One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
This book, a valuable introduction to the Bauhaus movement, is generously illustrated with examples of students' experiments and typical contemporary achievements. The text also contains an autobiographical sketch.
Herbert Bayer was one of the most extraordinary artists associated with the Bauhaus school. A true multimedia artist, he united graphic design, art, and architecture in a unique style that came to represent the bold aesthetic approach of the movement. A teacher with the school until 1928, Bayer went on to become a highly successful graphic designer in Germany, and later one of the most prominent figures in the 20th-century art scene of the United States. This broad biographical account, which presents previously unseen archival photographs and episodes from the life of Bayer and other influential Bauhaus artists such as Walter Gropius, Marcel Breuer and László Moholy-Nagy, follows Bayer through the Weimar Republic, Nazi Germany and finally to his exile in the United States. Specifically, Patrick Rössler reveals for the first time Bayer's unique experience of 1930s Germany, where, with his commercial and artistic life shattered by terror and censorship, he distracted himself with leading a hedonistic life. Shining a light on Bayer's time in Berlin during the Weimar Republic, and his route out of the Nazi state, Rössler provides rich new insights into how Bauhaus artists navigated a protracted period of social upheaval and dictatorship, where commercial success was fraught with a deep hostility towards the regime and the temptations of emigration. Revealing the tensions of an avant-garde artist struggling to practice during a period of repression, Herbert Bayer, Graphic Designer speaks to both the memory of those who left Nazi Germany, but also the perseverance of artists and intellectuals throughout history who have worked under authoritarian regimes. Drawing on never before interpreted documents, letters and archival material, Rössler tells Bayer's compelling story – documenting the life of a unique artist and offering a valuable contribution to research in émigré experiences.
An Austrian and American graphic designer, painter, photographer, sculptor, art director, environmental and interior designer, and architect, who was widely recognized as the last living member of the Bauhaus, writes about his work.
The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 1919-1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century's most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture - many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition's curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.
The Bauhaus is, to this day, still regarded as the nucleus of the early 20th century German avant-garde, and no artist practiced its principles more enthusiastically in the United States than Austrian-born Herbert Bayer (1900-1985). Conceived as an artist utopia, the Bauhaus developed from a "blend of profound depression resulting from the lost war with its breakdown of intellectual and economic life, and the ardent hope and desire to build up something new from these ruins". The history of the Weimer Republic, founded in 1919 as the first German Democracy, and the creation of the Bauhaus in the same year, were both subject to the slow political decline that carried them to their grave in Berlin in 1933. Though it was in existence for only 14 years, the ideology carried forth from the Bauhaus would have a profound impact both in Europe and the United States. For more than six decades, Bauhaus ideals stood at the core of Herbert Bayer's artistic approach in the belief that art, technology and nature should have a unity. Along with his contemporaries (Walter Gropius, Marcel Breuer, and Laszlo Moholy-Nagy), Bayer believed in the importance of the "total artist" moving between private, autonomous expression and public projects which made them unique in their creative depth and scope.
Imagine a late 20th century digital world that has fallen into complete typographic anarchy. Alphabetic violence & character assassination have invaded the once clean & legible land of the printed word. A Type Detective Story: The Crime Scene opens with yet another grizzly setting in which a letterform is found manipulated beyond legibility. Detectives Fleuron & Dingbat are assigned to the case to put an end to this lawlessness once & for all. Their first clue is a trail of splattered ink that winds through a forest of question marks. This is only the beginning as Fleuron & Dingbat venture deep into a world hidden from the human eye, & uncover the fundamentals of typography along their perilous journey!
After critiquing—and infuriating—the art world with The Painted Word, award-winning author Tom Wolfe shared his less than favorable thoughts about modern architecture in From Bauhaus to Our Haus. In this examination of the strange saga of twentieth century architecture, Wolfe takes such European architects as Ludwig Mies van der Rohe, Le Corbusier, and Bauhaus art school founder Walter Gropius to task for their glass and steel box designed buildings that have influenced—and infected—America’s cities.
In the summer of 1937, Walter Gropius, founder of the Bauhaus, rented a house on Planting Island, near the base of Cape Cod. Thus began a chapter in the history of modern architecture that has never been told _until now. The area was a hotbed of intellectual currents from New York, Boston, Cambridge and the country's top schools of architecture and design. Avant-garde homes began to appear in the woods and on the dunes; by the 1970s, there were about 100 modern houses of interest here.
