Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history. This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss. For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania Twain and the Chicks topped every chart and made country music a woman’s world. But the industry, which prefers its stars to be neutral, be obedient, and never rock the boat, had other plans. It wanted its women to “shut up and sing”—or else. In 2021, women are played on country radio as little as 10 percent of the time, but they’re still selling out arenas, as Kacey Musgraves does, and becoming infinitely bigger live draws than most of their male counterparts, creating massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its racial biases with Mickey Guyton’s “Black Like Me,” and winning heaps of Grammy nominations. Her Country is the story of how in the past two decades, country’s women fought back against systems designed to keep them down and created entirely new pathways to success. It’s the behind-the-scenes story of how women like Kacey, Mickey, Maren, Miranda Lambert, Rissi Palmer, Brandi Carlile, and many more have reinvented their place in an industry stacked against them. When the rules stopped working for these women, they threw them out, made their own, and took control—changing the genre forever, and for the better.
Songs in Their Heads is a vivid and engaging book that bridges the disciplines of music education, ethnomusicology, and folklore. This revised and expanded edition includes additional case studies, updated illustrative material, and a new section exploring the relationship between children's musical practices and current technological advances. Designed as a text or supplemental text for a variety of music education methods courses, as well as a reference for music specialists and classroom teachers, this book can also help parents understand and enhance their own children's music making.
Meet Penny, the sweet and curious mouse, in Caldecott Medalist and bestselling author Kevin Henkes’s instant classic story for young readers, perfect for fans Lilly’s Purple Plastic Purse, Owen, and Chrysanthemum. When Penny comes home from school, she is ready to sing her song. But the babies are sleeping, and Mama and Papa are worried that Penny will wake them up. Oh, but it is a good song, a really wonderful song . . . and Penny wants more than anything to sing it. Will it ever be the right time to sing it? Penny and Her Song is a Level One I Can Read book, which means it's perfect for children learning to sound out words and sentences. Kevin Henkes is a master at creating beautifully illustrated books that resonate with young children. The Penny books are new classics for beginning readers and will appeal to fans of Frog and Toad, Little Bear, and Henry and Mudge. Don't miss Penny's newest adventures in Penny and Her Sled!
Two devoted lovers live twice, once as ancient warriors and once living quiet lives in the twentieth century. In ancient time, Sikeemila comes upon young Tay Nee in the woods. Along with her grandfather, she welcomes him into their small family. They are bound by a sacred quest but hated in the world of men for their blood and hunted by those who would oppose them. In the twentieth century, Joe and Astrid meet as kids by the sea. Childhood sweethearts, they grow up to marry and have children of their own. Joe is a quiet academic engaged in obscure scholarship with radical historical implications, while Astrid is a gifted artist whose work gains worldwide interest. The two disparate lives of the lovers are joined through uncanny dreams and are ultimately unified by a vision, revealed to be the source of the quest for the sacred stone.
book by Stephen Gislason emerged from his Music Notes collected over many years. The topics cover a wide range of interests from the history of instruments, music theory, composing to the most current technologies involved in music composition and sound recording. A special chapter on the Musical Brain explains current knowledge in the brain processing of sound as it applies to language and music decoding. A chapter on the Music Business reviews the dramatic changes in music marketed and discusses some of the dilemmas and controversies facing musicians. Preface This book emerged from notes I have kept for several decades. I have spent much time studying music theory, electronics applied to sound reproduction and to performance skills. I decided to assemble my music notes so that any person interested in music could benefit from simple, clear explanations. Music descriptions often are too complicated and the use of terms can be inconsistent and confusing. As with other subjects I have tackled, I assumed that with a little extra effort more precise descriptions would be welcomed by readers seeking a practical understanding of music. The book begins with a consideration of what sound is and how animals use sounds to communicate. Music is not a human invention, but we do elaborate sound communication more than other animals in our production of both speech and musical performances. The discussion continues with noise, an important topic that is poorly understood. A well informed musician will refrain from making noise and understand Ambrose Bierce when he stated: Of all noise, music is the less offensive." I include acoustic and electronic instruments in my discussions of music creation. In my world, electronics dominate every aspect of work and play and most music I create and listen to was created, stored and distributed electronically. The art and science of recording is an important study for all 21st century musicians. Increased sophistication about the nature of sound, the art of combining musical sounds, and the effect on the listener's brain are all required for music to advance beyond noise toward a more effective means of human communication. Stephen Gislason 2016
I wish you could hear the song i'm listening to as i write this... explores the classic tale of adolescent rebellion but it is more complex. How do young people deal with the apparent universal desire for attention and fame? The social media today have made the fulfillment of this desire accessible to more people. But this work explores this issue very personally and deeply. When the young narrator asks her grandmother why is everyone in their family so eager to perform as a musician, the grandmother challenges her by stating “ Who in this world doesn' t want to be famous? Who would shy away from attention, notoriety? Who would want to hide their talent?” The narrator- a talented singer who prefers to sing only for her own enjoyment - decides she would. Her confrontation with what is expected of her and her own struggle to understand why and how she is different is the hub of this novella.
