Historical Dictionary of Film Noir

Historical Dictionary of Film Noir

Author: Andrew Spicer

Publisher: Scarecrow Press

Published: 2010-03-19

Total Pages: 533

ISBN-13: 0810873788

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Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.


A Comprehensive Encyclopedia of Film Noir

A Comprehensive Encyclopedia of Film Noir

Author: John Grant

Publisher: Limelight Editions

Published: 2013

Total Pages: 765

ISBN-13: 9781557838315

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Offers a reference guide to film noir, extending from relevant films from before the genre was established to contemporary neonoirs and other types of film derived from the genre.


Paris Noir

Paris Noir

Author: Jacques Yonnet

Publisher:

Published: 2006

Total Pages: 284

ISBN-13:

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In Paris Noir, Jaques Yonnet tells us about some of the darker quarters of Paris's Left Bank, centred on the Place Mauberge and the Rue Mouffetard, as he experienced it. This book was mostly written during the 1940s, under the Occupation and in the immediate post-war period. There is a certain amount dealing with the resistance, but the main thrust of the book is a Paris that existed between the wars - and is well known from Film Noir - but has since disappeared. It concentrates on the people, a mixture of ordinary workers, tradesmen, artists, con men and criminals. It invests the area with a sense of mystery, including occasional supernatural events; its style is remarkable and Yonnet often draws on the language of the inhabitants of the area.


The Plot Against Hip Hop

The Plot Against Hip Hop

Author: Nelson George

Publisher: Akashic Books

Published: 2011-11-01

Total Pages: 180

ISBN-13: 1617750824

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A “wickedly entertaining” crime thriller from a renowned chronicler of the world of rap music (Kirkus Reviews). Finalist for the NAACP Image Award in Literature The stabbing murder of esteemed music critic Dwayne Robinson in a Soho office building has been dismissed by the NYPD as a gang initiation. But his old friend, bodyguard and security expert D Hunter, suspects there are larger forces at work. D Hunter’s investigation into his mentor’s murder leads into a parallel history of hip hop, a place where renegade government agents, behind-the-scenes power brokers, and paranoid journalists know a truth that only a few hardcore fans suspect. This rewrite of hip hop history mixes real-life figures with characters pulled from the culture’s hidden world, including Jay-Z, Kanye West, and Russell Simmons. “This hard-boiled tale is jazzed up with authentic street slang and name-dropping (Biggie, Mary J. Blige, Lil Wayne, and Chuck D) . . . George’s tightly packaged mystery pivots on a believable conspiracy . . . and his street cred shines in his descriptions of Harlem and Brownsville’s mean streets.” —Library Journal “George is a well-known, respected hip-hop chronicler . . . Now he adds crime fiction to his resume with a carefully plotted crime novel peopled by believable characters and real-life hip-hop personalities.” —Booklist “Reads almost like Thomas Pynchon's Inherent Vice, but in the world of rap music . . . If you love crime fiction and you love hip hop, this book is a must read.” —BookRiot “Part procedural murder mystery, part conspiracy-theory manifesto . . . .The writing is as New York as ‘Empire State of Mind,’ and D is a detective compelling enough to anchor a series.” —Time Out New York


Film Noir and Los Angeles

Film Noir and Los Angeles

Author: Sean W. Maher

Publisher: Routledge

Published: 2020-08-31

Total Pages: 280

ISBN-13: 1351396838

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This book combines film studies with urban theory in a spatial exploration of twentieth century Los Angeles. Configured through the dark lens of noir, the author examines an alternate urban history of Los Angeles forged by the fictional modes of detective fiction, film noir and neo noir. Dark portrayals of the city are analyzed in Raymond Chandler’s crime fiction through to key films like Double Indemnity (1944) and The End of Violence (1997). By employing these fictional elements as the basis for historicising the city’s unrivalled urban form, the analysis demonstrates an innovative approach to urban historiography. Revealing some of the earliest tendencies of postmodern expression in Hollywood cinema, this book will be of great relevance to students and researchers working in the fields of film, literature, cultural and urban studies. It will also be of interest to scholars researching histories of Los Angeles and the American noir imagination.


