Discover the unforgettable New York Times bestselling memoir about growing up in a dysfunctional Mormon family--and finding escape, adventure, and hard-earned wisdom on the road... What would you do if your stepfather pinned you down and tried to cast Satan out of you? For thirteen-year-old Ingrid, the answer is simple: RUN. For years Ingrid Ricks yearned to escape the poverty and the suffocating brand of Mormon religion that oppressed her at home. Her chance came when she was thirteen and took a trip with her divorced dad, traveling throughout the Midwest, selling tools and hanging around with the men on his shady revolving sales crew. It felt like freedom from her controlling mother and cruel, authoritarian stepfather—but it came with its own disappointments and dysfunctions, and she would soon learn a lesson that would change her life: she can't look to others to save her; she has to save herself.
This anthology is the first to survey the full range of modern Japanese drama and make available JapanÕs best and most representative twentieth- and early-twenty-first-century works in one volume. Divided into six chronological sections: ÒThe Age of Taisho DramaÓ; The Tsukiji Tsukiji Little Theater and Its AftermathÓ; ÒWartime and Postwar DramaÓ; ÒThe 1960s and Underground TheaterÓ; ÒThe 1980s and BeyondÓ; and ÒPopular Theater,Ó the collection opens with a comprehensive introduction to Meiji period drama and provides an informal yet complete history of twentieth-century Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Abe Kobo (The Man Who Turned into a Stick), Morimoto Kaoru (A WomanÕs Life), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine SellerÕs Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, Mitsuyra Mori, M. Cody Poulton, John Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the playsÕ productions, and photographs of their stage performances. The volume complements any course on modern Japanese literature and any study of modern drama in China, Korea, or other Asian or contemporary Western nation.
Don't Call Me Jupiter is a true-story memoir about an All-American family that becomes all hippied out. It's about the pros and cons that kids growing up in hippie environments encountered and how their early experiences continue to shape them later in life. This "First Family" story begins in 1961 in Cincinnati, Ohio with Dr. Sabin as they're selected to demonstrate the oral vaccine for polio. They are the paragon of midwestern, conservative, white-bread, Catholic idealism. And yet, led by an eccentric mother, the Martha Stewart of hippies, the family transforms into a clan of liberal, pot-smoking, psychedelic-bus-tripping, nature-loving California free spirits. Told through the wide-eyes of a middle child; a reluctant hippie kid who loves his family as much as he is embarrassed by them, this is a hilarious book about abandonment. Climb aboard their magic yellow bus for an unforgettable ride with colorful characters caught in situations that will make you laugh, cry, and cringe. Don't Call me Jupiter is a page-turning ride down memory lane when many parents went in search of themselves and lost their children along the way. "Growing up in this era was groovy and far out. We believed in the power of the people. We felt we could save the whales and make the world a better place. But there was bad craziness too."The '60s were a pivotal time. It revolutionized the way people looked at the world and their place in it. People challenged tradition, experimented with new lifestyles - and drugs. The very definition of family was stretched. Many people share unforgettable memories connected to the hippie movement and want to know how it's affecting them today. What was gained? What was lost? Are any of our adult disorders and anxiety tied to our unusual childhoods? This book presents a strong case in favor of the "fuck yea - of course it does!"In this first book of three in the series, you'll get an intimate understanding of the main characters, the changes they embrace, and how it affects their decisions and behaviors. Years later, this disbanded group is forced back together to deal with a family crisis. Similar memories about surviving dysfunctional families include: Running with Scissors, The Glass Castle, Let's Pretend this Never Happened, The Liar's Club, This Boy's Life, and A Heartbreaking Work of Staggering Genius. It's like a 70's version of Shameless but with less booze, more weed, and way more hallucinogenics. This book needs to be read because it expands our understanding of the hippie movement and its continuing impact on society. Don't Call Me Jupiter provides an accurate, visceral, entertaining, real-life perspective into the ups and downs of surviving a hippie childhood.
