We can describe our lifes journey as boarding a ship and traveling to our destiny However life is not a cruise ship vacation experience. On lifes ship we will always encounter storms. In these storms there will be times when we feel like we are sinking; no hope and never get to our destination. But as I found out, when the storms come, your destiny is not wrapped up in your storm. It is a place that God chooses in your life to refine you, build you, making you ready for your lifes purpose. Even though your ship can shatter, the Lord is still in control, His purpose for your life will prevail and you can reach your destination successfully.
In I’m Fine, But You Appear to Be Sinking the strange and the mundane collide. These are stories of strange experiences set in familiar places, and of familiar experiences set in strange places. Many of the pieces in I’m Fine take place close to home, in suburban neighborhoods, or rural communities. The settings are conventional, yet something unexpected, or even magical, is occurring. In one piece, a couple speculates about random objects that appear without reason in their backyard. In another, neighbors try to figure out if a local meth dealer is keeping a live tiger captive on his property. In other pieces, it’s the setting that’s fantastical, but the characters’ reactions that remain ordinary, like in the titular story where a journalist lost at sea and hunted by a mythical ocean creature admits to struggling with loneliness and isolation in much the same way he does even when he’s safe at home. Although they are not directly linked by any specific character, the pieces in this collection are bound through reoccurring imagery and a shared theme of protagonists in emotional peril. There are unexpected appearances and disappearances, movement of inanimate objects, the search for something lost, the finding of something unusual. There are prophesies, dreams, unidentifiable creatures, and environmental catastrophes on a scale both large and small. There are action figures and octopuses, sullen teenagers and missing cats. At their core, these stories are imbued with mystery, oddity, humor, and empathy. They each stand on their own, but mean considerably more when read together.
Jocelyn washes ashore, alone, naked, and missing her memories. Taken in by a scheming old woman, Jocelyn struggles to learn whom she can trust in a foreign world. Aidan Boyd just may be that person. Captain of a merchant ship, he offers safety as Jocelyn searches for her past. But the ocean calls to her. Is she of this world? Or from the sea?
The Program safeguards the truth, but when The Program has a hidden agenda, the protected become the hunted With his nuanced psychological insight, inscrutable plotting, and a captivating lead character that parallels Jonathan Kellerman's Alex Delaware, Stephen White's Alan Gregory novels have become perennial national bestsellers. But, with The Program, White has challenged himself and honed his craft with remarkable assurance to create a rare breed of thriller. A dazzling mix of first-person and omniscient voices rewards readers with an irresistible narrative momentum. But the heart and soul of the novel is an indomitable woman reevaluating the seemingly innocuous choices she's made in the past while confronting the horrifying circumstances that threaten her family's future survival. "Every precious thing I lose, you will lose two." The Program begins with a condemned man's last words to New Orleans District Attorney Kirsten Lord. After her husband is gunned down in front of her, Lord has no choice but to flee the wrath of the murderer's vengeance. Lord pulls up stakes, changes her name, and accepts the Witness Protection Program's offer to hide her and her young daughter in Boulder, Colorado. Soon thereafter, they are befriended by Program veteran Carl Luppo, a solitary mob assassin tormented by his former life who has nothing but time for regret. Sensing that someone inside the program has compromised Lord and her daughter's safety, Luppo takes on the role of sentinel, fully realizing that this may be his last shot at redemption. Even though Lord suspects that Luppo's warnings about the Program's dark side are justified and that she should believe the former hit man's instincts, the only people she can really trust are her nine-year-old daughter and perhaps her Program-appointed psychologist Alan Gregory. Fans of White's previous work will applaud the brilliant use of series favorite Alan Gregory in a seemingly secondary role in the novel, and new readers will find themselves compelled to find out what Gregory has encountered before. But all readers will agree that The Program is a superior thriller; a novel firmly grounded in the realities of three-dimensional characters in crisis and driven with the narrative pace of a guilty pleasure.
