Hollywood and the Invention of England

Hollywood and the Invention of England

Author: Jonathan Stubbs

Publisher: Bloomsbury Publishing USA

Published: 2019-02-21

Total Pages: 232

ISBN-13: 1501305840

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Drawing on new archival research into Hollywood production history and detailed analysis of individual films, Hollywood and the Invention of England examines the surprising affinity for the English past in Hollywood cinema. Stubbs asks why Hollywood filmmakers have so frequently drawn on images and narratives depicting English history, and why films of this type have resonated with audiences in America. Beginning with an overview of the cultural interaction between American film and English historical culture, the book proceeds to chart the major filmmaking cycles which characterise Hollywood's engagement with the English past from the 1930s to the present, assessing the value of English-themed films in the American film industry while also placing them in a broader historical context.


Hitchcock's British Films

Hitchcock's British Films

Author: Maurice Yacowar

Publisher: Wayne State University Press

Published: 2010

Total Pages: 284

ISBN-13: 9780814334942

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In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reading the composition of individual shots and scenes in each, and paying special attention to the films' verbal effects.


Film and the Historian

Film and the Historian

Author: Philip Gillett

Publisher: Cambridge Scholars Publishing

Published: 2019-05-13

Total Pages: 262

ISBN-13: 1527534502

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Films are not just for audiences: historians of the twentieth century have much to learn from them. A film exposes the attitudes and unconsidered trifles that people took for granted and which were not considered worth recording elsewhere. This volume surveys British cinema from the final days of the Second World War to the early 1970s, exploring societal change across a range of topics including housing, the countryside, psychiatry and the law. This provides a basis for cross-cultural comparisons, with many issues deserving of further research being highlighted. The films discussed range from the well-known Odd Man Out to the forgotten It’s Hard to be Good.


History by HBO

History by HBO

Author: Rebecca Weeks

Publisher: University Press of Kentucky

Published: 2022-06-28

Total Pages: 258

ISBN-13: 0813195322

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The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past, Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.


The History of British Film (Volume 7)

The History of British Film (Volume 7)

Author: Rachael Low

Publisher: Routledge

Published: 2020-03-26

Total Pages: 469

ISBN-13: 1136206892

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This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.


The History of British Literature on Film, 1895-2015

The History of British Literature on Film, 1895-2015

Author: Greg M. Colón Semenza

Publisher: Bloomsbury Publishing USA

Published: 2017-01-26

Total Pages: 489

ISBN-13: 1501329855

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From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.


History of British Film (Volume 4)

History of British Film (Volume 4)

Author: Rachael Low

Publisher: Routledge

Published: 2013-09-13

Total Pages: 638

ISBN-13: 113620640X

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This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.


A Traveller's History of England

A Traveller's History of England

Author: Christopher Daniell

Publisher: Interlink Books

Published: 2006

Total Pages: 312

ISBN-13:

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This compact volume . . . delivers a solid, comprehensive and entertaining overview of Englands history . . . a delightful source.--Library Journal. A Travellers History of England deals with all the major periods of English history and gives a comprehensive and enjoyable survey of Englands past from prehistoric times to the present.


Studying the British Crime Film

Studying the British Crime Film

Author: Paul Elliott

Publisher: Liverpool University Press

Published: 2014-10-01

Total Pages: 177

ISBN-13: 1800347391

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Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).


MGM British Studios: Hollywood in Borehamwood

MGM British Studios: Hollywood in Borehamwood

Author: Derek Pykett

Publisher: BearManor Media

Published: 2015-10-16

Total Pages: 444

ISBN-13: 9781593938833

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MGM British Studios: Hollywood in Borehamwood tells the story behind England's biggest film studio. Based in Borehamwood, Hertfordshire, England, between 1948-1970, it played host to some of the biggest names in Hollywood's history, and over 150 classic movies from the golden age of cinema were produced on its sound stages. From Under Capricorn (1949) directed by Alfred Hitchcock; to Mogambo (1953) Starring Clark Gable, Ava Gardner and Grace Kelly; from Where Eagles Dare (1968) starring Richard Burton and Clint Eastwood; to 2001 (1968) directed by Stanley Kubrick; this book tells the story of their making, from behind the scenes. Featuring many never before seen photographs, and hundreds of memories from those who worked at MGM British, both in-front of, and behind the camera, this is a nostalgic trip through an important era in British film studio history. Derek Pykett spent many years of his life as a professional actor, working in theatre, television and films, and making his first movie appearance in what is now regarded as a classic, The Princess Bride (1986) directed by Rob Reiner. In 2001 he founded his own theatre company, Theatre Macabre, specialising in horror and fantasy. Shows produced include Dracula, Jack the Ripper and Witchfinder General. More recent years have seen him produce and direct documentaries for DVD, including AMICUS: House of Horrors (Alpha Home Entertainment, USA). Previously published work as an author includes, Michael Ripper Unmasked (Midnight Marquee, USA) and British Horror Film Locations (McFarland, USA). Derek and his partner Ruth live in England, and they have three dogs - Lucy, Willow and Woolly.