A Study Guide for Kobo Abe's "The Man Who Turned Into A Stick," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
After exchanging his least favorite sexual act for ticket money, Reggie finds himself crossing the desert on a Greyhound bus. Unfortunately, Reggie is on speed and believes that sinister cosmic forces are in play and that they're focused on him. Even worse, he may be right. The realities that surround him -- a dream of airplane disasters, obsessed johns, chatty girls on the bus, experimental filmmakers, music videos, poisonous sea creatures, bad feet, and ill-fated wedding ceremonies -- have so many layers of meaning that he's finding it harder and harder to distinguish his desires from his needs. Reggie bounces around the country surrounded by a colorful cast of characters who are equally unlikely to reach through the fog of their own aggressive fantasies and connect with the real world. In Distortion, the overlap between truth and illusion disappears as personal visions of forthcoming disaster collide and merge.
Capricorn (Cap) Anderson has never watched television. He's never tasted a pizza. Never heard of a wedgie. Since he was little, his only experience has been living on a farm commune and being home-schooled by his hippie grandmother, Rain. But when Rain falls out of a tree while picking plums and has to stay in the hospital, Cap is forced to move in with a guidance counselor and her cranky teen daughter and attend the local middle school. While Cap knows a lot about tie-dying and Zen Buddhism, no education could prepare him for the politics of public school. Right from the beginning, Cap's weirdness makes him a moving target at Claverage Middle School (dubbed C-Average by the students). He has long, ungroomed hair; wears hemp clothes; and practises tai chi on the lawn. Once Zack Powers, big man on campus, spots Cap, he can't wait to introduce him to the age-old tradition at C-Average: the biggest nerd is nominated for class president—and wins.
Happily Hippie: Meet a Modern Ethnicity rethinks hippies. Hippiedom didnt die; rather, as with other outgroups, it became socially invisible. Happily Hippie argues that the Counterculture is a 50-year-old ethnicity and explains Hippiedoms ethnogenesis. Well learn how anti-Hippie demagoguery has warped American politics, how the War on Drugs is largely about persecuting Hippie-America and how todays legalization movement is really about Hippie-America fighting for social equality. Happily Hippie documents the Countercultures many accomplishments, including inventing the Personal Computer; it estimates over 30 million Hippie-Americans and shows readers crude demographic maps of Hippie-America. We look at Hippies in philanthropy, Hollywood, sports, various arts, new medicine, the natural-foods industry, the Green movement and around the globe. Well see how stereotypes of Hippies echo those of other minorities, explore Hippie self-esteem issues, look at Hippie generational transfer and do some fun media analysis. Well also consider the need for a Hippie-American Ethnic Organization and how we might begin one. If youre Hippie, if youve ever been Hippie, read this book. It will change your head; it can change this world.
“A terrific biography of a rock innovator that hums with juicy detail and wincing truth. . . . Page after page groans with the folly of the ’60s drug culture, the tragedy of talent toasted before its time, the curse of wealth and the madness of wasted opportunity.”—The Atlanta Journal-Constitution NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE LOS ANGELES TIMES • NAMED ONE OF THE FIVE BEST ROCK BOOKS OF THE YEAR BY ROLLING STONE As a singer and songwriter, Gram Parsons stood at the nexus of countless musical crossroads, and he sold his soul to the devil at every one. His intimates and collaborators included Keith Richards, William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn, and Clarence White. Parsons led the Byrds to create the seminal country rock masterpiece Sweetheart of the Rodeo, helped to guide the Rolling Stones beyond the blues in their appreciation of American roots music, and found his musical soul mate in Emmylou Harris. Parsons’ solo albums, GP and Grievous Angel, are now recognized as visionary masterpieces of the transcendental jambalaya of rock, soul, country, gospel, and blues Parsons named “Cosmic American Music.” Parsons had everything—looks, charisma, money, style, the best drugs, the most heartbreaking voice—and threw it all away with both hands, dying of a drug and alcohol overdose at age twenty-six. In this beautifully written, raucous, meticulously researched biography, David N. Meyer gives Parsons’ mythic life its due. From interviews with hundreds of the famous and obscure who knew and worked closely with Parsons–many who have never spoken publicly about him before–Meyer conjures a dazzling panorama of the artist and his era. Praise for Twenty Thousand Roads “Far and away the most thorough biography of Parsons . . . skewers any number of myths surrounding this endlessly mythologized performer.”