The fascinating tale of Hollywood powerhouse Paramount Pictures--beginning with its birth in the 1910s through the turbulent decade of the 1930s--was told in Early Paramount Studios by Marc Wanamaker, Michael Christaldi, and E.J. Stephens. Now the same authors are back to tell the next 60 years of the studio saga in Paramount Studios: 1940-2000, with a foreword by former Paramount head of production Robert Evans. This book picks up the story during the time of World War II--a successful era for the studio--which was followed by a decade of decline due to the upstart medium of television. By the 1960s, the studio teetered on the brink of bankruptcy before rebounding, thanks to several 1970s blockbusters, such as Love Story, The Godfather, and Chinatown. The tale continues through the final decades of the 20th century when Paramount showcased some of the greatest hits in its history.
A National Historic Landmark with a complex and remarkable two-hundred-year history, Melrose Plantation near Natchitoches, Louisiana, was home to many notable women, including freedwoman and entrepreneur Marie Thérèse Coincoin and artist Clementine Hunter. Among that influential group, Cammie Henry, the mistress of Melrose during the first half of the twentieth century, stands out as someone who influenced the plantation’s legacy in dramatic and memorable ways. In Cane River Bohemia, Patricia Austin Becker provides a vivid biography of this fascinating figure. Born on a sugar plantation in south Louisiana in 1871, Cammie Henry moved with her husband to Melrose in 1899 and immediately set to work restoring the property. She extended her impact on Melrose, the surrounding community, and the region when she began to host an artist colony in the 1920s and 1930s. Writers and painters visiting the bucolic setting could focus on their creative pursuits and find encouragement for their efforts. The most frequent visitors—considered by Cammie to be her circle of “congenial souls”—included writer/journalist Lyle Saxon, naturalist Caroline Dormon, author Ada Jack Carver, and painter Alberta Kinsey. Artists and artisans such as Harnett Kane, Roark Bradford, William Spratling, Doris Ulmann, and Sherwood Anderson also found their way to Melrose. In addition to hosting well-known guests, Henry began a collection of history books, nineteenth-century manuscripts, and scrapbooks of clippings and memorabilia that later brought her attention from the wider world. Researchers and writers contacted Henry frequently as the reputation of her library grew, and today the Cammie G. Henry Research Center at Northwestern State University houses this impressive collection that serves as a lasting tribute to Henry’s passion for the preservation of words as well as for the South’s material culture, including quilting, spinning, and gardening.
For over 100 years, Paramount Pictures has been captivating movie and television audiences worldwide with its alluring imagery and compelling stories. Arising from the collective genius of Adolph Zukor, Jesse L. Lasky, and Cecil B. DeMille during the 1910s, Paramount Pictures is home to such enduring classics as Wings, Sunset Boulevard, The Ten Commandments, Love Story, The Godfather, the Indiana Jones series, Chinatown, Forrest Gump, Braveheart, Titanic, and Star Trek. Early Paramount Studios chronicles Paramounts origins, culminating in the creation and expansion of the lot at 5555 Melrose Avenue, the last major motion picture studio still in Hollywood.
Originally founded by German immigrants, followed by successive waves of Lithuanians, Italians, and Hispanics, Melrose Park has undergone a series of transformations since its incorporation in 1882. Close proximity to Chicago and the coming of the Chicago and Northwestern Railroad ensured that Melrose Park became a center for manufacturing and heavy industry. Major companies including Benjamin Moore, International Harvester, and the National Malleable Castings Company built plants here, and the town was also known as the headquarters for Polk Brothers. Entertainment and leisure activities have been an important part of life in Melrose Park too. Kiddieland Amusement Park was built in 1929, quickly becoming a popular destination for Chicago area families, and the town was also home to classic movie theaters, the North Avenue Rollerway, and the Come Back Inn, a popular local restaurant. The Feast of Our Lady of Mount Carmel is a cherished Melrose Park event that has been celebrated annually since 1894.
