In 1521, the city of Tenochtitlan, magnificent centre of the Aztec empire, fell to the Spaniards and their Indian allies. Inga Clendinnen's account of the Aztecs recreates the culture of that city in its last unthreatened years. It provides a vividly dramatic analysis of Aztec ceremony as performance art, binding the key experiences and concerns of social existence in the late imperial city to the mannered violence of their ritual killings.
The title supplied above is taken from the Mexico City edition of 1867-1880; the binder's title, "Historia Antigua de la Nueva España," reappears in expanded form in another Bancroft Ms. (M-M 123) also by Diego Durán. The dates of composition given here are those inserted in the text (Treatises 1 and 3) by Durán, whereas the date assigned by Bancroft is 1585. Three treatises by the Dominican, Fray Durán, dealing respectively with the history of Mexico from its origin through its conquest by Cortés; the gods and religious rites of the indigenous peoples; and their calendar.
Volumes 14 and 15 of the Handbook of Middle American Indians, published in cooperation with the Middle American Research Institute of Tulane University under the general editorship of Robert Wauchope (1909–1979), constitute Parts 3 and 4 of the Guide to Ethnohistorical Sources. The Guide has been assembled under the volume editorship of the late Howard F. Cline, Director of the Hispanic Foundation in the Library of Congress, with Charles Gibson, John B. Glass, and H. B. Nicholson as associate volume editors. It covers geography and ethnogeography (Volume 12); sources in the European tradition (Volume 13); and sources in the native tradition: prose and pictorial materials, checklist of repositories, title and synonymy index, and annotated bibliography on native sources (Volumes 14 and 15). The present volumes contain the following studies on sources in the native tradition: “A Survey of Native Middle American Pictorial Manuscripts,” by John B. Glass “A Census of Native Middle American Pictorial Manuscripts,” by John B. Glass in collaboration with Donald Robertson “Techialoyan Manuscripts and Paintings, with a Catalog,” by Donald Robertson “A Census of Middle American Testerian Manuscripts,” by John B. Glass “A Catalog of Falsified Middle American Pictorial Manuscripts,” by John B. Glass “Prose Sources in the Native Historical Tradition,” by Charles Gibson and John B. Glass “A Checklist of Institutional Holdings of Middle American Manuscripts in the Native Historical Tradition,” by John B. Glass “The Botutini Collection,” by John B. Glass “Middle American Ethnohistory: An Overview” by H. B. Nicholson The Handbook of Middle American Indians was assembled and edited at the Middle American Research Institute of Tulane University with the assistance of grants from the National Science Foundation and under the sponsorship of the National Research Council Committee on Latin American Anthropology.
The languages of two hemispheres collided when Spain conquered Mexico, and as a result, a dynamic expression of visual and dramatic arts emerged. Mural painting and missionary theater quickly became the media to explain and comprehend the encounter of indigenous peoples with Christ and the crucifixion, as well as with heaven and hell. In Foundational Arts Michael K. Schuessler asserts that the literature of New Spain begins with missionary theater and its intimate relationship to mural painting. In particular, he examines the relationships between texts and visual images that emerged in Mexico at two Augustinian monasteries in Hidalgo, Mexico, during the century following the Spanish Conquest. The forced combination of the ideographical tradition of Nahuatl with Latin-based language alphabets led to a fascinating array of new cultural expressions. Missionary theater was organized by ingenious friars with the intent to convert and catechize indigenous populations. Often performed in Nahuatl or other local languages, the actors combined Latin-based language texts with visual contexts that corresponded to indigenous ways of knowing: murals, architectural ornamentation, statuary, altars, and other modes of visual representation. By concentrating on the interrelationship between mural painting and missionary theater, Foundational Arts explores the artistic and ideological origins of Mexican plastic arts and literature.
Primeros Memoriales is here published for the first time in its entirety both in the original Nahuatl and in English translation. The volume follows the manuscript order reconstructed for the Primeros Memoriales by Francisco del Paso y Troncoso in his 1905-1907 facsimile edition of the collection of Sahaguntine manuscripts he called Codices Matritenses. During the 1960s, Thelma D. Sullivan, a Nahuatl scholar living in Mexico, began a paleographic transcription of the Primeros Memoriales, along with an English translation. After Sullivan's death in 1981, a group of her colleagues finished, enlarged, and annotated her project. This long-awaited publication makes available to specialists and interested laypersons alike an invaluable portion of the remarkable Sahaguntine treasure of information on sixteenth-century Aztec society.
One of the great documents of colonial Mexico, the Codex Chimalpopoca chronicles the rise of Aztec civilization and preserves the mythology on which it was based. Its two complementary texts, Annals of Cuauhtitlan and Legend of the Suns, record the pre-CortŽsian history of the Valley of Mexico together with firsthand versions of that region's myths. Of particular interest are the stories of the hero-god Quetzalcoatl, for which the Chimalpopoca is the premier source. John Bierhorst's work is the first major scholarship on the Codex Chimalpopoca in more than forty years. His is the first edition in English and the first in any language to include the complete text of the Legend of the Suns. The precise, readable translation not only contributes to the study of Aztec history and literature but also makes the codex an indispensable reference for Aztec cultural topics, including land tenure, statecraft, the role of women, the tribute system, warfare, and human sacrifice.
A historical account of the berdache--biological men who performed the offices and work of women, including sexual service--in Europe and America at the time of the Conquest. Trexler examines the sexual culture of both early modern Iberia and the native American world of that era. Annotation copyright by Book News, Inc., Portland, OR
From Tribute to Communal Sovereignty examines both continuity and change over the last five centuries for the indigenous peoples of central western Mexico, providing the first sweeping and comprehensive history of this important region in Mesoamerica. The continuities elucidated concern ancestral territorial claims that date back centuries and reflect the stable geographic locations occupied by core populations of indigenous language–speakers in or near their pre-Columbian territories since the Postclassical period, from the thirteenth to late fifteenth centuries. A common theme of this volume is the strong cohesive forces present, not only in the colonial construction of Christian village communities in Purhépecha and Nahuatl groups in Michoacán but also in the demographically less inclusive Huichol (Wixarika), Cora, and Tepehuan groups, whose territories were more extensive. The authors review a cluster of related themes: settlement patterns of the last five centuries in central western Mexico, language distribution, ritual representation of territoriality, processes of collective identity, and the forms of participation and resistance during different phases of Mexican state formation. From such research, the question arises: does the village community constitute a unique level of organization of the experience of the original peoples of central western Mexico? The chapters address this question in rich and complex ways by first focusing on the past configurations and changes in lifeways during the transition from pre-Columbian to Spanish rule in tributary empires, then examining the long-term postcolonial process of Mexican independence that introduced the emerging theme of the communal sovereignty.
