Heinrich Von Kleist: Writing After Kant (Studies in German Literature, Linguistics, and Culture)

Heinrich Von Kleist: Writing After Kant (Studies in German Literature, Linguistics, and Culture)

Author: Timothy J. Mehigan

Publisher: Camden House

Published: 2011

Total Pages: 246

ISBN-13: 1571135189

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Kleist viewed anew as a major contributor to the tradition of post-Kantian thought. The question of Heinrich von Kleist's reading and reception of Kant's philosophy has never been satisfactorily answered. The present study aims to reassess this question, particularly in the light of Kant's rising importance for the humanities today. It argues not only that Kleist was influenced by Kant, but also that he may be understood as a Kantian, albeit an unorthodox one. The volume integrates material previously published by the author, now updated, with new chapters to form a greater whole. What results is a coherent set of approaches that illuminates the question of Kleist's Kantianism from different points of view. Kleist is thereby understood not only as a writer but also as a thinker - one whose seriousness of purpose and clarity of design compares with that of other early expositors of Kant's thought such as Reinhold and Fichte. Through the locutions and idioms of fiction and the essay, Kleist becomes visible for the first time as an original contributor to the tradition of post-Kantian ideas. Tim Mehigan is Professorial Chair of German in the Department of Languages and Cultures at the University of Otago, New Zealand, and Honorary Professor in the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.


Heinrich Von Kleist and Modernity (Studies in German Literature, Linguistics, and Culture)

Heinrich Von Kleist and Modernity (Studies in German Literature, Linguistics, and Culture)

Author: Bernd Fischer

Publisher: Camden House

Published: 2011

Total Pages: 316

ISBN-13: 1571135065

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New essays employing a multitude of approaches to the works of Kleist, in the process shedding light on our present modernity. Modernity, according to some views, poses the problem of homo politicus -- the problem of how to act in a moral universe without a "master narrative," without a final foundation. From this angle, the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays -- addresses problems emerging from a new universe of Kantian provenance, in many ways the same universe we inhabit today. This volume of new essays investigates Kleist's position in ourever-changing conception of modernity, employing aesthetic, narrative, philosophical, biographical, political, economic, anthropological, psychological, and cultural approaches and wrestling with the difficulties of historicizingKleist's life and work. Central questions are: To what extent can the multitude of breaking points and turning points, endgames and pre-games, ruptures and departures that permeate Kleist's work and biography be conceptually bundled together and linked to the emerging paradigm of modernity? And to what extent does such an approach to Kleist not only advance understanding of this major German writer and his work, but also shed light on the nature of our present modernity? Contributors: Seán Allan, Peter Barton, Hilda Meldrum Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L. High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall, Christian Moser, Dorothea von Mücke, Nancy Nobile, David Pan, Ricarda Schmidt, Helmut J. Schneider. Bernd Fischer is Professor of German at the Ohio State University. Tim Mehigan is Professor of German in the Department of Languagesand Cultures at the University of Otago, New Zealand.


Heinrich Von Kleist and Jean-Jacques Rousseau: Violence, Identity, Nation (Studies in German Literature, Linguistics, and Culture)

Heinrich Von Kleist and Jean-Jacques Rousseau: Violence, Identity, Nation (Studies in German Literature, Linguistics, and Culture)

Author: Steven Howe

Publisher: Camden House

Published: 2012

Total Pages: 250

ISBN-13: 1571135545

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By reconsidering Kleist's reception of Rousseau and placing it in historical context, this book sheds new light on a range of political and ethical issues at play in Kleist's work. Heinrich von Kleist is renowned as an author who posed a radical challenge to the orthodoxies of his age. Today, his works are frequently seen to relentlessly deconstruct the paradigms of Idealism and to reflect a Romantic, even postmodern, perspective on the ambiguities of the world. Such a view fails, however, to do full justice to the more complex manner in which Kleist articulates the tensions between the securities of Enlightenment thought and the anxieties of the revolutionary age. Steven Howe offers a new angle on Kleist's dialogue with the Enlightenment by reconsidering his investment in the philosophy of Jean-Jacques Rousseau. Where previous critics have trivialized this as intense but fleeting and born of personal identification, Howe here establishes Rousseau's importance as a lasting source of inspiration for the violent constellations of Kleist's fiction. Taking account of both Rousseau'scritique of modernity and his later propositions for working toward the Enlightenment promise of emancipation, the book locates a mode of discourse which, placed in the historical context of the French Revolution and Napoleonic Wars, sheds new light on the political and ethical issues at play in Kleist's work. Steven Howe is Associate Research Fellow at the University of Exeter, UK. He is co-editor, with Ricarda Schmidt and Seán Allan, of Heinrich von Kleist: Konstruktive und Destruktive Funktionen von Gewalt (forthcoming, 2012).


