From the Blue Ridge Mountains to the Outer Banks, a diverse variety of captivating romance novellas await you in this charity anthology brought to you by Heart of Carolina Romance Writers. Samantha Covington's Someone Like Her can conjure anything, except love. Love may require breaking someone's heart. Even your own in Just Ducky by Laverne St. George When you trust the enemy, at least you know where you stand in Two if by Sea by Maggie Preston. Worlds collide in Brown Mountain Lights by Donna Steele. The last thing he expected was what he needed the most in Linda Tiffin's Unwrapped with Love. One grumpy actor in need of rescue plus one overly prepared hiker equals one hike to love in Grinding Corn by Laurel McMacken Ten years, three months, and one week...The Girl Next Door is all grown up by Laura Browning. A bad-ass outlaw biker falls for a woman he can't have in Mirror Image by B. L. Harris.
Challenging traditional histories of abolition, this book shifts the focus away from the East to show how the women of Ohio, Indiana, Illinois, Michigan, and Wisconsin helped build a vibrant antislavery movement in the Old Northwest. Stacey Robertson argues that the environment of the Old Northwest--with its own complicated history of slavery and racism--created a uniquely collaborative and flexible approach to abolitionism. Western women helped build this local focus through their unusual and occasionally transgressive activities. They plunged into Liberty Party politics, vociferously supported a Quaker-led boycott of slave goods, and tirelessly aided fugitives and free blacks in their communities. Western women worked closely with male abolitionists, belying the notion of separate spheres that characterized abolitionism in the East. The contested history of race relations in the West also affected the development of abolitionism in the region, necessitating a pragmatic bent in their activities. Female antislavery societies focused on eliminating racist laws, aiding fugitive slaves, and building and sustaining schools for blacks. This approach required that abolitionists of all stripes work together, and women proved especially adept at such cooperation.
The literary study of emotion is part of an important revisionary movement among scholars eager to recast emotional politics for the twenty-first century. Looking beyond the traditional categories of sentiment, sensibility, and sympathy, Jennifer Travis suggests a new approach to reading emotionalism among men. She argues that the vocabulary of injury, with its evaluations of victimhood and its assessments of harm, has deeply influenced the cultural history of emotions. From the Civil War to the early twentieth century, Travis traces the history of male emotionalism in American discourse. She argues that injury became a comfortable vocabulary--particularly among white middle-class men--through which to articulate and to claim a range of emotional wounds. The debates about injury that flourished in the cultural arenas of medicine, psychology, and the law spilled over into the realm of fiction, as Travis demonstrates through readings of works by Stephen Crane, William Dean Howells, Willa Cather, Henry James, and Edith Wharton. Travis concludes by linking this history to twenty-first-century preoccupations with "pain-centered politics," which, she cautions, too often focuses only on women and racial minorities.
Carolina Winds and GI Hearts is a warm fictional tale of lives caught up in the Vietnam War era. Young people's lives are scattered across the country with young men and women in the military in service of their country. While stationed in Fort Bragg, North Carolina, nineteen-year-old Alan Hardy becomes acquainted with sixteen-year-old Fran Garmon. Deep friendship is made only to be torn apart when Alan Hardy is shipped overseas. Alan is afraid because a long-distance relationship didn't work out already. Being the victim of Dear John letters, he stops writing. After not hearing from Alan for months, Fran's life is devastated as Carolina winds blow and GI hearts are affected.
A chance meeting and a spontaneous marriage proposal leads Logan Archer on a first date that turns his dull, unhappy life around. With her help, he finally lands his dream job. But what Logan really wants is his dream girl to spend his time with. He’s certain that girl is Kayla. He’ll do whatever is necessary to secure a future with her. Kayla Murphy might be able to turn down Logan’s many proposals, but she can’t resist his charm, his many nicknames for her, or his ability to make her laugh when it’s the last thing she wants to do. But unwanted distractions threaten what these two are building together.
In the popular memory, the end of the Civil War arrived at Appomattox with handshakes and amicable banter between Robert E. Lee and Ulysses S. Grant--an honorable ceremony amongst noble warriors. And so it has been remembered to this day. But the war was not over. A larger and arguably more important surrender had yet to take place in North Carolina. This story occupies but little space in the vast annals of Civil War literature. As author Ernest A. Dollar Jr. ably explains in Hearts Torn Asunder: Trauma in the Civil War's Final Campaign in North Carolina, the lens of modern science may reveal why.This war's final campaign in North Carolina began on April 10, 1865, a day after Appomattox. More than 120,000 Union and Confederate soldiers were still in the field bringing war with them as they moved across North Carolina's heartland. Maj. Gen. William T. Sherman was still out to destroy the South's ability and moral stamina to make war. His unstoppable Union troops faced Maj. Gen. Joseph E. Johnston's demoralized but still dangerous Confederate Army of Tennessee. Thousands of paroled Rebels, desperate, distraught, and destitute, added to the chaos by streaming into the state from Virginia. Grief-stricken civilians struggling to survive in a collapsing world were caught in the middle. The collision of these groups formed a perfect storm long ignored by those wielding pens.Hearts Torn Asunder explores the psychological experience of these soldiers and civilians during the chaotic closing weeks of the war. Their letters, diaries, and accounts reveal just how deeply the killing, suffering, and loss had hurt and impacted these people by the spring of 1865. The author deftly recounts the experience of men, women, and children who endured intense emotional, physical, and moral stress during the war's dramatic climax. Their emotional, irrational, and often uncontrollable reactions mirror symptoms associated with trauma victims today, all of which combined to shape memory of the war's end. Once the armies left North Carolina after the surrender, their stories faded with each passing decade, neither side looked back and believed there was much that was honorable to celebrate. Hearts Torn Asunder recounts at a very personal level what happened during those closing days that made a memory so painful that few wanted to celebrate, but none could forget.
