Holding Juno

Holding Juno

Author: Mark Zuehlke

Publisher: D & M Publishers

Published: 2009-12-01

Total Pages: 467

ISBN-13: 1926685954

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Following his national best-seller, Juno Beach, and with his usual verve and narrative skill, historian Mark Zuehlke chronicles the crucial six days when Canadians saved the vulnerable beachheads they had won during the D-Day landings. D-Day ended with the Canadians six miles inland — the deepest penetration achieved by Allied forces during this longest day in history. But for all the horror endured on June 6 every soldier knew the worst was yet to come. The Germans began probing the Canadian lines early in the morning of June 7 and shortly after dawn counter attacked in force. The ensuing six days of battle was to prove bloodier than D-Day itself. Although battered and bloody, the Canadians had held their ground and made it possible for the slow advance toward Germany and eventual Allied victory to begin. Holding Juno recreates this pivotal battle through the eyes of the soldiers who fought it, with the same dramatic intensity and factual detail that made Juno Beach, in the words of Quill & Quire reviewer Michael Clark, “the defining popular history of Canada’s D-Day battle.”


Moments in Indonesian Film History

Moments in Indonesian Film History

Author: David Hanan

Publisher: Springer Nature

Published: 2021-12-12

Total Pages: 371

ISBN-13: 3030726134

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This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors


Juno Beach

Juno Beach

Author: Mark Zuehlke

Publisher: D & M Publishers

Published: 2009-07-01

Total Pages: 450

ISBN-13: 1926685709

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On June 6, 1944 the greatest armada in history stood off Normandy and the largest amphibious invasion ever began as 107,000 men aboard 6,000 ships pressed toward the coast. Among this number were 18,000 Canadians, who were to land on a five-mile long stretch of rocky ledges fronted by a wide expanse of sand. Code named Juno Beach. Here, sheltered inside concrete bunkers and deep trenches, hundreds of German soldiers waited to strike the first assault wave with some ninety 88-millimetre guns, fifty mortars, and four hundred machineguns. A four-foot-high sea wall ran across the breadth of the beach and extending from it into the surf itself were ranks of tangled barbed wire, tank and vessel obstacles, and a maze of mines. Of the five Allied forces landing that day, they were scheduled to be the last to reach the sand. Juno was also the most exposed beach, their day’s objectives eleven miles inland were farther away than any others, and the opposition awaiting them was believed greater than that facing any other force. At battle's end one out of every six Canadians in the invasion force was either dead or wounded. Yet their grip on Juno Beach was firm.


Canada and the Second World War

Canada and the Second World War

Author: Geoffrey Hayes

Publisher: Wilfrid Laurier Univ. Press

Published: 2013-02-01

Total Pages: 501

ISBN-13: 1554586453

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Terry Copp’s tireless teaching, research, and writing has challenged generations of Canadian veterans, teachers, and students to discover an informed memory of their country’s role in the Second World War. This collection, drawn from the work of Terry’s colleagues and former students, considers Canada and the Second World War from a wealth of perspectives. Social, cultural, and military historians address topics under five headings: The Home Front, The War of the Scientists, The Mediterranean Theatre, Normandy/Northwest Europe, and The Aftermath. The questions considered are varied and provocative: How did Canadian youth and First Nations peoples understand their wartime role? What position did a Canadian scientist play in the Allied victory and in the peace? Were veterans of the Mediterranean justified in thinking theirs was the neglected theatre? How did the Canadians in Normandy overcome their opponents but not their historians? Why was a Cambridge scholar attached to First Canadian Army to protect monuments? And why did Canadians come to commemorate the Second World War in much the same way they commemorated the First? The study of Canada in the Second World War continues to challenge, confound, and surprise. In the questions it poses, the evidence it considers, and the conclusions it draws, this important collection says much about the lasting influence of the work of Terry Copp. Foreword by John Cleghorn.