THE NEW YORK TIMES BESTSELLER Elvis Presley’s fiancée and last love tells her story and sets the record straight in this deeply personal memoir that reveals what really happened in the final years of the King of Rock n' Roll. Elvis Presley and Graceland were fixtures in Ginger Alden’s life; after all, she was born and raised in Memphis, Tennessee. But she had no idea that she would play a part in that enduring legacy. For more than three decades Ginger has held the truth of their relationship close to her heart. Now she shares her unique story… In her own words, Ginger details their whirlwind romance—from first kiss to his stunning proposal of marriage. And for the very first time, she talks about the devastating end of it all and the fifty thousand mourners and reporters who descended on Graceland in 1977, exposing Ginger to the reality of living in the spotlight of a short yet immortal life. Above it all, Ginger rescues Elvis from the hearsay, rumors, and tabloid speculations of his final year by shedding a frank yet personal light on a very public legend. From a unique and intimate perspective, she reveals the man—complicated, romantic, fallible, and human—behind the myth, a superstar worshipped by millions and loved by Ginger Alden. INCLUDES PHOTOS
The touching story of thirty years of friendship between George Klein and the King that “offers an insider’s view of Presley the man as opposed to Presley the singer, actor, and icon” (Associated Press). “You capture the essence of Elvis not only in dialogue, but also in giving the reader a sense of his personality, humor, and his spirit of play.”—Priscilla Presley When George Klein was an eighth grader at Humes High, he couldn’t have known how important the new kid with the guitar—the boy named Elvis—would later become in his life. But from the first time GK (as he was nicknamed by Elvis) heard this kid sing, he knew that Elvis Presley was someone extraordinary. During Elvis’s rise to fame and throughout the wild swirl of his remarkable life, Klein was a steady presence and one of Elvis’s closest and most loyal friends until his untimely death in 1977. In Elvis: My Best Man, a heartfelt, entertaining, and long-awaited contribution to our understanding of Elvis Presley and the early days of rock ’n’ roll, George Klein writes with great affection for the friend he knew about who the King of Rock ’n’ Roll really was and how he acted when the stage lights were off. This fascinating chronicle of boundary-breaking and music-making through one of the most intriguing and dynamic stretches of American history overflows with insights and anecdotes from someone who was in the middle of it all. From the good times at Graceland to hanging out with Hollywood stars to butting heads with Elvis’s iron-handed manager, Colonel Tom Parker, to making sure that Elvis’s legacy is fittingly honored, GK was a true friend of the King and a trailblazer in the music industry in his own right.
One of the most admired Southern historians of our time paints an intimate portrait of Elvis Presley, set against the rich backdrop of Southern society, that illuminates the zenith of his career, showing how Elvis himself changed—and didn't—and providing a deeper understanding of the man and his times.
This is the first of two volumes that make up what is arguably the definitive Elvis biography. Rich in documentary and interview material, this volume charts Elvis' early years and his rise to fame, taking us up to his departure for Germany in 1958. Of all the biographies of Elvis - this is the one you will keep coming back to.
A look at the life and music of Elvis Presley, including early influences, his impact on popular music and culture, and his final years in the spotlight.
“Outstanding pop-culture history.” —Newsday The “smart and zippy account” (The Wall Street Journal) of how Las Vegas saved Elvis and Elvis saved Las Vegas in the greatest musical comeback of all time. Elvis’s 1969 opening night in Vegas was his first time back on a live stage in more than eight years. His career had gone sour—bad movies, mediocre pop songs that no longer made the charts—and he’d been dismissed by most critics as over-the-hill. But in Vegas he played the biggest showroom in the biggest hotel in the city, drawing more people for his four-week engagement than any other show in Vegas history. His performance got rave reviews; “Suspicious Minds,” the song he introduced there, gave him his first number-one hit in seven years; and Elvis became Vegas’s biggest star. Over the next seven years, he performed more than 600 shows there, and sold out every one. Las Vegas was changed, too. By the end of the ‘60s, Vegas’ golden age—when the Rat Pack led a glittering array of stars who made it the nation’s premier live-entertainment center—was losing its luster. Elvis created a new kind of Vegas show: an over-the-top, rock-concert extravaganza. He set a new bar for Vegas performers, with the biggest salary, the biggest musical production, and the biggest promotion campaign the city had ever seen. He opened the door to a new generation of pop/rock artists and brought a new audience to Vegas—not the traditional well-heeled older gamblers, but a mass audience from Middle America that Vegas depends on for its success to this day. At once “a fascinating history of Vegas as gambling capital, celebrity playground, mob hangout, [and] entertainment Valhalla” (Rolling Stone) and the incredible “tale of how the King got his groove back” (Associated Press), Elvis in Vegas is a classic feel-good story for the ages.