From mayors and mummers to tap dancers and gamblers, South Philly has it all. This quintessential Philadelphia neighborhood boasts a complicated history of ethnic strife alongside community solidarity and, for good measure, some of the best bakeries in town. Among its many famous people South Philadelphia claims Marian Anderson, Frankie Avalon, Mayor Frank Rizzo, Temple Owl's coach John Chaney, Larry Fine of the Three Stooges, and "Loving" soap opera actress Lisa Peluso. For South Philadelphians, whether they stay or leave, the neighborhood is always happy to give you their opinions, and in this book they talk about their favorite subject to Murray Dubin, award winning journalist at the Philadelphia Inquirer, who also called South Philly home. Music and the arts are part of everyday life. Baritone Elliott Tessler says, "I'm not a celebrity, I'm a minor curiosity. If Pavarotti lived here, he would just be a minor curiosity, and probably because he was fat more than because he sang." Jean DiElsi remembers finding work in 1943 as a cashier at a diner that would become a South Philly landmark. "It was the only diner around and it was open 24 hours. If you went to dances, everybody would go to the Melrose Diner afterwards...No, there was no Mel or Rose. it was named after a can of tomatoes. In addition to being Philadelphia's first neighborhood, South Philly is the oldest ethnically and racially mixed big-city neighborhood in the nation. Catherine Williams remembers growing up black on Hoffman Street, "We had everything. We had the Jews, we had Italians, we had the blacks, we even had a Portuguese family. You never knew there was a color thing back then. I was the only black in my class at Southwark, but you never knew. In the third, fourth grade, some of those Italian boys was big, but you would have thought they were brothers to me." These are some of the people and the opinions that make up South Philadelphia and Murray Dubin will take you on a resident's tour of the ultimate city neighborhood. But for every interview, there's also a lot of history. And Dubin provides an historical examination that spans 300 years, from Thomas Jefferson living in South Philadelphia in 1793 to the burning of Palumbo's in 1994. Whether you're a South Philadelphian yourself, or just want to understand the South Philly phenomenon this book is a must. Author note: Murray Dubinwas born in South Philadelphia and is a reporter for the Philadelphia Inquirer.
Isle of Canes is the epic account of a multi-racial family in Louisiana that, over four generations and more than 150 years, rose from the chains of slavery to rule the Isle of Canes. Historically accurate, this first novel by eminent genealogist Elizabeth Shown Mills is a gripping tale of cultural and racial conflict, economic triumph and ruin, and unyielding family pride told against the backdrop of colonial and antebellum Louisiana.
Out of colonial Natchitoches, in northwestern Louisiana, emerged a sophisticated and affluent community founded by a family of freed slaves. Their plantations eventually encompassed 18,000 fertile acres, which they tilled alongside hundreds of their own bondsmen. Furnishings of quality and taste graced their homes, and private tutors educated their children. Cultured, deeply religious, and highly capable, Cane River's Creoles of color enjoyed economic privileges but led politically constricted lives. Like their white neighbors, they publicly supported the Confederacy and suffered the same depredations of war and political and social uncertainties of Reconstruction. Unlike white Creoles, however, they did not recover amid cycles of Redeemer and Jim Crow politics. First published in 1977, The Forgotten People offers a socioeconomic history of this widely publicized but also highly romanticized community -- a minority group that fit no stereotypes, refused all outside labels, and still struggles to explain its identity in a world mystified by Creolism. Now revised and significantly expanded, this time-honored work revisits Cane River's "forgotten people" and incorporates new findings and insight gleaned across thirty-five years of further research. This new edition provides a nuanced portrayal of the lives of Creole slaves and the roles allowed to freed people of color, tackling issues of race, gender, and slave holding by former slaves. The Forgotten People corrects misassumptions about the origin of key properties in the Cane River National Heritage Area and demonstrates how historians reconstruct the lives of the enslaved, the impoverished, and the disenfranchised.
Harlem of the West reveals a forgotten slice of San Francisco history and the African-American experience on the West Coast: the thriving jazz scene of the Fillmore in the 1940s and 1950s. With archival photographs and oral accounts from the residents and musicians who experienced it, this vividly illustrated tour will delight jazz fans and history aficionados.
A New York Times Notable Book of 2012 One of The Telegraph's Best Fiction Books 2011 One of Esquire's Best Books of 2012 One of TIME's Top 10 Fiction Books of 2012 Here, from the writer described by The Guardian as "our purest living prose stylist" and whom Alan Hollinghurst has called "the most brilliant English novelist of his generation," is a work of glittering social comedy, profound emotional truth, and acute verbal wit. At Last is also the stunning culmination of one of the great fiction enterprises of the past two decades in the life of the English novel. As readers of Edward St. Aubyn's extraordinary earlier works—Never Mind, Bad News, Some Hope, and the Man Booker Prize finalist Mother's Milk—are well aware, for Patrick Melrose, "family" has always been a double-edged sword. At Last begins as friends, relatives, and foes trickle in to pay final respects to his mother, Eleanor. An American heiress, Eleanor married into the British aristocracy, giving up the grandeur of her upbringing for "good works" freely bestowed on everyone but her own son, who finds himself questioning whether his transition to a life without parents will indeed be the liberation he had so long imagined. The service ends, and family and friends gather for a final party. Amid the social niceties and social horrors, Patrick begins to sense the prospect of release from the extremes of his childhood, and at the end of the day, alone in his room, the promise some form of safety. . . at last.
