Helvete 2
Helvete 2

Author: Niall Scott

Publisher: punctum books

Published: 2015-05-19

Total Pages: 118

ISBN-13: 069236143X

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Not to be confused with metal studies, music criticism, ethnography, or sociology, Black Metal Theory is a speculative and creative endeavor, one which seeks ways of thinking that count as Black Metal events - and indeed, to see how Black Metal might count as thinking. Theory of Black Metal, and Black Metal of theory. Mutual blackening. Therefore, we eschew any approach that treats theory and Metal discretely, preferring to take the left-hand path by insisting on "some kind of connaturality between the two, a shared capacity for nigredo."Issue 2 focuses on the theme of Inversions in Black Metal: Nailed at the heart of many a logo, suspended from the neck, held out in Satanic blessing: the inverted cross is one of black metal's anti-icons. The antithesis of a revelation of light, it signifies an originary blasphemy. Forsaking ascension and mining a path towards the centre of the earth, black metal finds a satanic stain lodged at the core of being. However, the significance of this movement is not bound by a simple reversal. The inverted cross hangs above a swarming logic of inversion: the overturning of Christianity, but also a mimesis of Christian self-desecration; the rejection of certain forms of religion, but also of modernity's pallid enlightenment; the invocation of strange gods of the earth, even as the earth is cursed. When thought becomes poison, it is no longer so easy to determine which way is up and which way is down. To throw down one's head, to push oneself into the cursed earth, to occupy the place of the inverted crucified: is this to think-by-not-thinking an unconditioned rapture beyond negation and affirmation?

Helvete
Helvete

Author: Helvete Journal

Publisher: punctum books

Published: 2016-12-14

Total Pages: 145

ISBN-13: 0615894291

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Black Metal Theory is noise. Lacking one clear manifesto or position, it fails to become an elite circle. It is amplified and transmitted electronically: through instruments, lo-fi recordings, internets, and print-on-demand publishers...yet rather than a clear direction of progress we glean only its subversive raw dissonance, disruptions, animalistic screams, resonating disturbances, high-pitched feedback, primitive growls, and its atmospheric statics, hisses, and drones. Black Metal Theory refuses to be hi-fi. It quenches its sonic thirsts from primordial-ditch stews that resemble the dark sludge of recently melted snowfall - pristine white flakes transmuted into a tumultuously sexy and delicious mixture of trash and dirt and ash and poison that swirls and splashes in ditches before seeping into the underground. Our ears drink this disharmonious black bile and our bodies suspend in its intoxicating formless complexities. The third issue of Helvete, "Bleeding Black Noise," features artwork and essays that focus on the sonic aspects of Black Metal, specifically its interactions with Noise - the interruptions, creations, and destructions of signals as black noise. "Bleeding Black Noise" is a revision of Steven Parrino's statement, "My relation between Rock and visual art: I will bleed for you." In this issue, Rock is replaced with Noise, and Bleeding is celebrated as a release of the Black Noise - raw energy and formless potential. The essays and art portfolios included here experiment with sonic and conceptual feedback, as well as the way that black noise works through feedback as a process, resonating as background hums or drones, and cascading in foregrounded screams. TABLE OF CONTENTS // "Untitled," by Alessandro Keegan - "Black Noise: The Throb of the Anthropocene," by Susanna Pratt - "Dead Body of a Performance," by Micha l Sellam - "Vocal Distortion," by Simon Pr ll - "1558-2016," by Gast Bouschet and Nadine Hilbert - "Distraction," by Bagus Jalang - "Leaving the Self Behind," by Nathan Snaza - "Excerpts from z/w/a/r/t24 and Z/W/A/R/T Magazine 5," by Max Kuiper - "False Atonality, True Non-tonality," by Bert Stabler - "Untitled," by Faith Coloccia - "Nonevent: Grotesque Indexicality, Black Sites, and the Cryptology of the Sonorous Irreflective in T.O.M.B.," by Kyle McGee

Curse + Berate in 69+ Languages
Curse + Berate in 69+ Languages

Author: R. V. Branham

Publisher: Catapult

Published: 2009-02-01

Total Pages: 209

ISBN-13: 1593763034

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For those times when “you blackguard!” just won’t do, Sinister Wisdom supplies an amazing array of crude, vulgar, offensive, scurrilous, lewd, and otherwise unprintable denunciations. Organized thematically and translated into more than 69 languages, it contains an alphabetical listing of every conceivable (and inconceivable) slur and insult, from comments on mothers' peculiar anatomy and hobbies, to suggestions on where to go and how, to observations on how others spend their solitary moments. Appendices cover blasphemies, bodily functions, sexual deviations, and variations on “yo mama!”

Classical Antiquity in Heavy Metal Music
Classical Antiquity in Heavy Metal Music

Author: K. F. B. Fletcher

Publisher: Bloomsbury Publishing

Published: 2019-10-03

Total Pages: 273

ISBN-13: 135007537X

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This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.

Multilingual Metal Music
Multilingual Metal Music

Author: Amanda DiGioia

Publisher: Emerald Group Publishing

Published: 2020-12-18

Total Pages: 312

ISBN-13: 1839099488

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This multi-disciplinary book explores the textual analysis of heavy metal lyrics written in languages other than English including Japanese, Yiddish, Latin, Russian, Hungarian, Austrian German, and Norwegian. Topics covered include national and minority identity, politics, wordplay, parody, local/global, intertextuality, and adaptation.

Folklore, Magic, and Witchcraft
Folklore, Magic, and Witchcraft

Author: Marina Montesano

Publisher: Routledge

Published: 2021-08-19

Total Pages: 279

ISBN-13: 1000430278

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This volume offers 18 studies linked together by a common focus on the circulation and reception of motifs and beliefs in the field of folklore, magic, and witchcraft. The chapters traverse a broad spectrum both chronologically and thematically; yet together, their shared focus on cultural exchange and encounters emerges in an important way, revealing a valuable methodology that goes beyond the pure comparativism that has dominated historiography in recent decades. Several of the chapters touch on gender relations and contact between different religious faiths, using case studies to explore the variety of these encounters. Whilst the essays focus geographically on Europe, they prefer to investigate relationships over highlighting singular, local traits. In this way, the collection aims to respond to the challenge set by recent debates in cultural studies, for a global history that prioritises inclusivity, moving beyond biased or learned attachments toward broader and broadening foci and methods. With analysis of sources from manuscripts and archival documents to iconography, and drawing on writings in Latin, Hebrew, Arabic, and other languages, this volume is essential reading for all students and scholars interested in cultural exchange and ideas about folklore, magic, and witchcraft in medieval and early modern Europe.

The Ekelöf Research Dictionary for English
The Ekelöf Research Dictionary for English

Author: J. S. Ling

Publisher: AuthorHouse

Published: 2020-04-20

Total Pages: 848

ISBN-13: 1728357357

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The Ekelöf Research Dictionary for English is a reference tool for Swedish literature researchers and translators interested in the collected works of the eminent Swedish poet and essayist Gunnar Ekelöf. Inspired by James Strong’s concordance of the Bible, this book exhaustively describes every word appearing in the fourteen books of poetry the author published during his lifetime, as well as a few other crucial selections. It provides English translations of every word, whether from Swedish, Latin, French, or Greek, among other languages, and it indexes every occurrence of every word in each of the poetic works. With just under 10,000 entries, this research dictionary is an essential tool for Ekelöf scholars and laypeople looking to investigate and understand the author’s work in greater detail.