The Art of Grafted Song

The Art of Grafted Song

Author: Yolanda Plumley

Publisher: Oxford University Press, USA

Published: 2013-12

Total Pages: 485

ISBN-13: 0199915083

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In The Art of the Grafted Song: Citation and Allusion in the Age of Machaut, author Yolanda Plumley explores the penchant for borrowing in chansons and lyrics from fourteenth-century France, uncovering a practice integral to the experiments in form, genre, and style that ushered in a new school of lyric.


霍華德莊園【文字.有聲版】

霍華德莊園【文字.有聲版】

Author: E. M. Forster

Publisher: 東西文坊

Published: 2021-08-30

Total Pages: 350

ISBN-13:

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《英文經典書系》【文字.有聲版】旨在打造一個在閱讀經典名著的同時,還能親耳聆聽道地英文讀音的友善環境。讓讀者在欣賞大師的精彩文章之餘,還能一舉兩得,以耳朵來品嘗不同於單純文字的滋味。如果您的英文已達中級以上程度,與其讀些簡化的名著改寫版本,不如精讀原汁原味的原典吧,這才是貨真價實的文藝賞析。 《霍華德莊園》(Howards End),是英國作家E. M. Forster所創作的一部長篇小說,出版於1910年,被認為是Forster的傑出作品。1998年,入選20世紀百大英文小說。 小說的故事圍繞著一幢美麗的古老莊園——霍華德莊園展開,淋漓盡致地刻畫了英國上流社會的偽善。表達了作者認為人們必須在正確的道德和倫理的相互關係中生存的觀點。 《霍華德莊園》是一部以女性為主角來探討相關主題,以及自由的人文主義思想的作品,探索了20世紀初英國社會的政治、經濟、階級、性別和文化問題。它的人物刻畫,除了關注施萊格姐妹的情感外,更關注家庭內部及金錢利益觀,揭示了由於貧富差距的拉大所帶來的巨大的社會不平等現象。 這篇小說創作於英國社會的轉型時期:從無限繁榮的維多利亞時代朝向逐漸衰退的愛德華時代的轉化。飛速發展的經濟社會招喚能夠適應時代需求的新的家庭模式的出現,但是家庭的變遷往往落後於經濟的發展,固守傳統的家庭難以在轉型期的社會中正常發揮作用。作為英國中產階級的Forster非常關注他的階級,他認為中產階級內部斷裂的關係會影響到整個英國社會的發展,所以在所創作的《霍華德莊園》中提出了中產階級的拯救之道。


Howards End

Howards End

Author: E. M. Forster

Publisher: Graphic Arts Books

Published: 2020-12-01

Total Pages: 256

ISBN-13: 1513272780

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Howards End (1910) is a novel by English author E.M. Forster. Inspired by his interactions with the famous Bloomsbury Group of writers and intellectuals, as well as by his personal experience growing up with a large inheritance on the family estate of Rooks Nest, Howards End has been recognized as one of the finest novels ever written in English. The story loosely follows the lives of three families: the Wilcoxes, whose wealth derives from the exploitation of British colonies; the Basts, an impoverished couple; and the Schlegels, half-German sisters who find themselves set between the vastly opposing classes of their peers. Much of the novel is set on the Wilcox estate, known as Howards End, a symbol of fortune and a reminder of the generational implications of hoarded wealth. When Ruth Wilcox moves to London, she befriends her neighbor Margaret Schlegel. On her deathbed, and in secret, Ruth leaves a note instructing that Howards End be left to Margaret in her will, bypassing her family entirely. When her son Henry, a widower, finds out, he destroys the note, ensuring that the estate remains within the family. Years later, when the two meet again, Henry proposes to Margaret, bringing the Wilcox and Schlegel families closer together. But when her sister Helen brings the struggling Leonard and Jacky Bast to a party at Howards End, Henry, who recognizes Jacky as a former mistress, believes he is being set up, and breaks off the engagement. Although they reconcile, Margaret is driven apart from her sisters, who resent the Wilcoxes and distrust Henry. But when Helen becomes pregnant by Leonard, and a tragic event destroys several lives, the families are brought together once more, and both Margaret and Henry are forced to choose between the fortune they stand to gain and the love they stand to lose. E.M. Forster’s Howards End is a masterpiece, a brilliant study of family, wealth, romance, and secrecy that captures the depravity of the English aristocracy without losing what sets it apart—an undeterred sense of humanity. With a beautifully designed cover and professionally typeset manuscript, this edition of E.M. Forster’s Howards End is a classic of English literature reimagined for modern readers.


Making Congregational Music Local in Christian Communities Worldwide

Making Congregational Music Local in Christian Communities Worldwide

Author: Monique M. Ingalls

Publisher: Routledge

Published: 2018-04-09

Total Pages: 267

ISBN-13: 1351391682

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What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once ‘foreign’ become ‘indigenous’? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms? Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be ‘local’ and ‘Christian’. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be ‘local’ and ‘Christian’. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.


The Supporting Cast

The Supporting Cast

Author: David Galef

Publisher: Penn State Press

Published: 2010-11

Total Pages: 245

ISBN-13: 0271040106

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For every Hamlet, there is a supporting cast; for every Mrs. Dalloway, an entire realm of subordinate portraits. Yet if literary criticism cares at all about significant detail, emergent patterns, and the subtleties in narrative, flat and minor characters are crucial to an understanding of the fictional process itself. Beginning with E. M. Forster's landmark study of flat and round characters, this book is both a critical and writerly examination of the species: Why are certain minor characters so salient in readers' minds, and why are flat characters often so comic? Is a name enough to create a character, and if so, what is the vanishing point of characterization? The walking allegory, the narrator, the disrupter, the doppelg&änger&—how are they used, and to what effect? The Supporting Cast first explores the theoretical limits of character, from structuralist taxonomies to reader-response concerns, with examples culled from a wide range of literature. The author then applies these concepts, in chapters of sustained analysis, to works of Conrad, Forster, and Woolf. The work also provides comments on flat and minor characters in other media and a full-scale character index of Woolf's Jacob's Room.