This book examines the rise and evolution of the football narrative, from 1870 to the present, in order to analyse and define the process by which American men have sought to fashion masculine identity over the last century. The author uses the athletic hero as a representative of a larger number of templates or centers (the religious man, the business tycoon, the family man, the rebel, etc.), many of which have been used by various men to make meaning of their lives.
"...provides a detailed look at America's pastime through the lens of pop culture, [an] A-to-Z inventory of how certain aspects of the game affect and reflect broader society."--from publisher description.
Though not a member of the National Socialist Party, Leni Riefenstahl was the filmmaker darling of the Nazis and Adolf Hitler. First a successful dancer and actress in Germany, she became more notorious when she produced and directed Victory of Faith and Triumph of the Will, the chilling documentaries about Nazi Party Congresses at Nuremberg. Glenn Morris was an All-American farm boy from tiny Simla, Colorado, as well as a former college football star and student body president at the school now known as Colorado State University. At the 1936 Olympics, he won the decathlon, earning him the label “the world’s greatest athlete.” Among the American heroes at the Berlin Games, he was considered second only to Jesse Owens, who won four gold medals. Riefenstahl and Morris: An unlikely couple? Perhaps, but in her 1987 memoirs, the German filmmaker belatedly confirmed she had an affair with the American athlete during the filming of Olympia, Riefenstahl’s documentary about the Berlin Games. In fact, she portrayed it as much more than a dalliance, saying that she had dreamed of marrying Morris and that he broke her heart. Morris, who went on to Hollywood, the National Football League, and military service, spoke sparingly of the relationship, but mused late in life that he “should have stayed in Germany with Leni.” In Olympic Affair, author Terry Frei turns to historical fiction in a novel researched in much the same fashion as his widely praised works of nonfiction, including Horns, Hogs, and Nixon Coming and Third Down and a War to Go. Using deduction, imagination and narrative skill to augment documented fact (as well as debunk myths parroted for many years), Frei tells the story of their ill-fated affair . . . and beyond. Read the first chapter of Olympic Affair here.
This balanced examination looks at America's pervasive celebrity culture, concentrating on the period from 1950 to the present day. Star Struck: An Encyclopedia of Celebrity Culture is neither a stern critic nor an apologist for celebrity infatuation, a phenomenon that sometimes supplants more weighty matters yet constitutes one of our nation's biggest exports. This encyclopedia covers American celebrity culture from 1950 to 2008, examining its various aspects—and its impact—through 86 entries by 30 expert contributors. Demonstrating that all celebrities are famous, but not all famous people are celebrities, the book cuts across the various entertainment medias and their legions of individual "stars." It looks at sports celebrities and examines the role of celebrity in more serious pursuits and institutions such as the news media, corporations, politics, the arts, medicine, and the law. Also included are entries devoted to such topics as paranoia and celebrity, one-name celebrities, celebrity nicknames, family unit celebrity, sidekick celebrities, and even criminal celebrities.
In his first ever book, The IF in Life: How to Get Off Life’s Sidelines and Become Your Best Self, NFL running back and Dancing with the Stars champion Rashad Jennings shares his inspiring story and experiences, imparts practical advice, and encourages readers to follow their dreams. As a kid, Rashad Jennings dreamed of one day playing in the NFL, but the odds were stacked against him—he was an overweight kid with glasses, asthma, and a 0.6 GPA. Today, Rashad is a record-setting running back who has played with the Jacksonville Jaguars, the Oakland Raiders, and the New York Giants. In The IF in Life, Rashad writes about the decisions that shaped his life. From overcoming injuries and setbacks to reaching goals and everything in between, Rashad’s transparency about his journey will encourage readers to hold on to faith in the midst of uncertainty and win big in life. Perfect for football fans of all ages, this book also features photos from Rashad’s childhood, college years, and professional career.
For every athlete or sports fanatic who knows she's just as good as the guys. This is for fans of The Running Dream by Wendelin Van Draanen, Grace, Gold, and Glory by Gabrielle Douglass and Breakaway: Beyond the Goal by Alex Morgan. The summer before Caleb and Tessa enter high school, friendship has blossomed into a relationship . . . and their playful sports days are coming to an end. Caleb is getting ready to try out for the football team, and Tessa is training for cross-country. But all their structured plans derail in the final flag game when they lose. Tessa doesn’t want to end her career as a loser. She really enjoys playing, and if she’s being honest, she likes it even more than running cross-country. So what if she decided to play football instead? What would happen between her and Caleb? Or between her two best friends, who are counting on her to try out for cross-country with them? And will her parents be upset that she’s decided to take her hobby to the next level? This summer Caleb and Tessa figure out just what it means to be a boyfriend, girlfriend, teammate, best friend, and someone worth cheering for. “A great next choice for readers who have enjoyed Catherine Gilbert Murdock’s Dairy Queen and Miranda Kenneally’s Catching Jordan.”—SLJ “Fast-paced football action, realistic family drama, and sweet romance…[will have] readers looking for girl-powered sports stories…find[ing] plenty to like.”—Booklist “Tessa's ferocious competitiveness is appealing.”—Kirkus Reviews “[The Football Girl] serve[s] to illuminate the appropriately complicated emotions both of a young romance and of pursuing a dream. Heldring writes with insight and restraint.”—The Horn Book
Tempo: A Scarecrow Press Music Series on Rock, Pop, and Culture offers titles that explore rock and popular music through the lens of social and cultural history, revealing the dynamic relationship between musicians, music, and their milieu. Like other major art forms, rock and pop music comment on their cultural, political, and even economic situation, reflecting technological advances, psychological concerns, religious feelings, and artistic trends of the times. Like other major musical artists, Bruce Springsteen’s work has reflected, revealed, and reacted to modern American realities over the course of his forty-year career. Since releasing his first record in 1973, Springsteen has sold more than a hundred million albums worldwide, played thousands of concerts, and won Grammy, Golden Globe, Emmy, and Academy awards. More importantly, however, he is one of the few twentieth-century singer-songwriters to serve as the voice of his generation, a defining artist whose works reflect the values, dreams, and concerns of many Americans. In Bruce Springsteen: American Poet and Prophet,Donald L. Deardorff II explores the works of “The Boss,” defining the exact nature of Springsteen’s cultural influence. With the release of seventeen studio albums, Springsteen’s influence and popularity spans multiple generations. Deardorff classifies and explains Springsteen’s remarkable reception as it evolved from small beginnings in the Jersey shore bars of the 1970s to worldwide fame today. This book thoughtfully considers the trenchant commentary Springsteen’s albums make on the mythology of the American Dream, working-class concerns, the changing character of American masculinity, the relationship between Americans and their government, the importance of social justice, and the evocation of an American spirit. Bruce Springsteen: American Poet and Prophet will appeal to more than just Springsteen fans. It describes Springsteen as an apt critic of his own culture, whose music paints literary portraits that uncover the realities of an American society constantly evolving, while striving toward its own betterment.
