Chattooga County is located in northwest Georgia and was named for the river that flows through it, a word derived from the Cherokee who once inhabited the area. The county was created by the Georgia Legislature in 1838. In less than a decade, one of the county's first textile mills started production and remains a major employer. Chattooga County voted against secession from the Union but endured General Sherman and thousands of his Union troops and, later, the Reconstruction years following the Civil War. Its numerous hills and wide valleys made the county a natural resource for farmers, from cotton fields to peach orchards. Its agricultural roots and rural heritage are still evident. Several professional ballplayers, a world-renowned folk artist, and a nationally known defense attorney have all called Chattooga County home.
126 myths: sacred stories, animal myths, local legends, many more. Plus background on Cherokee history, notes on the myths and parallels. Features 20 maps and illustrations.
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Rossville and Ross' Landing and ferry grew up together in the years following the War of 1812. John Ross, a veteran of that war and future chief of the Cherokee Nation, founded commercial ventures both at the Tennessee River and along the Federal Road, just south of the river, taking full advantage of personal and professional relationships he and his father had established with merchants in the North, and most especially with the family of U.S. Indian Agent Return J. Meigs. Ross built both his home and a warehouse directly on the Federal Road, providing easy commerce to the steady streams of traffic, but there is no trace of either of these buildings at their original sites today. To find the John Ross House, one has to venture a little farther afield, to the quiet springs lurking just south of the main road. W. Jeff Bishop develops a new narrative surrounding this historic Native American home.
The first place-by-place chronology of U.S. history, this book offers the student, researcher, or traveller a handy guide to find all the most important events that have occurred at any locality in the United States.
