So jemand wie DICH, wird niemals jemand lieben wollen, flüstert die Stimme in meinem Kopf. Das ist die Angst die sich in Calliope festgenagt hat und die sie seid ihrer letzten Erfahrung nicht mehr loslässt. Calliope ist eine hoffnungslose Romantikerin, auf der verzweifelten Suche nach der wahren Liebe. Eines Abends wird sie zum Essen bei ihren Freunden eingeladen, die alle glückliche Beziehungen führen und damit die Einsamkeit in Calliope noch stärker hervorrufen. Doch dieser Abend, ist nicht wie jeder andere: Verborgene Gedanken werden entlüftet. Unbeschreibliche Gefühle betreten den Raum. Und es wird für eine Überraschung gesorgt. Ein junger Mann mit blauen Augen ist der neue Gast des Abends.
Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture - with major narrative impact.
In today’s globalized world, traditions of a national Self and a national Other no longer hold. This timely volume considers the stakes in our changing definitions of national boundaries in light of the unmistakable transformation of German and Dutch societies. Examining how the literature of migration intervenes in public discourses on multiculturality and including detailed analysis of works by the Turkish-German writers Emine Sevgi Özdamer and Feridun Zaimoglu and the Moroccan-Dutch writers Abdelkader Benali and Hafid Bouazza, New Germans, New Dutch offers crucial insights into the ways in which literature negotiates both difference and the national context of its writing.
He makes the rules. She breaks them all. A new start. It's the only thing keeping Allie Harper going, when she packs up her life and moves across the country to Woodshill, Oregon. She's about to start college, desperate to leave the ghosts of her past behind her. Even if that means never talking to her parents again. Now the hard part - finding an apartment before classes start. Just when it seems she'll have to live out of her car, Allie visits one more place. It's beautiful. With one exception: can she stand being roommates with campus bad boy Kaden White? Sure, Kaden is sexy with his tattoos and careless attitude, but he's also an arrogant jerk. With nowhere else to go, Allie moves in. The first thing Kaden does is make a set of rules. Either Allie obeys, or she's out: 1. Don't talk about your girl problems. 2. Keep your mouth shut if I bring someone home. 3. We will NEVER hook up. Easy enough, thinks Allie. Who would want to get involved with a brute like Kaden? But the more she gets to know him, the more she sees beyond his gruff facade. He, too, is harboring some painful secrets. For Kaden and Allie, it gets harder and harder to ignore the sparks between them. And the lines between the rules start to blur ... Begin Again is a beautiful romance that shows us just how possible it is to start over. To find freedom in heartbreak and love in the most unlikely places. About the author: Mona Kasten was born in Germany in 1992. Before devoting herself to writing, she studied Library and Information Science. She lives with her husband, cats, and countless books in northern Germany. She loves all forms of caffeine and taking long walks in the woods. Her favorite days are the ones when she can block out the world and just write. Mona loves to interact with her readers on Twitter @MonaKasten. Her website (in German) is www.monakasten.de
The development of German pop music represents a fascinating cultural mirror to the history of post-war Germany, reflecting sociological changes and political developments. While film studies is an already established discipline, German pop music is currently emerging as a new and exciting field of academic study. This pioneering companion is the first volume to provide a comprehensive overview of the subject, charting the development of German pop music from the post-war period 'Schlager' to the present 'Diskursrock'. Written by acknowledged experts from Germany, the UK and the US, the various chapters provide overviews of pertinent genres as well as focusing on major bands such as CAN, Kraftwerk or Rammstein. While these acts have shaped the international profile of German pop music, the volume also undertakes in-depth examinations of the specific German contributions to genres such as punk, industrial, rap and techno. The survey is concluded by an interview with the leading German pop theorist Diedrich Diederichsen. The volume constitutes an indispensible companion for any student, teacher and scholar in the area of German studies interested in contemporary popular culture.
Here are sixty stories, selected and retold by fairy-tale lover Linda Rode. Smaller folks, who have the stories read to them, as well as self-readers, will derive an equal amount of pleasure from this book. It is a comprehensive collection that will open up the wide, wide world of fairy tales and other folklore to children. A short annotation at the end of each story points out the land of origin and puts the stories from Africa, Europe, the East and other parts of the world in context with one another. Fiona Moodie’s evocative illustrations are drypoint etches printed by hand and painted afterwards – an intricate process that took more than two years to complete. The enchanting results make this book an art treasure for everyone privileged enough to receive it.
From the internationally best-selling author of The Simple Wild comes the continuation of a woman's journey to Alaska and a life she never imagined for herself. Calla Fletcher returns to Toronto a different person, struggling to find direction and still very much in love with the rugged bush pilot she left behind. When he unexpectedly makes a proposition she can't dismiss, Calla rushes back to Alaska to begin her future with Jonah. But she soon learns that even the best intentions can lead to broken promises: Jonah is gone more than he's home, and Calla feels isolated in their rural log cabin with harsh conditions that stretch far beyond the cold, dark, winter months. It's not the life Calla imagined for herself - but is it a life Calla can learn to love? Or is she destined to follow in her mother's fleeing footsteps after all?
This book/CD package guides readers and listeners on a journey through Franz Schubert's Winterreise song cycle, in which the composer set the poetry of Wilhelm Muller to music. The complete text of the 24 poems is presented in both German and English, with 116 b&w photographs of winter scenes on the facing pages. An introductory essay by Susan Youens (musicology, U. of Notre Dame) offers a critical examination of the song cycle. The music CD features a new recording of Winterreise, performed by baritone Paul Rowe and pianist Martha Fischer. Oversize: 10.25x10.25". Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
With his epic trilogy, The Sleepwalkers, Hermann Broch established himself as one of the great innovators of modern literature, a visionary writer-philosopher the equal of James Joyce, Thomas Mann, or Robert Musil. Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss. Whether he is writing about a neurotic army officer (The Romantic), a disgruntled bookkeeper and would-be assassin (The Anarchist), or an opportunistic war-deserter (The Relaist), Broch immerses himself in the twists of his characters' psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.
