Intended as a practical guide to organ conservation issues, this work covers such topics as the need for regulation, the availability of grants, the benefits of good advice, the results of neglect and bad practice, the rewards of care and good housekeeping, and the principles of good restoration practice. Dominic Gwynn draws on his knowledge, experience and expertise and dedicates over half of the book to restoration techniques and the materials from which organs are made.
A collection of papers from a conference on organs, held in Liverpool in 1999. Areas covered include conservation related to musical performance and surviving historic instruments, concert organs and their repertoire, advisers, training, archaeology, and conservation plans.
This book addresses key questions about the materials used for the wind instruments of classical symphony orchestra such as flutes, clarinets, saxophones, oboes, bassoons and pipe organs. The content of this book is structured into four parts. Part 1- Description of materials for wind instruments deals with wood species and materials for reeds used for making clarinet, oboe and bassoon- and, with metallic materials and alloys for - horn, trumpet, trombone, etc. Auxiliary materials associated with the manufacturing of wind instruments are felt, cork, leather and parchment. Part 2- Basic acoustics of wind instruments, in which are presented succinctly, some pertinent aspects related to the physics of the resonant air column. An important aspect discussed is related to the effect of wall material on the vibration modes of the walls of wind instruments. The methods for measuring the acoustical properties of wind instruments are presented. Part 3- Manufacturing of wind instruments, describes the technology used in manufacturing metallic tubes and pipes made of wood. Part 4 - The durability and degradation of materials addresses data about methods for cleaning wind instruments, studies factors producing degradation of organ pipes, describes methods of conservation and restoration of brass instruments and of historical pipe organs. Finally, the properties of marble are described, being the only one nondegradable and sustainable material used for pipes for organs.
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
Distinguished by its slender vertical branches, which resemble the tubes of a pipe organ, and growing to the imposing height of 15 to more than 30 feet, itÕs obvious how the organ pipe cactus got its name. In the United States, these spectacular and intriguing plants are found exclusively in a small area of the Sonoran Desert in the southwestern corner of Arizona. With a landscape marked by sharp, rocky slopes and daytime highs in the summer reaching 110 degrees Fahrenheit, the region is inhospitable for most ordinary life, whether plant or animal. But the organ pipe cactus is far from ordinary. Although it is the most common columnar cactus, it is so unusual in the United States that it is only one of three cacti to have a national preserve established to protect it. In this regard, it joins a select group of plantsÑincluding Joshua trees, redwoods, and sequoiasÑupon which that honor has been conferred. In this beautifully illustrated, large-format book, David Yetman provides an in-depth and comprehensive look at these intriguing and picturesque plants that most Americans will never have the opportunity to see. Chapters explore their ethnobotanical uses, their habitat, their distribution, and special conditions required for their germination, establishment, growth, and survival. Yetman also places the organ pipe in perspective as a member of a genus with at least twenty-three species, ranging from the prostrate Stenocereus eruca of Baja California to the 50-foot high giant S. chacalapensis of the coast of Oaxaca.
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.
The foremost experts on the North American Model of Wildlife Conservation come together to discuss its role in the rescue, recovery, and future of our wildlife resources. At the end of the nineteenth century, North America suffered a catastrophic loss of wildlife driven by unbridled resource extraction, market hunting, and unrelenting subsistence killing. This crisis led powerful political forces in the United States and Canada to collaborate in the hopes of reversing the process, not merely halting the extinctions but returning wildlife to abundance. While there was great understanding of how to manage wildlife in Europe, where wildlife management was an old, mature profession, Continental methods depended on social values often unacceptable to North Americans. Even Canada, a loyal colony of England, abandoned wildlife management as practiced in the mother country and joined forces with like-minded Americans to develop a revolutionary system of wildlife conservation. In time, and surviving the close scrutiny and hard ongoing debate of open, democratic societies, this series of conservation practices became known as the North American Model of Wildlife Conservation. In this book, editors Shane P. Mahoney and Valerius Geist, both leading authorities on the North American Model, bring together their expert colleagues to provide a comprehensive overview of the origins, achievements, and shortcomings of this highly successful conservation approach. This volume • reviews the emergence of conservation in late nineteenth–early twentieth century North America • provides detailed explorations of the Model's institutions, principles, laws, and policies • places the Model within ecological, cultural, and socioeconomic contexts • describes the many economic, social, and cultural benefits of wildlife restoration and management • addresses the Model's challenges and limitations while pointing to emerging opportunities for increasing inclusivity and optimizing implementation Studying the North American experience offers insight into how institutionalizing policies and laws while incentivizing citizen engagement can result in a resilient framework for conservation. Written for wildlife professionals, researchers, and students, this book explores the factors that helped fashion an enduring conservation system, one that has not only rescued, recovered, and sustainably utilized wildlife for over a century, but that has also advanced a significant economic driver and a greater scientific understanding of wildlife ecology. Contributors: Leonard A. Brennan, Rosie Cooney, James L. Cummins, Kathryn Frens, Valerius Geist, James R. Heffelfinger, David G. Hewitt, Paul R. Krausman, Shane P. Mahoney, John F. Organ, James Peek, William Porter, John Sandlos, James A. Schaefer
This book has been published to commemorate the fortieth anniversary of the foundation of the Organ Historical Trust of Australia in 1977. It provides a pictorial record of pipe organs in Australia that have been lost through various agencies. Some have simply been removed and broken up, others have been destroyed by fire, and others have been rebuilt beyond visual or tonal recognition. This book is not intended to provide a comprehensive account of such instruments, but rather a selective representation of those for which suitable images have survived. Insofar as individual organs can be accurately dated, the images are arranged in chronological order. These have been sourced from public and private collections, and many are published here for the first time.
