Same old Ian? She's just traveled 1,400 miles—he could at least pretend he's happy to see her! He may be unwilling to forgive her for their breakup, but Sarah Bretton is surprised to realize she may still be passionately in love with him. Ian Kingsley, her first husband. The one she married when she was still a kid. Same old Sarah? Ian thinks he's over her. After ten years—and two more husbands—does she really think they can just pick up where they left off? No way. Not even if he finds himself irresistibly, irritatingly drawn to her…
Madeline works as a maid, and she has a “husband” (aka a client) for every day of the week! Her ultimate dream is to find her true love, and after leaving her Friday husband’s apartment absolutely spotless, she sets off on a date with another potential soul mate. However, while waiting for her date at the restaurant, she is approached by a man named Trey. He’s handsome and fun…but she’s leery of this complete stranger. Madeline finally shakes him loose, but she will soon realize that Trey is one of her clients!
More than seven years has passed since the love of Shiloh's life has disappeared and is presumed dead. It is time to move forward and let Ethan go. Not just for her sake, but for her family's too. However, life does not always go as planned. Even though her future with the charming Richard seems to be just what she wants; Ethan returns with some surprises of his own.
HOW TO FIND A MAKE-BELIEVE HUSBAND by Katie Logan Don't: Ask the private detective who is trying to prove you are not married. Do: Whack him over the head with a frying pan when you catch him spying on you! Don't: Notice how sexy he is as you're soothing the bump on his head. Do: Tell him he's your husband once you realize he has amnesia. But whatever you do, Don't: Check into a motel room while he's convinced you're married—especially if the detective is Travis Ryder, a real hunk whose kisses make you forget this marriage is only make-believe!
When Chaz Vincent disappeared years ago in the Amazon, his wife Kelly waited but finally had him declared legally dead. When Chaz reappears on the day of Kelly's second wedding, trouble--and true love--abound. Original.
For everybody "raised on radio"—and that's everybody brought up in the thirties, forties, and early fifties—this is the ultimate book, combining nostalgia, history, judgment, and fun, as it reminds us of just how wonderful (and sometimes just how silly) this vanished medium was. Of course, radio still exists—but not the radio of The Lone Ranger and One Man's Family, of Our Gal Sunday and Life Can Be Beautiful, of The Goldbergs and Amos 'n' Andy, of Easy Aces, Vic and Sade, and Bob and Ray, of The Shadow and The Green Hornet, of Bing Crosby, Kate Smith, and Baby Snooks, of the great comics, announcers, sound-effects men, sponsors, and tycoons. In the late 1920s radio exploded almost overnight into being America's dominant entertainment, just as television would do twenty-five years later. Gerald Nachman, himself a product of the radio years—as a boy he did his homework to the sound of Jack Benny and Our Miss Brooks—takes us back to the heyday of radio, bringing to life the great performers and shows, as well as the not-so-great and not-great-at-all. Nachman analyzes the many genres that radio deployed or invented, from the soap opera to the sitcom to the quiz show, zooming in to study closely key performers like Benny, Bob Hope, and Fred Allen, while pulling back to an overview that manages to be both comprehensive and seductively specific. Here is a book that is generous, instructive, and sinfully readable—and that brings an era alive as it salutes an extraordinary American phenomenon.
An analysis of I Love Lucy, one of the best loved sitcoms in the history of American television. I Love Lucy aired for six seasons between 1951 and 1957 as a top-rated weekly sitcom, and its characters appeared in thirteen hour-long specials between 1958 and 1960. In I Love Lucy, author Lori Landay investigates the groundbreaking series and its highly charismatic stars, Lucille Ball and Desi Arnaz, to consider the program's impact on the conventions of the sitcom, television culture, and wider postwar culture. In chapters that proceed chronologically through the life of the series, Landay takes an interdisciplinary cultural studies approach to understanding the wider phenomenon of I Love Lucy, with an emphasis on a variety of issues as they arise from different phases of the show. She examines the program's efficient production system, compelling narrative formula, hilarious writing, and the technical genius behind the scenes that put it onto film. Landay also considers the show's clever plots within a familiar situation, magnificent comic performance, and the remarkable chemistry of its actors. In addition, she studies the end of the series and its continued place in popular culture. I Love Lucy is perhaps the most popular television show of all time, and its stars are some of the most recognizable in television history. For scholars of American television history as well as the series' many fans, I Love Lucy will be an enjoyable and informative read.
Hans Conried was once described by the well-known Hollywood gossip columnist Hedda Hopper as "a high-strung, droll fellow, plagued by a multitude of talents." Conried was indeed a talented and versatile actor, but his versatility often worked against him. A complex individual who yearned to perform Shakespeare on the stage, he achieved success playing low comedy in films and on television. Conried performed in nearly 10,000 radio shows and hundreds of television programs and stage plays, as well as more than 80 films. Over the years, Conried also lent his distinctive voice to numerous animated shorts, phonograph records, commercials, and other projects. Some of his most memorable roles are Dr. Terwilliker in The 5000 Fingers of Dr. T; the voice of Captain Hook from Disney's Peter Pan; eccentric Uncle Tonoose on The Danny Thomas Show; the fussy elocutionist Percy Livermore on I Love Lucy; and the voice of comical villain Snidely Whiplash from Jay Ward's Dudley Do-Right series. This book chronicles Conried's life and career from his birth in 1917 through his death in 1982. Enlivened by many photographs as well as personal reminiscences from family, friends, and colleagues, the book also contains comprehensive information on Conried's radio, television, film, stage and voice work.
Although countless books and articles have been written about Lucille Ball, most people know only the surface details of her personal life and some basic facts about her popular television series. Lucille Ball FAQ takes us beyond the "Lucy" character to give readers information that might not be common knowledge about one of the world's most beloved entertainers. It can be read straight through, but the FAQ format also invites readers to pick it up and dig in at any point. Background information and anecdotes are provided in such categories as: People Lucy found funny; Lucy at home: her various residences throughout the years; Movie/television/radio/theater projects that never materialized; Lucy's off-camera romantic attachments. James Sheridan and Barry Monush go beyond the well known facts, making this an indispensable book for all Lucille Ball fans!
Kathy Garver, the teenage heartthrob from the hit series Family Affair (1966–1971), was no one-hit wonder, but a journeywoman actress who appeared in such classic films as Night of the Hunter and The Ten Commandments long before she became a television icon. This memoir is a recollection of a working actress’s experiences, from the many films, television shows, and stage plays in which she performed, to her second career as a voice-over specialist in popular animated films and audiobooks. Featuring anecdotes, Hollywood history, and details of her relationships with such stars as Charlton Heston and Jon Provost, Surviving Cissy is a veritable quilt of Kathy’s exciting life.
