Report
Report

Author: United States. Congress. House

Publisher:

Published: 1953

Total Pages: 2492

ISBN-13:

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Congressional Record
Congressional Record

Author: United States. Congress

Publisher:

Published: 1953

Total Pages: 1412

ISBN-13:

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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Personal Structures
Personal Structures

Author: Karlyn de Jongh

Publisher: Global Arts Affairs Publishing

Published: 2013

Total Pages: 0

ISBN-13: 9789490784133

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Personal Structures presents an ongoing project that deals with questions concerning time, space and existence.This is the second book in the Time. Space. Existence series and involves the personal participation of 46 artists from different parts of the world, in a combination of internationally renowned artists and others whose oeuvre is less known.The concepts time, space and existence are highlighted in very personal ways and from unusual points of view. The many photographs of the artworks and encounters with the artists convey fascinating insights into their being, ideas and work.Seven art projects with established artists centralise their thoughts to a great extent. In addition, the book emphasises two Personal Structures exhibitions that were part of the Venice Biennale in 2011 and 2013.This publication also contains several interviews, artists' statements, and symposium contributions that discuss the theme of this book in detail.Personal Structures was initiated in 2002 by the Dutch artist Rene Rietmeyer. His observation that even in the most distant places artists are occupied with time, space and existence, led to the idea of bringing several of these artists together in publications, symposia and exhibitions.English and Japanese text.

Gehirne (German)
Gehirne (German)

Author: Gottfried Benn

Publisher: CreateSpace

Published: 2015-05-19

Total Pages: 46

ISBN-13: 9781512283839

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Rönne, ein junger Arzt, der früher viel seziert hatte, fuhr durch Süddeutschland dem Norden zu. Er hatte die letzten Monate tatenlos verbracht; er war zwei Jahre lang an einem pathologischen Institut angestellt gewesen, das bedeutet, es waren ungefähr zweitausend Leichen ohne Besinnen durch seine Hände gegangen, und das hatte ihn in einer merkwürdigen und ungeklärten Weise erschöpft.

Mendelssohn in Performance
Mendelssohn in Performance

Author: Siegwart Reichwald

Publisher: Indiana University Press

Published: 2008-09-25

Total Pages: 274

ISBN-13: 0253002613

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Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.

Gottfried Benn
Gottfried Benn

Author: Reinhard Alter

Publisher: Peter Lang Group Ag, International Academic Publishers

Published: 1976

Total Pages: 164

ISBN-13:

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This is the first full length investigation of the relationship between Benn's artistic theory, his cultural criticism and his political thinking. With the aid of a carefully applied inductive method and of historical documentation the author provides a convincing picture of Benn's intellectual development until 1934. The latter's conception of art's «autonomy» is shown to be ambivalent, and this ambivalence is placed in the concrete political context of the Weimar Republic. There are also illuminating comparisons with other writers - e.g. Nietzsche, Thomas Mann and Ernst Jünger. The argument is supported by previously unpublished quotations from Benn's Nachlass.