The Red and the Black

The Red and the Black

Author: Stendhal

Publisher: ReadHowYouWant.com

Published: 2006-11

Total Pages: 562

ISBN-13: 1425051448

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"The Red and the Black" is a reflective novel about the rise of poor, intellectually gifted people to High Society. Set in 19th century France it portrays the era after the exile of Napoleon to St. Helena. the influential, sharp epigrams in striking prose, leave reader almost as intrigued by the author's talent as the surprising twists that occur in the arduous love life.


Scandinavian Noir

Scandinavian Noir

Author: Wendy Lesser

Publisher: Macmillan + ORM

Published: 2020-05-05

Total Pages: 197

ISBN-13: 0374718717

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"Even those unmoved by its subject will thrill to [Scandinavian Noir], a beautifully crafted inquiry into fiction, reality, crime and place . . . Perhaps when it comes to fiction and reality, what we need most are critics like Lesser, who can dissect the former with the tools of the latter." --Kate Tuttle, The New York Times Book Review An in-depth and personal exploration of Scandinavian crime fiction as a way into Scandinavian culture at large For nearly four decades, Wendy Lesser's primary source of information about three Scandinavian countries—Sweden, Norway, and Denmark—was mystery and crime novels, and the murders committed and solved in their pages. Having never visited the region, Lesser constructed a fictional Scandinavia of her own making, something between a map, a portrait, and a cultural history of a place that both exists and does not exist. Lesser’s Scandinavia is disproportionately populated with police officers, but also with the stuff of everyday life, the likes of which are relayed in great detail in the novels she read: a fully realized world complete with its own traditions, customs, and, of course, people. Over the course of many years, Lesser’s fictional Scandinavia grew more and more solidly visible to her, yet she never had a strong desire to visit the real countries that corresponded to the made-up ones. Until, she writes, “between one day and the next, that no longer seemed sufficient.” It was time to travel to Scandinavia. With vivid storytelling and an astonishing command of the literature, Wendy Lesser’s Scandinavian Noir: In Pursuit of a Mystery illuminates the vast, peculiar world of Scandinavian noir—first as it appears on the page, then as it grows in her mind, and finally, in the summer of 2018, as it exists in reality. Guided by sharp criticism, evocative travel writing, and a whimsical need to discover “the difference between existence and imagination, reality and dream,” Scandinavian Noir is a thrilling and inventive literary adventure from a masterful writer and critic.


In the Hour Before Midnight

In the Hour Before Midnight

Author: Jack Higgins

Publisher: Penguin

Published: 2000-09-01

Total Pages: 305

ISBN-13: 1101190876

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In the world of the Mafia, sometimes death is the only way out....


The American Roman Noir

The American Roman Noir

Author: William Marling

Publisher: University of Georgia Press

Published: 1998-10-01

Total Pages: 329

ISBN-13: 0820320811

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In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depression-era culture. Integrating economic history, biography, consumer product design, narrative analysis, and film scholarship, Marling makes new connections between events of the 1920s and 1930s and the modes, styles, and genres of their representation. At the center of Marling's approach is the concept of "prodigality": how narrative represents having, and having had, too much. Never before in the country, he argues, did wealth impinge on the national conscience as in the 1920s, and never was such conscience so sharply rebuked as in the 1930s. What, asks Marling, were the paradigms that explained accumulation and windfall, waste and failure? Marling first establishes a theoretical and historical context for the notion of prodigality. Among the topics he discusses are such watershed events as the trial of Sacco and Vanzetti and the premiere of the first sound movie, The Jazz Singer; technology's alteration of Americans' perceptive and figurative habits; and the shift from synecdochical to metonymical values entailed by a consumer society. Marling then considers six noir classics, relating them to their authors' own lives and to the milieu of prodigality that produced them and which they sought to explain: Dashiell Hammett's Red Harvest and The Maltese Falcon, James M. Cain's The Postman Always Rings Twice and Double Indemnity, and Raymond Chandler's The Big Sleep and Farewell My Lovely. Reading these narratives first as novels, then as films, Marling shows how they employed the prodigality fabula's variations and ancillary value systems to help Americans adapt--for better or worse--to a society driven by economic and technological forces beyond their control.