H.N. Werkman

H.N. Werkman

Author: Alston W. Purvis

Publisher: Yale University Press

Published: 2004-01-01

Total Pages: 122

ISBN-13: 9780300102901

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An extraordinary look at the work of a highly influential avant-garde designer, typographer, and printmaker Dutch designer and printmaker Hendrik Werkman (1882-1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of De Blauwe Schuitt, a series of underground booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was imprisoned by German secret police in 1945 and executed without trial just three days before the country's liberation. This generously illustrated book is the first in English to focus on Werkman's remarkable graphic work and fascinating life. Werkman founded his own printmaking shop in 1908. His self-produced magazine The Next Call waspublished in 1923 and included typographical and other printmaking experiments as well as the designer's own Dadaist poems and texts. Werkman also developed a printmaking process he called "hot printing," a technique incorporating found materials that added repeated design elements directly onto the paper--all without the use of a printing press. Although much of his work was destroyed at the time of his execution, the remarkable examples that remain tell the story of a maverick designer and typographer whose graphic vision was playful, bold, experimental, and unwaveringly optimistic.


H. N Werkman (Monographics Series)

H. N Werkman (Monographics Series)

Author: Alston W. Purvis

Publisher: Laurence King Publishing

Published: 2004

Total Pages: 124

ISBN-13: 9781856693899

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Hendrik Werkman, born in Groningen, Holland in 1882, was a printer, typographer, painter and printmaker. He is best known for his asymmetric typographic compositions and for his experimentation with letterpress printing techniques. He also printed without the press, a technique he called 'not printing'. In Graphic Design: A Concise History, Richard Hollis wrote: Werkman's uninhibited graphic invention has been an inspiration to graphic designers anxious to introduce an obviously 'creative' effect Like Piet Zwart, Werkman used type as collage. From 1923-26 Werkman created and printed an experimental typographic magazine, The Next Call. During the German occupation of Holland in World War II he ran an underground press and produced 40 issues of a subversive broadsheet. The Blue Barge. In 1945 he was executed by the Nazis, only two days before the liberation of Holland. Much of his work was destroyed at this time.


Letter Perfect

Letter Perfect

Author: David Ryan

Publisher: Pomegranate

Published: 2001

Total Pages: 126

ISBN-13: 9780764916151

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Letter Perfect explores the artistic facet of the style, arrangement, appearance, and recent accelerated evolution of typeset matter, primarily through the medium of posters.


The Oxford Critical and Cultural History of Modernist Magazines

The Oxford Critical and Cultural History of Modernist Magazines

Author: Peter Brooker

Publisher: Oxford Critical Cultural Histo

Published: 2009

Total Pages: 1527

ISBN-13: 0199659583

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A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.


Type Tells Tales

Type Tells Tales

Author: Steven Heller

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9780500420577

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Type Tells Tales focuses on typography that is integral to the message or story it is expressing. This is type that speaks - that is literally the voice of the narrator. And the narrator is the typographer. This can be quite literal, for example when letters come from the mouth of a person or thing, as in a comics balloon. It can be hand lettering, drawn with its own distinctive peculiarities that convey personality and mood. Precedents for contemporary work might be in Apollinaire's calligram 'Il pleut' or Kurt Schwitters' children's picture book The Scarecrow, or in Concrete Poetry, Futurist 'Words in Freedom' or Dadaist collage. Seeking out examples in the furthest reaches of graphic design, Steven Heller and Gail Anderson uncover work that reveals how type can be used to render a particular voice or multiple conversations, how letters can be used in various shapes and sizes to create a kind of typographic pantomime, and how type can become both content and illustration as in, for example Paul Rand's 'ROARRRRR'. Letters take the shape and form of other things, such as people, faces, animals, cars or planes. There are examples of how typographic blocks, paragraphs, sentences and blurbs can be used to guide the eye through dense information.


Sandberg, Designer and Director of the Stedelijk

Sandberg, Designer and Director of the Stedelijk

Author: Ad Petersen

Publisher: 010 Publishers

Published: 2004

Total Pages: 212

ISBN-13: 9789064504815

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This concentrates on Sandberg's design work as Director of the Stedelijk Museum in Amsterdam, from 1938 to 1962. This includes his work on the Museum's posters, catalogues, exhibition designs and modernizing of the museum building.


Kyle Cooper

Kyle Cooper

Author: Andrea Codrington

Publisher: Laurence King Publishing

Published: 2003

Total Pages: 120

ISBN-13: 9781856693295

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This is a monograph on the work of American designer Kyle Cooper, one of the most significant creators of film titles since Saul Bass. His extraordinary title sequence for David Fincher's horror-thriller Seven (1995) is credited by many with bringing about a renaissance in innovative title design. Cooper is one of the founders of the Los Angeles-based company Imaginary Forces and has produced a succession of titles for such films as True Lies, The Island of Dr Moreau, Twister, Mimic, Donnie Brasco, Reindeer Games, Spider-Man and Arlington Road.


Drip-dry Shirts

Drip-dry Shirts

Author: Lucienne Roberts

Publisher: AVA Publishing

Published: 2005-11

Total Pages: 195

ISBN-13: 2940373086

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Every season, with alarming predictability, yet another graphic design book sets out to capture definitively the zeitgeist. The blurb always makes the same claim: that the book shows the work of the newest, youngest, most innovative designers. This restless search is self-perpetuating, can never be sated and ultimately intensifies nagging fears and insecurities among designers. An understanding of design history has the reverse effect. It explains who we are and sets contemporary work in an expansive and broad landscape, one that is more objective and less introspective. Without knowledge and experience we are lost, floating in a sea of unanswered questions. Drip-dry shirts seeks to answer some of the questions. Book jacket.


The Language of Graphic Design Revised and Updated

The Language of Graphic Design Revised and Updated

Author: Richard Poulin

Publisher: Rockport Publishers

Published: 2018-10-02

Total Pages: 299

ISBN-13: 1631596179

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The Language of Graphic Design provides design students and practitioners with an in-depth understanding of the fundamental elements and principles of their language, graphic design: what they are, why they are important, and how to use them effectively. To communicate in a new language, you first have to gain a complete understanding of its fundamentals; the ABC’s of that language—definitions, functions, and usage. This book provides provides just these fundamentals for the language of graphic design, including chapters on symmetry, asymmetry, tone, contrast, proportion, and typography. Organized by the building blocks of the graphic design language, this reference includes work by some of the most successful and renowned practitioners from around the world and explains how they have applied these fundamental principles to their work. By examining both student and professional work, this comprehensive handbook is a more meaningful, memorable, and inspiring reference tool for novice design students, as well as young designers starting their careers.