paige uncover the mystery of O'Brien Manor before it's too late? It's a page turner and will leave you feeling haunted. Reviews for Wake Me Up Inside: John Robert Colombo, author/anthologist and Canada's Master Gatherer had this to say: In Praise of Wake Me Up Inside: "It was an amazing feeling .... " So begins this lively short first novel written by Lee Bice-Matheson... then it transports the reader to "the Manor" where life is rather different, both demanding and rewarding! The author deserves to be congratulated, for she has found a style that moves along in a sprightly fashion. She spares the reader the descriptive passages found in most first novels in favour of rewarding the reader with reams of lively speech. The result is that young Paige is very much alive, she enters into relationships, and she turns out to be something of an acrobat, for she leaps off the page! Amazon reviewer declared 'Move over James Patterson, there's a new kid in town! 5 stars C. Harkin, Fitzhenry & Whiteside said 'This portion of a tale of the supernatural connects the world that teens will know and be familiar with to the terrifying concept of ghosts and the unexplained.'...
This digital edition of DEAD LINES includes a new foreword by David Niall Wilson, as well as an Author's Foreword by Criag Spector, and an Afterword by John Skipp. DEAD LINES is about a young writer/artist type, Jack Rowan, in NYC, whose career never took off. Hs life is in the toilet. He's broken up with his girlfriend and crashing on the couch of his more successful photographer friend, Glen's, loft while Glen is off in LA on a shoot. In the first chapter, Jack finishes his manuscript — a collection of short stories titled NIghtmare NYC — swigs off a bottle of vodka, then boxes the manuscript up, writes DO NOT OPEN UNTIL DOOMSDAY on it, and hides it in a crawlspace in his friend's apartment. Then he walks up a ladder he set up in the living room, puts the rope he knotted to a steam pipe around his neck/ He takes one last swig off the bottle, looks at a photo in his hand of himself and a woman, says, look what you made me do. Then he tosses the bottle and pitches off the ladder. The rope goes taut. Jack's neck snaps as he pinwheels around in mid-air, knocking over the ladder, swinging wildly as he hangs himself. Finally he goes still. His body hangs there for weeks, visible thru the fourth floor windows of the loft… if anyone was looking, which no one is. He remains there until Glen gets back. Glenn freaks out and promptly moves out. The loft is renovated for new tenants — a couple of girls who don't know each other move in. One, Meryl, is from a wealthy family in Boston and trying to escape her overbearing father by going to college at NYU; the other, Katie, is a waitress who used to know Glenn… and Jack. Meryl convinces Katie to pretend to be her roommate to get Meryl's father off her back. At first Katie says no thanks, but then she goes back to her Svengali-esque boyfriend Colin's apartment (where she lives) and finds him in bed with two girls — customers, as Colin is a low level drug dealer and all around scumbag. They fight. Katie shows back up on Meryl's doorstep that night and takes her up on the offer. Meryl is surprised…. she wasn't expecting a roommate for real — but Katie has no place to go, she Meryl lets her crash there. They start to become friends. One night while Meryl is fixing up her room, she finds the box containing Jack's lost manuscript. She starts to read the stories and becomes intrigued with this 'mystery' writer and his dark, brooding, moody vision of the city. What neither Meryl nor Katie realize, is that Jack's soul, upon the moment of his death, literally imploded into the atomic substructure of the apartment — frozen, in a kind of tormented limbo, forever. Until Meryl starts reading his stories… and the sheer energy of her reading his words in bed each night, and fantasizing about him, starts to bring him back. His soul coalesces; bit by bit, awareness and consiousness returns. Suddenly, he's back, and he's Jack — but he's dead, a presence haunting the loft, which is his prison now. But Meryl keeps reading, drawn deeper into his world each night. By day she searches for him in bookstores — but his work has never been published. She see echoes of his images on the streets of the city. She can feel his presence thru his stories. Her nightly fantasies become dreams… and the power of her dreams allows Jack to visit her, succubus-like, a night lover in spirit.
A revelatory memoir that earnestly reckons with whiteness. As the product of progressive parents and a liberal upbringing, Garrett Bucks prided himself on the pursuit of being a “good white person.” The kind of white person who treats their privilege as a responsibility and not a burden; the kind of white person who people of color see as the peak example of racial allyship; the kind of white person who other white people might model their own aspirations of being “better” after. But it’s Bucks obsession with “goodness” that prevents him from building meaningful relationships, particularly those who look like him. The Right Kind of White charts Garrett’s intellectual and emotional odyssey in his pursuit of this ideal whiteness, the price of its admission, and the work he’s doing to bridge the divide from those he once sought distance from.
