A sharp and entertaining essay collection about the importance of multiple forms of love and friendship in a world designed for couples, from a laser-precise new voice. Sometimes it seems like there are two American creeds, self-reliance and marriage, and neither of them is mine. I experience myself as someone formed and sustained by others' love and patience, by student loans and stipends, by the kindness of strangers. Briallen Hopper's Hard to Love honors the categories of loves and relationships beyond marriage, the ones that are often treated as invisible or seen as secondary--friendships, kinship with adult siblings, care teams that form in times of illness, or various alternative family formations. She also values difficult and amorphous loves like loving a challenging job or inanimate objects that can't love you back. She draws from personal experience, sharing stories about her loving but combative family, the fiercely independent Emerson scholar who pushed her away, and the friends who have become her invented or found family; pop culture touchstones like the Women's March, John Green's The Fault in Our Stars, and the timeless series Cheers; and the work of writers like Joan Didion, Gwendolyn Brooks, Flannery O'Connor, and Herman Melville (Moby-Dick like you've never seen it!). Hard to Love pays homage and attention to unlikely friends and lovers both real and fictional. It is a series of love letters to the meaningful, if underappreciated, forms of intimacy and community that are tricky, tangled, and tough, but ultimately sustaining.
Quinny has a lot to say. Hopper gets to the point. Quinny has one speed: very, very, extra-very fast. Hopper proceeds with caution. Quinny has big ideas. Hopper has smart solutions. Quinny and Hopper couldn't be more different. They are an unstoppable team. But when summer ends, things suddenly aren't the same. Can Quinny and Hopper stick together in the face of stylish bullies, a killer chicken, and the brand-new Third Grade Rules-especially the one that says they aren't allowed to be friends anymore? Praise for Quinny & Hopper: "First-time children's author Schanen skillfully captures Quinny's zest and Hopper's timidity through their interactions and alternating narratives, and Swearingen's smudgy spot illustrations amplify the lively tone. The story's best moments showcase the spirited friendship between Quinny and Hopper, but there's much to appreciate throughout this exuberant debut." -- Publishers Weekly "The book is engrossing, and the likable duo change and grow in believable ways. Quinny and Hopper, who take turns narrating, have distinct, well-differentiated voices, and Schanen makes good use of her individuated secondary characters as well. Swearingen's black-and-white drawings both capture the spirit of the characters and enhance the narrative. This endearing story about true friendship should appeal equally to boys and girls." -- Kirkus Reviews
Jessica Hopper's music criticism has earned her a reputation as a firebrand, a keen observer and fearless critic not just of music but the culture around it. With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.
This volume collects the adventures of the spunky Maggie; her annoying, pixie-ish best friend and sometime lover Hopey; and their circle of friends, including their bombshell friend Penny Century, Maggie's weirdo mentor Izzy―as well as the aging but still heroic wrestler Rena Titanon and Maggie's handsome love interest, Rand Race. After the sci-fi trappings of his earliest stories (as seen in Maggie the Mechanic, the first volume in this series), Hernandez refined his approach, settling on the more naturalistic environment of the fictional Los Angeles barrio, Hoppers, and the lives of the young Mexican-Americans and punk rockers who live there. A central story and one of Jaime's absolute peaks is "The Death of Speedy." Such is Jaime's mastery that even though the end of the story is telegraphed from the very title, the downhill spiral of Speedy, the local heartthrob, is utterly compelling and ultimately quite surprising. Also in this volume, Maggie begins her on-again off-again romance with Ray D., leading to friction and an eventual separation from Hopey.
Edward Hopper (1882-1967), one of the most important American painters of the twentieth century, spent nearly every summer of his long artistic career in New England. This book presents many of Hopper's finest paintings of the region and examines the crucial role New England played in Hopper's development as an artist. Carl Little is author of Paintings of Maine and is a regular contributor to Art New England and Art in America.
Kim Hopper has dedicated his career to trying to address the problem of homelessness in the United States. In this powerful book, he draws upon his dual strengths as anthropologist and advocate to provide a deeper understanding of the roots of homelessness.
After learning that her seemingly-happy parents are separating, and that a popular senior is interested in her, seventeen-year-old Janey King's priorities shift from track, school, friends, and family to something more.