Heinrich Von Kleist's Poetics of Passivity (Studies in German Literature, Linguistics, and Culture)

Heinrich Von Kleist's Poetics of Passivity (Studies in German Literature, Linguistics, and Culture)

Author: Steven R. Huff

Publisher: Studies in German Literature L

Published: 2009

Total Pages: 248

ISBN-13:

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"This book scrutinizes for the first time a key element in Kleist's thought and poetic process: his obsession with the problem of passivity. Scholars have long been attracted to the dynamic, larger-than-life characters in Kleist's fiction and drama, overlooking the fact that Kleist's works often turn on moments of stasis, as these same protagonists are suddenly and sometimes brutally rendered passive. Through a careful, historically grounded, and original investigation incorporating extensive primary research in late-Enlightenment natural philosophy and eighteenth-century medical practices, the study sheds light on these nodal points in Kleist's work, contending that these structures of passivity are so pervasive and so systematic in his work that they can justifiably and profitably be viewed as constituting a kind of poetics."--BOOK JACKET.


The Oxford Handbook of European Romanticism

The Oxford Handbook of European Romanticism

Author: Paul Hamilton

Publisher: Oxford University Press

Published: 2016-01-14

Total Pages: 865

ISBN-13: 0191064971

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TThe Oxford Handbook to European Romanticism brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The book focuses on the cultural history of the period extending from the French Revolution to the uprisings of 1848. It begins with a series of chapters examining key texts written by major writers in languages including: French; German; Italian; Spanish; Russian; Hungarian; Greek; and Polish amongst others. A second section then explores the naturally inter-disciplinary quality of Romanticism, exemplified by the different discourses with which writers of the time set up an internal, comparative dynamic. These chapters highlight the sense a discourse gives of being written knowledgeably against other pretenders to completeness or comprehensiveness of self-understanding of the time. Discourses typically advance their own claims to resume European culture, collaborating with and at the same time trying to assimilate each other in the process. The main examples featured here are: history; geography; drama; theology; language; philosophy; political theory; the sciences; and the media. Each chapter offers an original and individual interpretation of an inherently comparative world of individual writers and the discursive idioms to which they are historically subject. Together the forty-one chapters provide a comprehensive and provocative overview of European Romanticism.


Aesthetic Vision and German Romanticism

Aesthetic Vision and German Romanticism

Author: Brad Prager

Publisher: Camden House

Published: 2007

Total Pages: 304

ISBN-13: 9781571133410

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Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between "internal" and "external." In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as "self and other," "symbol and allegory," and "light and dark," should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy, literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology. Brad Prager is Associate Professor of Germanat the University of Missouri, Columbia.


A Companion to the Works of Heinrich Von Kleist

A Companion to the Works of Heinrich Von Kleist

Author: Bernd Fischer

Publisher: Camden House

Published: 2003

Total Pages: 276

ISBN-13: 9781571131775

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For over 150 years, Heinrich von Kleist (1777-1811) has been one of the most widely read and performed German authors. His status in the literary canon is firmly established, but he has always been one of Germany's most contentiously discussed authors. Today's critical debate on his unique prose narratives and dramas is as heated as ever. Many critics regard Kleist as a lone presager of the aesthetics and philosophies of late nineteenth- and early twentieth-century modernism. Yet there can be no question that he responds in his works and letters to the philosophical, aesthetic, and political debates of his time. During the last thirty years, the scholarship on Kleist's work and life has departed from the existentialist wave of the 1950s and early 1960s and opened up new avenues for coming to terms with his unusual talent. The present volume brings together the most important and innovative of these newer scholarly approaches: the essays include critically informed, up-to-date interpretations of Kleist's most-discussed stories and dramas. Other contributions analyze Kleist's literary means and styles and their theoretical underpinnings. They include articles on Kleist's narrative and theatrical technique, poetic and aesthetic theory, philosophical and political thought, and insights from new biographical research. Contributors: Jeffrey L. Sammons, Jost Hermand, Anthony Stephens, Bianca Theisen, Hinrich C. Seeba, Bernhard Greiner, Helmut J. Schneider, Tim Mehigan, Susanne Zantop, Hilda M. Brown, and Seán Allan. Bernd Fischer is Professor of German and Head of the Department of German at Ohio State University.