—Los Angeles Times “The definitive account of Gram Parsons’ life–and early death. From the country-rock pioneer’s wealthy, wildly dysfunctional family through his symbiotic friendship with Keith Richards, Meyer deftly illuminates one of rock’s most elusive figures.”—Rolling Stone “Meticulously researched . . . Though Meyer answers a lot of long-burning questions, he preserves Parsons’ legend as a man of mystery.”—Entertainment Weekly “Meyer gives Parsons a thorough, Peter Guralnick-like treatment.”—New York Post
A group of Hippies, assisted by The Alien Alliance of Andromeda thwart the bilderberg bankers, politicians, military, and the religious 'God Deluded', by stealing all of the worlds gold deposit. The action moves rapidly from Namibia, to the space island of the approaching race of Mong. Then on to the underground lairs of Reptilian Atlantean Warlocks who lurk under The Vatican, Jerusalem and Washington, where Jovian Moth Probes are used as deadly weapons. Allies from Hollow Middle Earth are found, who heal Earth's global volcanic dimming with the stolen golden treasure. The narrative culminates in 2012 at The Black Cube, where the fallen angels of The Fifth Planet are forgiven, and the captured souls of mankind are set free. End of world theories become reality when The Four Horses of The Apocalypse rise in sun flare, earth quake, tsunami, and 'The Thrice Night Darkly', leaving the Hippy Osaian communities of the Southern Hemisphere at deadlock with the old controlling regimes of a sick planet. With scenes of violence, tears, laughter, and a dreamy alien love affair; this tale will take you to a reality which you often dream of.
Bad Boy Reforms for Love A rock god crashes from his pedestal when the innocent young girl he victimized turns the tables. Just as the prodigal son rose up and came home, the rock god of Hippieville finds himself at the end of a long, hard road. He seeks a spiritual advisor to confess to and give him guidance. In 1968, Ben Z. ruled the town. Likable, rich, and non-involved, at first he wouldnt admit he did anything wrong. He committed a crime and now he has to atone for it. When a friend asked, "Was it the kind you commit with a car, a gun?" he said, "No, with your body." He was so wasted that he blundered into sex with the wrong girl, and raped her. Instead of his willing groupie, she turned out to be an innocent high school girl who had too much to drink at her first big party. Leda woke up pregnant. Scandal rocks the small New Hampshire town, and she bears "The Scarlet Letter." But Ben isn't spineless like Dimmesdale in Hawthorne's classic. He stands up for Leda in front of the whole town. Leda acts as though she looks up to him, but she plots with her cousin Evie, the singer in the band, to force him to sign a confession. Ben fights to maintain a facade of honor as his world crashes down. The cops, his father, and the jealous town boyshe has to face them all. Leda runs away to the city and vanishes among the Flower Children. Ben follows, searching for a chance to redeem himself. Disinherited, he works as a lowly dishwasher in a cafeteria near the encampment the Mayor of Boston calls Hippieville. Boston boils over with anti-war protests. In a disastrous riot, the police chase the hippies off the Common. When Ben meets Leda again, she distrusts him, but in desperation, she moves in with him. They live for months as platonic roommates, their dialog an escalating war of insults in the cramped apartment on Beacon Hill. Cover art used by permission Linda B. Levine Quotes on HIPPIEVILLE: "It's about people and how they fit into their generation and how their times affect their lives. It is timeless, because the search for independence and a sense of family is a timeless theme, but one that seemed particularly poignant in the '60's when the young were coming up and overthrowing the old. It was exciting to be running wild and searching for a better family than the one from which we all came." --Sam Southworth, Portsmouth NH "The external turbulence of the times is woven seamlessly into the inner turbulence and demons of the main characters. HIPPIEVILLE never pulled any punches. It never got soft. It was raw, fast and real." --Karen Clayton, Toronto ON
