National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
We live in a world where there never seems to be enough time for all we want and need to do. In Sacred Time: Embracing an Intentional Way of Life, Christine Valters Paintner guides us as we move beyond our own lives and embrace a world that urges us toward rest, reflection, and growth. In Sacred Time, Paintner, abbess of the online Abbey of the Arts, shows us how by becoming in tune with the rhythms of the natural world, we can live more intentionally and experience a conversion toward a more expansive way of being. Paintner introduces us to the eight cycles of sacred time that exist in our everyday lives. These cycles that can ground us through our busy lives are breath, rhythms of the day, weekly rhythms and Sabbath rest, waxing and waning lunar cycles, seasons of the year, seasons of a lifetime, ancestral time, and cosmic time. Each cycle encourages us to mindfully consider the time that passes as quickly as each breath and as slowly as the passing of generations. Within each cycle, we find wisdom from sacred tradition and the saints, including St. Benedict, St. Ignatius of Loyola, and St. Hildegard of Bingen; room for growth; and the presence of the Divine. Along the way, we are also given scriptural guidance, and we are invited to spiritual practices and creative explorations that will help deepen our understanding of each cycle, allow that understanding to take root in our lives, and expand our lives beyond the pressures of each da
Dictionary of Arabic Loanwords in the Languages of Central and East Africa analyzes around 3000 Arabic loanwords in more than 50 languages in the area, and completes the work started in a previous similar work on West Africa.
In Ostraca from the Temple of Millions of Years of Thutmose III, Fredrik Hagen publishes an important new collection of texts illustrating life in an Egyptian temple.
A collection of poems by Palestinian poet Mahmoud Darwish. The poems range from dreamy reflections to bitter longings for the Palestine that was lost when Israel was created in 1948.Mahoud Darwish has published more than thirty books of petry and prose. He is the recipient of many international literary awrds and his work has been translated into more thant twenty-two languages.
Walking with trees takes us on an intimate journey with 13 native trees of Britain and Europe. Glennie leads us into their world, describes their unique characteristics, natural history, healing properties, mythologies and crafts, and opens us to their subtle 'signatures'; what each tree can teach us when our hearts are open. This is a book about our relationships with trees, their relationships with each other and the natural world around them, and the deep interconnection between trees and the web of life on earth. It reveals a transformative pathway for individuals and provides an empowering practice for active engagement in the great challenges of our time.--COVER.
From the Hoopoe to the Black-Headed Bunting, Greece is home to a wide range of avifauna, thanks to the richly varied habitats it has to offer. Pocket-sized and portable, this compact guide provides superb full colour photographs and detailed descriptions of each bird likely to be seen on a visit to the country. Whether you're a seasoned birdwatcher or a tourist keen to identify the birds you spot on your holiday, Birds of Greece is sure to be helpful.
Eloise Greenfield‘Three [African-American] women—grandmother, mother, daughter—recall significant aspects of their respective childhoods [from the 1800s through the 1950s]. The effect is poignant and moving [as familiar patterns develop]: household chores, school life and socials, encounters with prejudice, love of family, pride of heritage.’ —H. Notable 1979 Children’s Trade Books in Social Studies (NCSS/CBC) 1980 Carter G. Woodson Outstanding Merit Book (NCSS) 1979 Children's Book Show (American Institute of Graphic Arts) Children's Books of 1979 (Library of Congress)
This study questions the traditional view of sacrifices in hero-cults during the Archaic to the early Hellenistic periods. The analysis of the epigraphical and literary evidence for sacrifices to heroes in these periods shows, contrary to the traditional notion, that the main ritual in hero-cults was a thysia at which the worshippers consumed the meat from the animal victim. A particular handling of the animal’s blood or a holocaust, rituals previously taken to be typical for heroes, can rarely be documented and must be considered as marginal features in hero-cults. The terms eschara, escharon, bothros, enagizein, enagisma, enagismos and enagisterion, believed to be characteristic for hero-cults, are seldom used in hero-contexts before the Roman period and occur mainly in the Byzantine lexicographers and in the scholia. Since the main kind of sacrifice in hero-cults was a thysia, a ritual intimately connected with the social structure of society, the heroes must have fulfilled the same role as the gods within the Greek religious system. The fact that the heroes were dead seems to have been of little significance for the sacrificial rituals and it is questionable whether the rituals of hero-cults are to be considered as originating in the cult of the dead.