Encyclopedia of German Literature

Encyclopedia of German Literature

Author: Matthias Konzett

Publisher: Routledge

Published: 2015-05-11

Total Pages: 1159

ISBN-13: 113594122X

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Designed to provide English readers of German literature the opportunity to familiarize themselves with both the established canon and newly emerging literatures that reflect the concerns of women and ethnic minorities, the Encyclopedia of German Literature includes more than 500 entries on writers, individual work, and topics essential to an understanding of this rich literary tradition. Drawing on the expertise of an international group of experts, the essays in the encyclopedia reflect developments of the latest scholarship in German literature, culture, and history and society. In addition to the essays, author entries include biographies and works lists; and works entries provide information about first editions, selected critical editions, and English-language translations. All entries conclude with a list of further readings.


A Place in the Country

A Place in the Country

Author: W.G. Sebald

Publisher: Random House

Published: 2014-02-18

Total Pages: 186

ISBN-13: 0812995031

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A Place in the Country is W. G. Sebald’s meditation on the six artists and writers who shaped his creative mind—and the last of this great writer’s major works to be translated into English. This edition includes more than 40 pieces of art, all originally selected by W. G. Sebald. This extraordinary collection of interlinked essays about place, memory, and creativity captures the inner worlds of five authors and one painter. In his masterly and mysterious style—part critical essay, part memoir—Sebald weaves their lives and art with his own migrations and rise in the literary world. Here are people gifted with talent and courage yet in some cases cursed by fragile and unstable natures, working in countries inhospitable or even hostile to them. Jean-Jacques Rousseau is conjured on the verge of physical and mental exhaustion, hiding from his detractors on the island of St. Pierre, where two centuries later Sebald took rooms adjacent to his. Eighteenth-century author Johann Peter Hebel is remembered for his exquisite and delicate nature writing, expressing the eternal balance of both the outside world and human emotions. Writer Gottfried Keller, best known for his 1850 novel Green Henry, is praised for his prescient insights into a Germany where “the gap between self-interest and the common good was growing ever wider.” Sebald compassionately re-creates the ordeals of Eduard Mörike, the nineteenth-century German poet beset by mood swings, depression, and fainting spells in an increasingly shallow society, and Robert Walser, the institutionalized author whose nearly indecipherable scrawls seemed an attempt to “duck down below the level of language and obliterate himself” (and whose physical appearance and year of death mirrored those of Sebald’s grandfather). Finally, Sebald spies a cognizance of death’s inevitability in painter Jan Peter Tripp’s lovingly exact reproductions of life. Featuring the same kinds of suggestive and unexplained illustrations that appear in his masterworks Austerlitz and The Rings of Saturn, and translated by Sebald’s colleague Jo Catling, A Place in the Country is Sebald’s unforgettable self-portrait as seen through the experiences of others, a glimpse of his own ghosts alongside those of the men who influenced him. It is an essential addition to his stunning body of work. Praise for A Place in the Country “Measured, solemn, sardonic . . . hypnotic . . . [W. G. Sebald’s] books, which he made out of classics, remain classics for now.”—Joshua Cohen, The New York Times Book Review “In Sebald’s writing, everything is connected, everything webbed together by the unseen threads of history, or chance, or fate, or death. The scholarly craft of gathering scattered sources and weaving them into a coherent whole is transformed here into something beautiful and unsettling, elevated into an art of the uncanny—an art that was, in the end, Sebald’s strange and inscrutable gift.”—Slate “Magnificent . . . The multiple layers surrounding each essay are seamless to the point of imperceptibility.”—New York Daily News “Sebald’s most tender and jovial book.”—The Nation “Reading [A Place in the Country is] like going for a walk with a beautifully talented, deeply passionate novelist from Mars.”—New York