Counterculture flourished nationwide in the 1960s and 1970s, and while the hippies of Haight–Ashbury occupied the public eye, a faction of back to the landers were quietly creating their own haven off the beaten path in the Arkansas Ozarks. In Hipbillies, Jared Phillips combines oral histories and archival resources to weave the story of the Ozarks and its population of country beatniks into the national narrative, showing how the back to the landers engaged in “deep revolution” by sharing their ideas on rural development, small farm economy, and education with the locals—and how they became a fascinating part of a traditional region’s coming to terms with the modern world in the process.
Winner of the 2021 Stanford M. Lyman Distinguished Book Award from Mid-South Sociological Association All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks, Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves—a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li’l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music and near-communal rock bands such as Black Oak Arkansas.
Counterculture flourished nationwide in the 1960s and 1970s, and while the hippies of Haight–Ashbury occupied the public eye, a faction of back to the landers were quietly creating their own haven off the beaten path in the Arkansas Ozarks. In Hipbillies, Jared Phillips combines oral histories and archival resources to weave the story of the Ozarks and its population of country beatniks into the national narrative, showing how the back to the landers engaged in “deep revolution” by sharing their ideas on rural development, small farm economy, and education with the locals—and how they became a fascinating part of a traditional region’s coming to terms with the modern world in the process.
""Águila" tells the astonishing life story of María Cristina Moroles, a healer and shaman who has spent the past fifty years in the Arkansas Ozarks, where she oversees a healing sanctuary for women and children of color on a five-hundred-acre wilderness preserve. Moroles vividly recounts the events that earned her the ceremonial names 'SunHawk' and 'Águila' as well as her efforts to build a sustainable community off the grid"--
The Civil War was just days old when the first enslaved men, women, and children began fleeing their plantations to seek refuge inside the lines of the Union army as it moved deep into the heart of the Confederacy. In the years that followed, hundreds of thousands more followed in a mass exodus from slavery that would destroy the system once and for all. Drawing on an extraordinary survey of slave refugee camps throughout the country, Embattled Freedom reveals as never before the everyday experiences of these refugees from slavery as they made their way through the vast landscape of army-supervised camps that emerged during the war. Amy Murrell Taylor vividly reconstructs the human world of wartime emancipation, taking readers inside military-issued tents and makeshift towns, through commissary warehouses and active combat, and into the realities of individuals and families struggling to survive physically as well as spiritually. Narrating their journeys in and out of the confines of the camps, Taylor shows in often gripping detail how the most basic necessities of life were elemental to a former slave's quest for freedom and full citizenship. The stories of individuals--storekeepers, a laundress, and a minister among them--anchor this ambitious and wide-ranging history and demonstrate with new clarity how contingent the slaves' pursuit of freedom was on the rhythms and culture of military life. Taylor brings new insight into the enormous risks taken by formerly enslaved people to find freedom in the midst of the nation's most destructive war.
"Morrow and Myers-Phinney excavate the beginnings of commercial tourism in the region and follow it through six decades as the influx of visitors who became familiar with the Ozarks and its investment opportunities brought capital, new commerce, and additional residents to the hills."--BOOK JACKET.
"Up South in the Ozarks: Dispatches from the Margins is a collection of essays from Brooks Blevins that explore southern history and culture using [the] author's native Ozarks region as a focus. From migrant cotton pickers and fireworks peddlers to country store proprietors and shape-note gospel singers, Blevins leaves few stones unturned in his insightful journeys through a landscape 'wedged betwixt and between the South and the Midwest - and grasping for the West to boot"--
"Broadcasting the Ozarks explores the vibrant music scene in Springfield, Missouri, that reached its apex during the 1950s and '60s. Central to this history is the Ozark Jubilee (1955-61), the first weekly country music show on network television. Performers, promoters, talent managers, booking agents, and tourists from every corner of the United States followed the music trail to the Jubilee. Dubbed the 'king of the televised barn dances,' the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry-with the Jubilee's producer, Si Siman, at the helm"
This second edition of Arkansas in Modern America since 1930 represents a significant rewriting of and elaboration on the first edition, published in 2000. Historian Ben F. Johnson fills in gaps, reconsiders his original conclusions, and reflects on new developments in historical scholarship, extending the book’s analysis of the political, economic, social, and cultural positions into 2018. Particularly impressive for the breadth of its scope, Arkansas in Modern America since 1930 offers an overview of the factors that moved Arkansas from a primarily rural society to one more in step with the modern economy and perspectives of the nation as a whole. The narrative covers the roles of Daisy Bates, Sam Walton, Don Tyson, Bill Clinton, and other influential figures in the state’s history to reveal a state shaped by global as much as by local forces. The second edition of this important book will continue to set the standard for analysis and interpretation of Arkansas’s place in the contemporary world.