Elvis Presley was a virtual unknown when, in 1956, he strutted his stuff in front of a national television audience for the very first time. By year's end, following a dozen TV appearances, he was an international superstar. Over the next two decades, Elvis turned to TV whenever his career required a boost or a complete makeover. "Channeling Elvis: How Television Saved the King of Rock 'n' Roll" peers through TV's unique lens to take a close-up look at his 20-year career. Based on more than a decade of research, dozens of fresh interviews, and careful review of hours of television and other footage, "Channeling Elvis" focuses on the role television played in creating, sustaining, and reviving the King's unrivaled popularity. Only television captured the full arc of his career, from those initial steps on the national stage and highly anticipated return from the U.S. Army to his resurrection in the wake of some lame recordings and less-than-stellar movies, renewed acclaim as a concert artist, and premature, self-inflicted 1977 exit. Television captured it all, and Elvis Presley's TV appearances also provided us with the most extensive visual record of this incredible man doing what he loved best: performing live. Praise for "Channeling Elvis": "Allen Wiener puts a new charge into the story of Elvis and his rise, namely television. It's arguable that television had more to do with Elvis' meteoric streak to the top than radio. 'Channeling Elvis' is something new under the Elvis sun." -- Allen Barra, author of "Mickey and Willie: Mantle and Mays, the Parallel Lives of Baseball's Golden Age". "Unlike the Hollywood-contrived plastic persona that characterized the vast majority of his big-screen appearances, the Elvis who turned American television on its head during the mid-'50s and used it for his rebirth in the late-'60s was the real performer in all of his lip-curling, pelvic-thrusting glory. Equally captivating was the sadder figure who faced the final curtain on his 1977 TV special, and it is thanks to Allen Wiener's great insight and invaluable research that, at long last, 'Channeling Elvis' explores, explains, and relives these pivotal moments of a legendary career." - Richard Buskin, author of "Classic Tracks: The Real Stories Behind 68 Seminal Recordings". "Television made Elvis Presley in 1956. Twelve years later -- all too briefly -- it resurrected him. In 'Channeling Elvis', Allen Wiener illuminates a bittersweet American romance." -- Bob Thompson, author of "Born on a Mountaintop: On the Road with Davy Crockett and the Ghosts of the Wild Frontier." "Allen J. Wiener knows his way around icons, and 'Channeling Elvis' ably makes the case that TV transformed the greatest recording artist of the early rock 'n' roll era into a unique cultural phenomenon. The Elvises that emerge in Wiener's account always command the spotlight." -- Paul Cool, former program director and disc jockey, KUSF Radio, San Francisco, and author of "Salt Warriors: Insurgency on the Rio Grande".
Elvis Presley stands tall as perhaps the supreme icon of 20th-century U.S. culture. But he was perceived to be deeply un-American in his early years as his controversial adaptation of rhythm and blues music and gyrating on-stage performances sent shockwaves through Eisenhower's conservative America and far beyond. This book explores Elvis Presley's global transformation from a teenage rebel figure into one of the U.S.'s major pop-cultural embodiments from a historical perspective. It shows how Elvis's rise was part of an emerging transnational youth culture whose political impact was heavily conditioned by the Cold War. As well as this, the book analyses Elvis's stint as G.I. soldier in West Germany, where he acted as an informal ambassador for the so-called American way of life and was turned into a deeply patriotic figure almost overnight. Yet, it also suggests that Elvis's increasingly synonymous identity with U.S. culture ultimately proved to be a double-edged sword, as the excesses of his superstardom and personal decline seemingly vindicated long-held stereotypes about the allegedly materialistic nature of U.S. society. Tracing Elvis's story from his unlikely rise in the 1950s right up to his tragic death in August 1977, this book offers a riveting account of changing U.S. identities during the Cold War, shedding fresh light on the powerful role of popular music and consumerism in shaping images of the United States during the cultural struggle between East and West.
