In this epic fantasy series for fans of George R. R. Martin and Robin Hobb, Jewel Markess must contend with deadly court politics, and visions of looming magical threats. Jewel has been assigned the task of finding the entryways to the ancient undercity that lies beneath the streets of the empire’s capital in exchange for shelter for her and her den at House Terafin. But even with the aid of the most powerful First Circle Mage of the Order of Knowledge, Jewel’s search seems hopeless. All of the ways into the undercity seem to be magically disappearing before Jewel can lead the mage to them. And if they can’t find a means to reach the undercity, they will not be able to prevent the demon kin from achieving whatever they are planning. Then the unthinkable happens—a direct attack on House Terafin—and suddenly the stakes are raised to a whole new level....
* A Washington Post Notable Fiction Book of the Year * Named a Best Book of the Year by NPR, The Guardian, The Boston Globe, St. Louis Dispatch From the thrilling imagination of bestselling, award-winning Colm Tóibín comes a retelling of the story of Clytemnestra and her children—“brilliant…gripping…high drama…made tangible and graphic in Tóibín’s lush prose” (Booklist, starred review). “I have been acquainted with the smell of death.” So begins Clytemnestra’s tale of her own life in ancient Mycenae, the legendary Greek city from which her husband King Agamemnon left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war. Judged, despised, cursed by gods, Clytemnestra reveals the tragic saga that led to these bloody actions: how her husband deceived her eldest daughter Iphigeneia with a promise of marriage to Achilles, only to sacrifice her; how she seduced and collaborated with the prisoner Aegisthus; how Agamemnon came back with a lover himself; and how Clytemnestra finally achieved her vengeance for his stunning betrayal—his quest for victory, greater than his love for his child. House of Names “is a disturbingly contemporary story of a powerful woman caught between the demands of her ambition and the constraints on her gender…Never before has Tóibín demonstrated such range,” (The Washington Post). He brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra’s thirst for revenge, but applaud it. Told in four parts, this is a fiercely dramatic portrait of a murderess, who will herself be murdered by her own son, Orestes. It is Orestes’s story, too: his capture by the forces of his mother’s lover Aegisthus, his escape and his exile. And it is the story of the vengeful Electra, who watches over her mother and Aegisthus with cold anger and slow calculation, until, on the return of her brother, she has the fates of both of them in her hands.
The best stories subtly weave themes and characters and symbols into a stunning final tapestry. This Old Testament survey, written for family and classroom reading, reveals the rich weave that makes Scripture the Story of stories.
"Hubka argues that even "vernacular architecture" scholars tend to embrace a model for understanding home forms that relies on iconic architects and theories about how ideas proceed downward from aesthetic ideals to home construction, even though this model fails to adequately characterize the vast majority actual homes that people live in, particularly in recent times after the widespread growth of suburban America. This controversial book proposes new ways to categorize houses"--
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.
This book discusses developments in the history of British house names from the earliest written evidence (Beowulf's Heorot) to the twentieth century. Chapters 1 and 2 track changes from medieval naming practices such as Ceolmundingchaga and Prestebures, to present-day house names such as Fairholme and Oakdene: that is, the shift from recording the name of the householder (Sabelinesbury, 'Sabeline's manor'), the householder's occupation (le Taninghus, 'the tannery') and the appearance of the house (le Brodedore, 'the broad door'); to the five main categories still in use today: the transferred place-name (Aberdeen House), the nostalgically rural (Springfield), the commemorative (Blenheim Palace), the upwardly mobile (Vernon Lodge), and the latest fashion (Fernville). The development and demise of pub names and shop names such as la Worm on the Hope and the Golden Tea Kettle & Speaking Trumpet are detailed, and the rise of heraldic names such as the Red Lion is explained. Chapters 3-5 track the house name Sunnyside backwards in time to prehistory, through English, Latin, Scottish Gaelic, and the influence of Old Norse. Sunnyside's ancient origins lie in the Nordic practice of solskifte, a prehistoric method of dividing up land according to position of shadows, but the name was boosted in the eighteenth century by Nonconformists (especially Quakers), who took it to America, and in the nineteenth century by American celebrity influence. The book contains an appendix of the earliest London house names to the year 1400, and a gazetteer of historic Sunnysides.
Accompanying a 4 x 30 minute BBC TV series, this book provides four accounts of the evolution of the home by established writers in the field of architecture. They concentrate on different parts of the house, presenting a complete picture of the British house and home, its history and evolution.
Combining her other research with interviews of nearly fifty Italian immigrants of her grandparents' generation, Adria Bernardi has crafted a memorable oral history of a community of working-class immigrants. Bernardi tells their story clearly and with care, interspersing transcriptions and translations with her own recollections and interpretations of life among the Italian immigrants of Highwood.
The best stories subtly weave themes and characters and symbols into a stunning final tapestry. A House for My Name, written for family and classroom reading, reveals the rich weave that makes Scripture the Story of stories. Here, the review and thought questions found in the book are answered. Praise for A House for My Name: A House for My Name will lead you out of the house of bondage to Enlightenment reductionism, . . . helping you read, pray, and think like a Hebrew. -R. C. Sproul, Jr., Editor, Tabletalk magazine
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
