How are Peak Experiences Through Music Perceived ?

How are Peak Experiences Through Music Perceived ?

Author: Jamie Burnstein

Publisher:

Published: 2002

Total Pages: 49

ISBN-13:

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[Abstract] In this study I utilized the heuristic model of qualitative research to explore the question, "How are peak experiences through music perceived?" I went through all six phases of the heuristic model including the initial engagement, immersion into the question, the incubation period, illumination, explication, and a creative synthesis. When reviewing current literatures several studies related to my research question were found. This research was completed using open-ended interviews of five co-researchers and data from my immersion into personal peak experiences through music. I organized my data according to the heuristic research method and immerged myself within the data. As a result, four themes surfaced while handling the data according to heuristic research guidelines: I. Transcendence of Time and Space; II. The Experience as Being; III. Unifying Spiritual Experience; IV. The Experience as Therapeutic. The identified themes depict the essence of the peak experience through music as lived by the co researchers of this study. These research results can be used by music educators, spiritual advisors, and psychotherapists.


Peak Music Experiences

Peak Music Experiences

Author: Ben Green

Publisher: Routledge

Published: 2021-10-30

Total Pages: 195

ISBN-13: 1000474062

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Peak music experiences are a recurring feature of popular music journalism, biography and fan culture, where they are often credited as pivotal in people’s relationships with music and in their lives more generally. Ben Green investigates the phenomenon from a social and cultural perspective, including discussions of peak music experiences as sources of inspiration and influence; as a core motivation for ongoing musical and social activity; the significance of live music experiences; and the key role of peak music experiences in defining and perpetuating music scenes. The book draws from both global media analysis and situated ethnographic research in the dance, hip hop, indie and rock ‘n’ roll music scenes of Brisbane, Australia, including participant observation and in-depth interviews. These case studies demonstrate the methodological value of peak music experiences as a lens through which to understand individual and collective musical life. The theoretical analysis is interwoven with selected interview data, illuminating the profound and everyday ways that music informs people’s lives. The book will therefore be of interest to the interdisciplinary field of popular music studies as well as sociology and cultural studies beyond the study of music.


Achieving Peak Performance in Music

Achieving Peak Performance in Music

Author: Sarah Sinnamon

Publisher: Routledge

Published: 2020-09-28

Total Pages: 215

ISBN-13: 1000192156

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Achieving Peak Performance in Music: Psychological Strategies for Optimal Flow is a unique and comprehensive exploration of flow in music performance. It describes the optimal performance experiences of great musicians and outlines ten psychological steps that can be implemented to facilitate and enhance optimal experience. Achieving Peak Performance in Music reveals strategies used by experts to prepare themselves emotionally, cognitively, and physically for performance. Combining this information with research carried out amongst professional performers and knowledge gained from decades of study and research by psychologists on how to achieve a positive experience, the book guides readers on a pathway towards optimal performance. Using everyday language, it presents invaluable practical guidance and a toolbox of strategies to help with all aspects of performance, including memorisation, visualisation, focus, performance anxiety, thought management, motivation, and pre-performance routines. Based on psychological research, the book shares practical knowledge invaluable to music students, parents, and amateur and professional musicians. The strategies on performance provided are applicable to every type of performance, from a student exam to a gig or a concert, making Achieving Peak Performance in Music a significant resource for anyone looking to achieve peak performance.


Music in Our Lives

Music in Our Lives

Author: Gary E. McPherson

Publisher: OUP Oxford

Published: 2012-03-15

Total Pages: 264

ISBN-13: 0191625809

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Why do some children take up music, while others dont? Why do some excel, whilst others give up? Why do some children favour classical music, whilst others prefer rock? These are questions that have puzzled music educators, psychologists, and musicologists for many years. Yet, they are incredibly difficult and complex questions to answer. 'Music in our lives' takes an innovative approach to trying to answer these questions. It is drawn from a research project that spanned fourteen years, and closely followed the lives of over 150 children learning music - from their seventh to their twenty second birthdays. This detailed longitudinal approach helped the authors probe a number of important issues. For example, how do you define musical skill and ability? Is it true, as many assume, that continuous engagement in performance is the sole way in which those skills can be developed? What are the consequences of trends and behaviours observed amongst the general public, and their listening consumption. After presenting an overview and detailed case study explorations of musical lives, the book provides frameworks and theory for further investigation and discussion. It tries to present an holistic interpretation of these studies, and looks at their implications for musical development and education. Accessibly written by three leading researchers in the fields of music education and music psychology, this book makes a powerful contribution to understanding the dynamic and vital context of music in our lives.


The Psychology of Music

The Psychology of Music

Author: Elizabeth Hellmuth Margulis

Publisher:

Published: 2019

Total Pages: 159

ISBN-13: 0190640154

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The Psychology of Music: A Very Short Introduction seeks to answer fundamental questions of enduring interest, such as "What is musicality?" and "How does music move us?" In doing so, it reveals what happens when science attempts to confront some of the deepest questions about music.


Religions Values and Peak-Experiences

Religions Values and Peak-Experiences

Author: Abraham H. Maslow

Publisher: Rare Treasure Editions

Published: 2021-11-09T16:42:00Z

Total Pages: 223

ISBN-13: 177464391X

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One of the foremost spokesmen for the Third Force movement in psychology, Abraham H. Maslow here articulates one of his prominent theses: the "religious" experience is a rightful subject for scientific investigation and speculation and, conversely, the "scientific community" will see its work enhanced by acknowledging and studying the species-wide need for spiritual expression which, in so many forms, is at the heart of "peak-experiences" reached by healthy, fully functioning people.


Strong Experiences with Music

Strong Experiences with Music

Author: Alf Gabrielsson

Publisher: Oxford University Press

Published: 2011-09-29

Total Pages: 511

ISBN-13: 0199695229

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Strong Experiences in Music is a ground-breaking new book, developed from a long-running study into the effects of music. It draws on over two decades of research, and almost 1,000 participants, who describe, in their own words, their own unique and personal experiences of music.


The Oxford Handbook of Music Psychology

The Oxford Handbook of Music Psychology

Author: Susan Hallam

Publisher: Oxford University Press

Published: 2016-01-14

Total Pages: 985

ISBN-13: 0191034452

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The second edition of The Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast-growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future. The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, and points the direction for further development in the field. With contributions from internationally recognised experts across 55 chapters, it is an essential resource for students and researchers in psychology and musicology.


Psychological Perspectives on Musical Experiences and Skills

Psychological Perspectives on Musical Experiences and Skills

Author: Blanka Bogunović

Publisher: Open Book Publishers

Published: 2024-06-20

Total Pages: 233

ISBN-13: 180511221X

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Psychology of Music is a flourishing area of research in the Western Balkans. However, much of its findings and insights have remained relatively unknown outside the region. Psychological Perspectives on Musical Experiences and Skills features recent research from the Western Balkans, foregrounding its specific topics, methods, and influences, and bringing it into productive conversation with complementary research from Western Europe and further afield. The essays in this collection investigate the psychology of listening and performance and their relevance to music practice. Employing a range of research methodologies, they address divergent themes, from a cross-cultural understanding of aesthetic experiences and innovations to attract new audiences, to developmental perspectives on musical growth and the challenges of mastering performance skills. Authors reflect independently and collaboratively on how these psychological processes are shaped by the different traditions and geopolitical conditions inside and outside the Western Balkans. The result is a volume that emphasizes how musical experiences and practices happen not in isolation but in socio-cultural environments that contribute to their definition. This work will appeal to musicians, music educators, students, researchers, and psychologists with an interest in the psychology of music and exemplify ways forward in decolonizing academia.