The collapse of the Soviet Union has opened up a huge consumer market, but how do you sell things to a generation that grew up with just one type of cola? When Tatarsky, a frustrated poet, takes a job as an advertising copywriter, he finds he has a talent for putting distinctively Russian twists on Western-style ads. But his success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevera, who, by way of a Ouija board, communicates theories of consumer theology. A bestseller in Russia, Homo Zapiens displays the biting absurdist satire that has gained Victor Pelevin superstar status among today's Russian youth, disapproval from the conservative Moscow literary world, and critical acclaim worldwide.
Russian novelist Victor Pelevin is rapidly establishing himself as one of the most brilliant young writers at work today. His comic inventiveness and mind-bending talent prompted Time magazine to proclaim him a "psychedelic Nabokov for the cyber-age." In his third novel, Buddha's Little Finger, Pelevin has created an intellectually dazzling tale about identity and Russian history, as well as a spectacular elaboration of Buddhist philosophy. Moving between events of the Russian Civil War of 1919 and the thoughts of a man incarcerated in a contemporary Moscow psychiatric hospital, Buddha's Little Finger is a work of demonic absurdism by a writer who continues to delight and astonish.
Set in a crumbling Soviet Black Sea resort, The Life of Insects with its motley cast of characters who exist simultaneously as human beings (racketeers, mystics, drug addicts and prostitutes) and as insects, extended the surreal comic range for which Pelevin's first novel Omon Ra was acclaimed by critics. With consummate literary skill Pelevin creates a satirical bestiary which is as realistic as it is delirious - a bitter parable of contemporary Russia, full of the probing, disenchanted comedy that makes Pelevin a vital and altogether surprising writer.
This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.
Comic stories by a Russian writer. In Hermit and Six Toes, chickens debate the nature of the world, which is ruled by bloodthirsty gods in white coats, while in Mid-Game, young Communist activists change sex to become hard-currency prostitutes.
With humor that delivers hard-hitting, how-to information about being great in the sack, Anderson tackles the complicated world of man-on-man sex, dating, and mating. 25 illustrations.
The transition of communist Eastern Europe to capitalist democracy post-1989 and in the aftermath of the Yugoslav wars has focused much scholarly attention - in history, political science and literature - on the fostering of new identities across Eastern European countries in the absence of the old communist social and ideological frameworks. This book examines an important, but hitherto largely neglected, part of this story: the ways in which the West has defined its own identity and ideals via the demonization of communist regimes and Eastern European cultures as a totalitarian, barbarian and Orientalist "other". It describes how old Orientalist prejudices resurfaced during the Cold War period, and argues that the establishment of this discourse helped to justify transitions of Eastern European societies to market capitalism and liberal democracy, suppressing Eastern Europe’s communist histories and legacies, whilst perpetuating its dependence on the West as a source of its own sense of identity. It argues that this process of Orientalization was reinforced by the literary narratives of Eastern European and Russian anti-communist dissidents and exiles, including Vladimir Nabokov, Czeslaw Milosz and Milan Kundera, in their attempts to present themselves as native, Eastern European experts and also emancipate themselves – and their homelands – as civilized, enlightened and Westernized. It goes on to suggest that the greatest potential for recognizing and overcoming this self-Orientalization lies in post-communist literary and visual narratives, with their themes of disappointment in the social, economic, or political changes brought on by the transitions, challenge of the unequal discursive power in East-West dialogues where the East is positioned as a disciple or a mimic of the West, and the various guises of nostalgia for communism.
#1 NEW YORK TIMES BESTSELLER • In this riveting novel from Danielle Steel, a gifted young woman must grapple with the legacy of a troubled childhood in order to pursue her dreams. Antonia Adams is the product of a loveless marriage between an aspiring actress and an aristocrat. As a child, she is abandoned in the abyss that yawns between them, blamed by her mother, ignored by her father, and neglected by both. Unprotected and unloved, she learns that the only way to feel safe is to hide from the dangers around her, drawing as little attention as possible to herself, to be “invisible.” In her isolation, books are her refuge and movies her escape. A day spent being carried away by an unforgettable film in a dark theater is her greatest thrill. Her love of the movies turns into a dream to become a screenwriter, and a summer job at a Hollywood studio. There, a famous British filmmaker notices her, and suddenly she can remain invisible no longer. He wants to put her in a movie and make her a star. It is a dazzling opportunity but a terrifying one, as it strips her of the camouflage that made her feel safe. She is suddenly thrust into the public eye—and even more so when they fall in love. She will never let go of her true dream of becoming a filmmaker, though, and if she wants to make that leap, she will have to expose herself in ways she never has before. When tragedy strikes, she must decide whether she will remain center stage or become invisible again, where she feels safest. Will she face her demons, or run and hide? In this extraordinary novel, Danielle Steel tells the story of a woman who must decide how high a price she is willing to pay to pursue her passion—and whether it is possible to stay true to herself while she does.
Sankya, Prilepin's first novel that is widely considered his best, draws on his own experiences to depict life among young political extremists. Sasha “Sankya” Tishin, and his friends are part of a generation stuck between eras. They don’t remember the Soviet Union, but they also don’t believe in the promise of opportunity for all in the corrupt, capitalistic new Russia. They belong to an extremist group that wants to build a better Russia by tearing down the existing one. When they go too far, Sasha finds himself testing the elemental force of the protest movement in Russia and in himself.
