From award-winning author E.M. Shue comes a new dark mafia romance written in USA Today Bestselling Author KL Donn’s Mafia Made World. Anatonia is a killer. Until Vitaly comes for her. Now she will protect the hitman. Anatonia is the head bodyguard for the Morello Mafia. She will kill anyone that comes close to Posy for Natale Morello. It's what she was raised to do. Kill. She's one of the deadliest hitmen to come out of MI6, KGB and even survived special forces Marine training at a young age. But few know she is the niece to the head of the deadly Bocharov Russian family. That he raised her to destroy the Morello's. Because she defied him, he's sent his best killer to kill her. Vitaly is the monster in the dark. He’s the one the Bocharov family sends to end their enemies. He thinks he's only been sent to kill a rival family’s enforcer. What he doesn’t know is she is the illegitimate niece to his boss and now the woman he will do anything for. Even defy the family he’s bled for. He’ll protect her and help her conquer her enemies. The Bocharov Family has declared war against Anatonia, and she will end them. Can Vitaly hold the woman he was born to protect? Will Anatonia still be standing when the blood of an Empire is destroyed? Will they kill the Empire she was meant to lead?
"Far more than a history, this brilliantly illustrated volume offers a reconstruction in human terms of the many facets of Rome's extraordinary legacy. The Romans speak to us here through their splendid achievements and their tragic failures, their monuments and their tastes, to give us an understanding of the spirit behind these dramatic events. From village to Empire, for nearly a millennium Rome kept up a dizzying pace of change and expansion. Stirring victories over Hannibal, the Gauls, the Britons alternated with peaceful intervals of cultural development under Augustus and Marcus Aurelius, until the final days of chaos and decline." "Those thousand years take shape on the pages of Professor Cunliffe's beautiful book to give us a gradually unfolding vision of a people who once lived and of a resplendent world now in ruins." "Instead of a textbook, he has virtually recreated Rome itself, a world opening up, maintaining its brief, fragile balance, and then collapsing. The whole dynamic nature of the process is evoked here by the use of historical passages alternating with concise analytical views of daily life." ""The rise and fall of a great empire," Professor Cunliffe writes, "cannot fail to fascinate us, for we can see in such a story something of our own time. But of all the empires that have come or gone, none has a more immediate appeal than the Empire of Rome. It pervades our lives today."" "The sheer vastness of the Empire was staggering. At its height, it extended across 2,600 miles east to west, and 2,000 miles north to south. But these figures mean little. Even understood as reaching from the north of Britain to Africa, and engulfing Spain, Germany, and lands as far as the Persian Gulf, Rome does not come alive until captured - as in this book - through glimpses of shops and villas, the voices of people, the echoing theaters, baths, temples, and slums." "And Professor Cunliffe provides them for the reader. Along with the history of Rome's growth and dominion, he has added a careful history of her changing political, social, and cultural institutions. But above all, the Romans themselves speak. Cicero, Seneca, and Petronius seize the flavour of the Roman experience. Marius, Pompey, and Caesar use the urban mob as a pawn in their power games. Livy pieces together the city's origins from folklore. Even the coins transmit news and instill piety, ultimately becoming devices for propaganda." "Tombstones, monuments, bawdy and political graffiti, and private letters miraculously preserved give us a wealth of human details - the voices that gave life to Rome and her Empire..." "A young soldier writes home to Egypt: "Dear mother, I hope this finds you well. When you get this letter, I will be much obliged if you will send me some money...."" "On a wooden tablet from London written by a master to his servant in Rome: "I believe you know I am very well. If you have made the list, please send. See that you turn the slave girl into cash...."" "Lucretius the Epicurean explains natural phenomena in terms of philosophical concepts; Vitruvius lays down the rules of architecture; the poets and playwrights all help enrich the fabric - and our heightened understanding - of Roman life." "In this handsome book, such materials provide readers with the eloquent testament and indestructible evidence of a city that emerged from obscurity in 500 B.C. and directed the civilized world until the birth of Constantinople in 500 A.D." "Featured among the volume's 1,000 illustrations, of which half are in full color, are superb photographs by former Life correspondent Brian Brake and by Leonard von Matt. These stunning works are augmented by additional photographs, reproductions, portraits, engravings, maps, and drawings that capture even more of the gifts that have been handed down to us by the Romans."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
“Deftly written, gripping and informative. Empire of Wild is a rip-roaring read!”—Margaret Atwood, From Instagram “Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive—all the while telling a story that needs to be told by a person who needs to be telling it.”—Tommy Orange, author of There There A bold and brilliant new indigenous voice in contemporary literature makes her American debut with this kinetic, imaginative, and sensuous fable inspired by the traditional Canadian Métis legend of the Rogarou—a werewolf-like creature that haunts the roads and woods of native people’s communities. Joan has been searching for her missing husband, Victor, for nearly a year—ever since that terrible night they’d had their first serious argument hours before he mysteriously vanished. Her Métis family has lived in their tightly knit rural community for generations, but no one keeps the old ways . . . until they have to. That moment has arrived for Joan. One morning, grieving and severely hungover, Joan hears a shocking sound coming from inside a revival tent in a gritty Walmart parking lot. It is the unmistakable voice of Victor. Drawn inside, she sees him. He has the same face, the same eyes, the same hands, though his hair is much shorter and he's wearing a suit. But he doesn't seem to recognize Joan at all. He insists his name is Eugene Wolff, and that he is a reverend whose mission is to spread the word of Jesus and grow His flock. Yet Joan suspects there is something dark and terrifying within this charismatic preacher who professes to be a man of God . . . something old and very dangerous. Joan turns to Ajean, an elderly foul-mouthed card shark who is one of the few among her community steeped in the traditions of her people and knowledgeable about their ancient enemies. With the help of the old Métis and her peculiar Johnny-Cash-loving, twelve-year-old nephew Zeus, Joan must find a way to uncover the truth and remind Reverend Wolff who he really is . . . if he really is. Her life, and those of everyone she loves, depends upon it.
Almost fifty years after Britain and France left the Middle East, the toxic legacies of their rule continue to fester. To make sense of today's conflicts and crises, we need to grasp how Western imperialism shaped the region and its destiny in the half-century between 1917 and 1967. Roger Hardy unearths an imperial history stretching from North Africa to southern Arabia that sowed the seeds of future conflict and poisoned relations between the Middle East and the West. Drawing on a rich cast of eye-witnesses - ranging from nationalists and colonial administrators to soldiers, spies, and courtesans - The Poisoned Well brings to life the making of the modern Middle East, highlighting the great dramas of decolonisation such as the end of the Palestine mandate, the Suez crisis, the Algerian war of independence, and the retreat from Aden. Concise and beautifully written, The Poisoned Well offers a thought-provoking and insightful story of the colonial legacy in the Middle East.
"The Woman Who Fought an Empire" tells the improbable odyssey of a spirited young woman--the daughter of Romanian-born Jewish settlers in Palestine--and her journey from unhappy housewife to daring leader of a notorious Middle East spy ring.
Feminism's Empire investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities.
Patrick Parrinder traces English prose fiction from its late medieval origins through its stories of rogues and criminals, family rebellions and suffering heroines, to the contemporary novels of immigration. He provides both a comprehensive survey and a new interpretation of the importance of the English novel.
