One of the 1960s counterculture's most fascinating characters was Kerry Wendell Thornley -- a writer, philosopher, Zen dishwasher, enlightened prankster, and, possibly, an Oswald double with disturbing ties to the Kennedy assassination. A lifelong provocateur, Thornley was linked to many of the fringe elements of the time. He helped create the spoof religion called the Discordian Society and its tract, the Principia Discordia. He coined the term "paganism" to describe various nature religions. And he befriended Robert Anton Wilson, inspired the Illuminatus, and gave his anarchic support to the Bavarian Illuminati, a brilliant prank.
Quiet and imaginative, Derek O'Reilly spends a lot of time watching a movie in his head. His fiancé Nathan wonders why Derek hasn't taken any interest in their wedding planning, and Aunt Fran -- his spiritual guru -- would like to know when her guilt-tripping nephew became a kept boy. When she drops Derek's childhood journal on his lap, he's forced to remember the name he's been trying to forget since he was twelve years old. Nicolai Lund. Nick was Derek's neighbor ... and first love. Weeks before Derek's engagement party, a chance meeting with Nick catapults Derek into the past. But Nick isn't that seventeen-year-old rebel anymore. He's a man hardened by invisible scars. A man struggling with grief. As Derek reads through his childhood diary, he realizes what Nick was to him, still is today, and yet might be ... NOTE: This edition has been expanded and substantially edited.
"Adam Gorightly offers a unique take on virtually every conspiracy of our time."—Erskine Payton, Erskine Overnight Kerry Thornley never imagined that after starting a spoof religion in the 1950s that worshipped Eris—the Greek goddess of chaos and discord—that this seeming joke would unleash a torrent of actual chaos into his life in the years to follow. During the late 1950s, Thornley became friends with Lee Harvey Oswald when the two served together in the Marines, and was actually writing a novel based on Oswald three years before John F. Kennedy's assassination. These connections would later cause New Orleans district attorney Jim Garrison to suspect that Thornley was one of the notorious Oswald doubles and a part of a JFK assassination plot. Initially, Thornley denied these allegations, but later came to believe that he'd been used as an unwitting pawn in the conspiracy. Adam Gorightly is best known for his book on the Manson Family, The Shadow Over Santa Susana: Black Magic, Mind Control and the Manson Family Mythos. Adam has appeared as a guest on numerous radio shows such as Coast To Coast AM with Ian Punnett and Ground Zero with Clyde Lewis. Television appearances include the History Channel's documentary The Manson Murders.
It's the most influential religion you've never heard of: Discordianism took the world by storm when it was revealed to two young hippies in 1958 or 1959. Who would have thought this goofy nuttiness would eventually turn into a worldwide caper involving the assassination of a US President, Timothy Leary, a rubber gorilla, a ten hour play, a million pounds of burnt cash, the German secret service, a pumpkin launching trebuchet, the Electronic Frontier Foundation, Charles Manson, twelve arrested New Orleans Mardi Gras participants, a series of murders, Kermit the frog, and an extremely confused Australian who wrote this very silly book? Not me, that's for sure. WITH A FORWARD BY JOHN HIGGS WITH AN AFTERWORD BY CRAMULUS
This first book in a feminist space opera duology follows seven resistance fighters who will free the galaxy from the ruthless Tholosian Empire--or die trying. When Eris faked her death, she thought she had left her old life as the heir to the galaxy's most ruthless empire behind. But her recruitment by the Novantaen Resistance, an organization opposed to the empire's voracious expansion, throws her right back into the fray. Eris has been assigned a new mission: to infiltrate a spaceship ferrying deadly cargo and return the intelligence gathered to the Resistance. But her partner for the mission, mechanic and hotshot pilot Cloelia, bears an old grudge against Eris, making an already difficult infiltration even more complicated. When they find the ship, they discover more than they bargained for: three fugitives with firsthand knowledge of the corrupt empire's inner workings. Together, these women possess the knowledge and capabilities to bring the empire to its knees. But the clock is ticking: the new heir to the empire plans to disrupt a peace summit with the only remaining alien empire, ensuring the empire’s continued expansion. If they can find a way to stop him, they will save the galaxy. If they can't, millions may die.
The twentieth century was a period of rapid change for religion. Secularisation resulted in a dramatic fall in church attendance in the West, and the 1950s and 1960s saw the introduction of new religions including the International Society for Krishna Consciousness (ISKCON), the Church of Scientology, and the Children of God. New religions were regarded with suspicion by society in general and Religious Studies scholars alike until the 1990s, when the emergence of a second generation of 'new new' religions – based on popular cultural forms including films, novels, computer games and comic books – and highly individualistic spiritualities confirmed the utter transformation of the religio-spiritual landscape. Indeed, Scientology and ISKCON appeared almost traditional and conservative when compared to the radically de-institutionalised, eclectic, parodic, fun-loving and experimental fiction-based, invented and hyper-real religions. In this book, scholarly treatments of cutting-edge religious and spiritual trends are brought into conversation with contributions by representatives of Dudeism, the Church of All Worlds, the Temple of the Jedi Order and Tolkien spirituality groups. This book will simultaneously entertain, shock, challenge and delight scholars of religious studies, as well as those with a wider interest in new religious movements.
Scientist Charles Neumann loses a leg in an industrial accident. It's not a tragedy. It's an opportunity. Charlie always thought his body could be better. He begins to explore a few ideas. To build parts. Better parts. Prosthetist Lola Shanks loves a good artificial limb. In Charlie, she sees a man on his way to becoming artificial everything. But others see a madman. Or a product. Or a weapon. A story for the age of pervasive technology, Machine Man is a gruesomely funny unraveling of one man's quest for ultimate self-improvement.
An exploration of the emergence of a new psychedelic spirituality in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson. A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality—but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America? In High Weirdness, Erik Davis—America's leading scholar of high strangeness—examines the published and unpublished writings of these vital, iconoclastic thinkers, as well as their own life-changing mystical experiences. Davis explores the complex lattice of the strange that flowed through America's West Coast at a time of radical technological, political, and social upheaval to present a new theory of the weird as a viable mode for a renewed engagement with reality.
Civil wars, more than other wars, sear themselves into the memory of societies that suffer them. This is particularly true at Rome, where in a period of 150 years the Romans fought four epochal wars against themselves. The present volume brings together exciting new perspectives on the subject by an international group of distinguished contributors. The basis of the investigation is broad, encompassing literary texts, documentary texts, and material culture, spanning the Greek and Roman worlds. Attention is devoted not only to Rome's four major conflicts from the period between the 80s BC and AD 69, but the frame extends to engage conflicts both previous and much later, as well as post-classical constructions of the theme of civil war at Rome. Divided into four sections, the first ("Beginnings, Endings") addresses the basic questions of when civil war began in Rome and when it ended. "Cycles" is concerned with civil war as a recurrent phenomenon without end. "Aftermath" focuses on attempts to put civil war in the past, or, conversely, to claim the legacy of past civil wars, for better or worse. Finally, the section "Afterlife" provides views of Rome's civil wars from more distant perspectives, from those found in Augustan lyric and elegy to those in much later post-classical literary responses. As a whole, the collection sheds new light on the ways in which the Roman civil wars were perceived, experienced, and represented across a variety of media and historical periods.
