Himalayan Art in 108 Objects
Himalayan Art in 108 Objects

Author: Karl Debreczeny

Publisher: Scala Arts Publishers Incorporated

Published: 2023-02-13

Total Pages: 0

ISBN-13: 9781785514524

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In this illustrated volume, the fascinating story of Himalayan art is illuminated through a selection of significant objects from the Neolithic era to today. Paintings, sculptures, drawings, textiles, architectural structures, and more serve as a guide to explore the historical traditions, rituals, social practices, and art forms from Tibetan, Indian, Nepalese, Bhutanese, Mongolian, and Chinese regions, emphasizing cross-cultural exchange, with Tibet at the center, and introducing readers to the diversity of Himalayan art and practices.

Sacred Visions
Sacred Visions

Author: Steven Kossak

Publisher: Metropolitan Museum of Art

Published: 1998

Total Pages: 241

ISBN-13: 0870998625

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Accompanying an exhibition to be held in New York during late fall of 1998, Sacred Visions is a superbly illustrated volume of art works from the 11th to the mid-15th centuries which includes scholarly essays that relate to the paintings to be displayed.

A Comprehensive Survey of Rock Art in Upper Tibet: Volume III
A Comprehensive Survey of Rock Art in Upper Tibet: Volume III

Author: John Vincent Bellezza

Publisher: Archaeopress Publishing Ltd

Published: 2024-08-08

Total Pages: 1124

ISBN-13: 1803277742

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Focusing on the Eastern half of Stod, this is the third in a series of five volumes that comprehensively document rock art in Upper Tibet. It examines a panoply of graphic evidence found on stone surfaces, supplying an unprecedented view of the long-term development of culture and religion on a large swathe of the Tibetan Plateau.

The Dynamic Spread of Buddhist Print Culture
The Dynamic Spread of Buddhist Print Culture

Author: Shih-shan Susan Huang

Publisher: BRILL

Published: 2024-11-20

Total Pages: 1069

ISBN-13: 9004700013

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This comprehensive study explores the dynamic spread of Buddhist print culture in China and its Asian neighbors. It examines a vast selection of Buddhist printed images and texts, not merely as static cultural relics, but holistically within multicultural contexts related to other cultural products, and as objects on the move, transmitted across a sprawling web of transnational networks, “Buddhist Book Roads”. The author applies interdisciplinary and network approaches developed in art history, religious studies, digital humanities, and the history of the print and book culture to shed new light on Buddhist print culture from visual, textual, social, and religious perspectives.

Ruthless Compassion
Ruthless Compassion

Author: Robert N. Linrothe

Publisher: Serindia Publications, Inc.

Published: 1999

Total Pages: 380

ISBN-13: 0906026512

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The historical development of Esoteric Buddhism in India is still known only in outline. A few verifiably early texts do give some insight into the origin of the ideas which would later develop and spread to East and Southeast Asia, and to Tibet. However, there is another kind of evidence which can be harnessed to the project of reconstructing the history of Esoteric Buddhist doctrines and practice. This evidence consists of art objects, mainly sculpture, which survive in significant numbers from the 6th to the 13th century.

A World Art History and Its Objects
A World Art History and Its Objects

Author: David Carrier

Publisher: Penn State Press

Published: 2008-11-21

Total Pages: 200

ISBN-13: 0271036060

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Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.

Tibet and India
Tibet and India

Author: Kurt Behrendt

Publisher: Metropolitan Museum of Art

Published: 2014-02-01

Total Pages: 52

ISBN-13: 1588395499

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The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art
The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art

Author: Dallas Museum of Art

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780300149883

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In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art

Creating the Universe
Creating the Universe

Author: Eric Huntington

Publisher: University of Washington Press

Published: 2019-01-22

Total Pages: 308

ISBN-13: 0295744073

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Winner, 2018 Edward Cameron Dimock, Jr. Prize in the Indian Humanities Buddhist representations of the cosmos across nearly two thousand years of history in Tibet, Nepal, and India show that cosmology is a rich language for the expression of diverse religious ideas, with cosmological thinking at the center of Buddhist thought, art, and practice. In Creating the Universe, Eric Huntington presents examples of visual art and architecture, primary texts, ritual ideologies, and material practices—accompanied by extensive explanatory diagrams—to reveal the immense complexity of cosmological thinking in Himalayan Buddhism. Employing comparisons across function, medium, culture, and history, he exposes cosmology as a fundamental mode of engagement with numerous aspects of religion, from preliminary lessons to the highest rituals for enlightenment. This wide-ranging work will interest scholars and students of many fields, including Buddhist studies, religious studies, art history, and area studies. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/creating-the-universe