In India, Hindu images have been cast for millennia through the lost wax process and brought to life by priests--becoming not merely venerated icons but actual embodiments of gods. Second and third generation Hindu Americans have increasingly adopted a more worldly perspective toward religious objects, viewing them as symbolic rather than actual presences of the deity. The author traces the origins of this important shift, and examines Western attitudes regarding sacred objects, as well as the complex layering of traditional and modern Hindu attitudes in a globalized world.
This authoritative and cutting edge companion brings togethera team of leading scholars to document the rich diversity andunique viewpoints that have formed the religious history of theUnited States. A groundbreaking new volume which represents the firstsustained effort to fully explain the development of Americanreligious history and its creation within evolving political andsocial frameworks Spans a wide range of traditions and movements, from theBaptists and Methodists, to Buddhists and Mormons Explores topics ranging from religion and the media,immigration, and piety, though to politics and social reform Considers how American religion has influenced and beeninterpreted in literature and popular culture Provides insights into the historiography of religion, butpresents the subject as a story in motion rather than a snapshot ofwhere the field is at a given moment
The Phenomena Of Migration, Exile And Displacement Have Been A Concern To Cultural Critics And Scholars Of South Asia For Over A Decade Now. The Papers In This Volume Were First Presented At A Conference Held In 1993 At Columbia University. It Was An Opportunity To Examine Various Aspects Of Culture And Identity Among People Of South Asian Ethnic Origins Who Live Outside South Asia. Participants Considered And Analysed The Geographical Extent Of What Is Often So Casually Refered To As The South Asian Diaspora And The Wide Range Of Sub-Ethnicities Implied.
Religion is the opium of the people, said Karl Marx many centuries ago. For more than a billion people living in India and abroad, Hinduism is the religion and a way of life. In this multi-award winning book, Swami Achuthananda cracks open the opium poppy pods, analyzes the causes for euphoria, and comes away with a deeper understanding of the people and their religion. *** Winner 2014 Next Generation Indie Book Awards (Religious Non-fiction) *** This is a comprehensive book on Hinduism. It tells you why Hindus do the things they do - and don't. Written in a casual style, the book guides you through the fundamentals of the religion. It then goes further and debunks a number of long-standing myths, some of them coming from the academia (of all places). While most books shy away from contentious issues, this book plunges headlong by taking on controversies, like the Aryan Invasion Theory, idol worship, RISA scholarship and many more. In fact one-third of the book is just on controversies that you rarely find in any other literature. Other Awards: *** Finalist - 2014 Pacific Book Awards (Religion) *** *** Bronze - 2014 IPPY Award - (Religion) ***
This four-volume work provides a detailed, multicultural survey of established as well as "new" American religions and investigates the fascinating interactions between religion and ethnicity, gender, politics, regionalism, ethics, and popular culture. This revised and expanded edition of Religion and American Cultures: Tradition, Diversity, and Popular Expression presents more than 140 essays that address contemporary spiritual practice and culture with a historical perspective. The entries cover virtually every religion in modern-day America as well as the role of religion in various aspects of U.S. culture. Readers will discover that Americans aren't largely Protestant, Catholic, or Jewish anymore, and that the number of popular religious identities is far greater than many would imagine. And although most Americans believe in a higher power, the fastest growing identity in the United States is the "nones"—those Americans who elect "none" when asked about their religious identity—thereby demonstrating how many individuals see their spirituality as something not easily defined or categorized. The first volume explores America's multicultural communities and their religious practices, covering the range of different religions among Anglo-Americans and Euro-Americans as well as spirituality among Latino, African American, Native American, and Asian American communities. The second volume focuses on cultural aspects of religions, addressing topics such as film, Generation X, public sacred spaces, sexuality, and new religious expressions. The new third volume expands the range of topics covered with in-depth essays on additional topics such as interfaith families, religion in prisons, belief in the paranormal, and religion after September 11, 2001. The fourth volume is devoted to complementary primary source documents.
Vishnu -- Hinduism's most important and powerful deity -- is the great Preserver, vanquishing those who seek to destroy the balance of the universe. For his followers he is also the Creator and the Destroyer, the cause of all existence. His many traits are embodied in his impressive physical form, the weapons he carries, the goddesses who are his consorts, and the eagle Garuda, on whom he flies down from heaven. In Hindu legend, Vishnu descends to earth in many manifestations, known as avatars, to fight powerful demons and to save his devotees. The avatars range in form from Varaha the boar to Parashurama the Brahmin warrior, and in character from Narasimha the ferocious half-man half-lion, to Krishna the charismatic prince-cowherd. The legends of Vishnu have inspired some of the greatest art, literature, and ritual traditions in India. This catalogue examines the many faces of Vishnu and the ways that the god has been represented, from antiquity to the present. Essays by noted historians of South Asian art delve deeply into the regional and sectarian traditions of Vishnu worship in India. Illustrations and discussions of almost 200 works of art, in a wide range of media and borrowed from collections around the world, reveal the rich diversity of India's art and religious culture.
