This anthology of dark, literary gifts, includes works by Donald R. Burleson, Mollie Burleson, Ramsey Campbell, Cody Goodfellow, T.E. Grau, Lois H. Gresh, Thomas Ligotti, and H.P. Lovecraft.
O Christmas Tree, O Christmas Tree... what lurks among thy branches... Christmas can be the most wonderful time of the year. Candy canes and hot cocoa. Snowmen and sleigh rides. The love and hope that the Nativity brings. Cold milk and warm cookies for Santa. Family, friends, and the cheerful laughter of children. But, beneath the festive wrapping paper and the gleam and glitter of the lights and tinsel, things less jubilant may lie in wait. The holiday season can bring love, peace, and benevolence... but it may also spawn a darkness lurking amid the shadowy boughs of the Christmas tree, ornaments that should have never seen the light of day, let along hung on festive branches, and bones that jingle and dance, in search of Santa's crimson suit... and the flesh that resides within. In this collection of harrowing holiday tales, Ronald Kelly leaves ten frightful and horrific gifts in the Christmas stockings that hang from the mantle of your cheerful fireplace. Ghastly and gruesome presents that slowly unwrap and burst into life while you are tucked, snug and warm, in your bed and take on nightmarish form in the icy winter hours of Christmas Eve, turning comfort and joy into terror and dread. Stories included in this collection: Jingle Bones The Skating Pond Depravity Road Heirlooms The Winds Within Then Came a Woodsman As for Me, My Little Brain Beneath the Branches Papa’s Exile The Peddler’s Journey
Eighteen stories of Christmas horror from bestselling, acclaimed authors including Scott Smith, Seanan McGuire, Josh Malerman, Michael Koryta, Sarah Pinborough, and many more. That there is darkness at the heart of the Yuletide season should not surprise. Charles Dickens' A Christmas Carol is filled with scenes that are unsettling. Marley untying the bandage that holds his jaws together. The hideous children--Want and Ignorance--beneath the robe of the Ghost of Christmas Yet to Come. The heavy ledgers Marley drags by his chains. In the finest versions of this story, the best parts are the terrifying parts. Bestselling author and editor Christopher Golden shares his love for Christmas horror stories with this anthology of all-new short fiction from some of the most talented and original writers of horror today.
Now with a reimagined look! Join a peasant boy who wants to be a knight in the laugh-out-loud funny, highly illustrated first book of the New York Times bestselling Once Upon a Tim chapter book series from Spy School author Stuart Gibbs. Tim is just a peasant, but he dreams big. He wants more out of life than to grow up to be a woodsman like his father. Unfortunately, the only route to success in the kingdom of Wyld is to be born a prince. Still, Tim is determined. He is brave and clever and always tries to do the right thing—even though he rarely gets the credit for it. Then news spreads that Princess Grace of the neighboring kingdom has been abducted by the evil Stinx and Prince Ruprecht needs a legion of knights to join him on his quest to rescue her. Tim finally has the lucky break he’s been waiting for, the opportunity to change his station in life. And even though he doesn’t know how to ride a horse or wield anything more deadly than a water bucket, he’s going to do whatever it takes to make sure his dream becomes a reality.
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
Film critic Steve Hutchison ranks, rates, and reviews 91 Christmas, 96 Halloween, 5 Easter, and 8 Valentine’s Day horror features on these pages. Celebrate the holidays in fear, every year!
Horror for the just the holiday of Halloween is just plain wrong, horror can happen on any day, and on any holiday. Santa can have a bad day, Easter bunny can end up in the wrong place. Things happen.
Film plays a vital role in the celebration of Christmas. For decades, it has taught audiences about what the celebration of the season looks like – from the decorations to the costumes and to the expected snowy weather – as well as mirrors our own festivities back to us. Films like It’s a Wonderful Life and Home Alone have come to play key roles in real-life domestic celebrations: watching such titles has become, for many families, every bit as important as tree-trimming and leaving cookies out for Santa. These films have exported the American take on the holiday far and wide and helped us conjure an image of the perfect holiday. Rather than settling the ‘what is a Christmas film?’ debate – indeed, Die Hard and Lethal Weapon are discussed within – Analyzing Christmas in Film: Santa to the Supernatural focuses on the how Christmas is presented on the deluge of occasions when it appears. While most Christmas films are secular, religion makes many cameos, appearing through Nativity references, storylines involving spiritual rebirth, the framing of Santa as a Christ-like figure and the all-importance of family, be it the Holy family or just those gathered around the dining table. Also explored are popular narratives involving battles with stress and melancholy, single parents and Christmas martyrs, visits from ghosts and angels, big cities and small towns, break-ups and make-ups and the ticking clock of mortality. Nearly 1000 films are analyzed in this volume to determine what the portrayal of Christmas reveals about culture, society and faith as well as sex roles, consumerism, aesthetics and aspiration.
This year Sharie's mother wants their family to celebrate Kwanzaa. And she has to work on a project with Caitlin, who insists on studying her family's Greek Christmas. Hannah, Sharie's best friend, invites her over for Hanukkah.