When we talk about a jazz "standard" we usually mean one of the many songs that jazz musicians repeatedly play. But unlike classical musical works, standards are always being transformed in performance. They are rearranged and improvised, which raises the question: what gives a standard its identity? Hearing Double answers that question. Filled with case studies and music analysis, this book will draw your attention to unheard aspects of jazz performance as well as unrecognized philosophical, social, and cultural dimensions of the jazz repertoire.
NOW PUBLISHED BY PLURAL! Hearing Science Fundamentals, Second Edition maintains the straightforward style of the previous edition, introducing the basic concepts in hearing science in an easy-to-understand format. With a wide variety of student-friendly features and instructor resources, this comprehensive textbook facilitates the absorption of technical material by both undergraduate and graduate students. The text is divided into four clear sections to cover everything from the physics of sound to the anatomy and physiology of the auditory pathway and beyond. The textbook begins by delving into the basics of acoustics and digital signal processing (DSP). In the next section, readers will find full coverage of the basic anatomy and physiology of the auditory mechanism. The third section contains eight chapters on psychoacoustics and how sound is perceived via the auditory pathways. The book wraps up with a brand-new section devoted to pathologies of the auditory mechanisms. New to the Second Edition: * New coauthor, Jeremy J. Donai, AuD, PhD, brings his extensive clinical and research experience to the concepts discussed * Nine new chapters, including: Review of Speech Acoustics (Chapter 2); Digital Signal Processing (Chapter 3); Binaural Processing (Chapter 8); Temporal Processing (Chapter 10); Signal Detection Theory (Chapter 13); Auditory Perception and Hearing Impairment (Chapter 14); Separate and expanded chapters for Pathologies of the Auditory Mechanism (Chapter 9) from first edition; Pathologies of the Conductive Auditory Mechanism (Chapter 15); Pathologies of the Sensory Auditory Mechanism (Chapter 16); Pathologies of the Central Auditory Mechanism (Chapter 17) * Clinical Notes and Vocabulary Checks features have been added through the textEvidence-based information incorporated throughout the text * Updated Recommended Readings list * Audio examples and overview lecture videos for students Key Features: * Learning Objectives and Key Terms at the beginning of each chapter prepare the student for the chapter contents * Two-color anatomical and line illustrations aid understanding of important technical concepts * Q & A boxes reinforce important information presented in the text * A Glossary of important terms Disclaimer: Please note that ancillary content (such as documents, quizzes, and exercises) may not be included as published in the original print version of this book.
Discusses the sense of hearing and how it affects the body. The banging of drums bounces around your head, but how do you really hear them? Listen up to learn what happens to sound once it reaches your ear.
Millions of Americans experience some degree of hearing loss. The Social Security Administration (SSA) operates programs that provide cash disability benefits to people with permanent impairments like hearing loss, if they can show that their impairments meet stringent SSA criteria and their earnings are below an SSA threshold. The National Research Council convened an expert committee at the request of the SSA to study the issues related to disability determination for people with hearing loss. This volume is the product of that study. Hearing Loss: Determining Eligibility for Social Security Benefits reviews current knowledge about hearing loss and its measurement and treatment, and provides an evaluation of the strengths and weaknesses of the current processes and criteria. It recommends changes to strengthen the disability determination process and ensure its reliability and fairness. The book addresses criteria for selection of pure tone and speech tests, guidelines for test administration, testing of hearing in noise, special issues related to testing children, and the difficulty of predicting work capacity from clinical hearing test results. It should be useful to audiologists, otolaryngologists, disability advocates, and others who are concerned with people who have hearing loss.
Praise for the first edition: I cannot praise this book too highly it is undoubtedly now the benchmark text in this area, and is an absolute essential for every audiologist and student. Graham Sutton, International Journal of Radiology, Vol. 41, No. 6, 2002 One of the best textbooks I have ever used...written by a researcher with a stellar reputation [who is also] an expert on the clinical aspects of the field...packed with information from both a theoretical and practical perspective...makes difficult concepts comprehensible...from an instructors point of view, it is a sheer delight. Adrienne Rubenstein, PhD, Professor, Department of Speech Communication Arts and Sciences, Brooklyn College, New York Key Features: Completely revised to reflect the research and technological advances of the last decade New chapters on directional microphones and the latest digital signal processing strategies Extensive coverage of all aspects of open-canal, thin-tube hearing aids Practical tips, tables, and procedures designed to be pinned on the walls of clinics Each cross-referenced chapter builds on the previous chapters Hearing Aids, Second Edition, is a book within a book: Each chapter has a one-page synopsis that captures the key concepts of each topic The material that students most need is contained in marked paragraphs that flow after each other to form a coherent thin book inside the larger book Intervening additional paragraphs add satisfying depth Written, comprehensively referenced, and extensively reviewed by leaders in the field, this book is ideal as a core graduate text as well as a standard reference for clinicians.
What Did You Say? is the book author Monique Hammond wishes she had when she was coping with and trying to understand her own sudden hearing loss. Weaving together her story with a wealth of information--causes of and types of hearing loss, audiology tests, hearing instruments and listening devices, support groups and organizations, resources and checklists, to name a few-- Hammond's wisdom and insight is invaluable, and her story is one that needs to be shared.This newly revised second edition provides its readers with:* Noise-induced hearing loss research news* Expanded Assistive Listening Device (ALD) and Hearing Loop information* Aural Rehabilitation for hearing aid and implant clients* News on implantable hearing devices (including cochlear, bone-conduction and others)* Over 50 new diagrams, pictures, charts and graphsWhat Did You Say? provides readers with the information to understand their conditions, be involved with their care, persevere, and become their own patient advocates.
This book introduces speech and hearing sciences students to the principles of "signal" and "system" analysis. Beginning with an examination of what signals and systems are, the book develops a thorough background from which many of the most important issues in speech and hearing can be tackled. Numerous illustrations.
A writer-musician examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. Our voices carry farther than ever before, thanks to digital media. But how are they being heard? In this book, Damon Krukowski examines how the switch from analog to digital audio is changing our perceptions of time, space, love, money, and power. In Ways of Hearing—modeled on Ways of Seeing, John Berger's influential 1972 book on visual culture—Krukowski offers readers a set of tools for critical listening in the digital age. Just as Ways of Seeing began as a BBC television series, Ways of Hearing is based on a six-part podcast produced for the groundbreaking public radio podcast network Radiotopia. Inventive uses of text and design help bring the message beyond the range of earbuds. Each chapter of Ways of Hearing explores a different aspect of listening in the digital age: time, space, love, money, and power. Digital time, for example, is designed for machines. When we trade broadcast for podcast, or analog for digital in the recording studio, we give up the opportunity to perceive time together through our media. On the street, we experience public space privately, as our headphones allow us to avoid “ear contact” with the city. Heard on a cell phone, our loved ones' voices are compressed, stripped of context by digital technology. Music has been dematerialized, no longer an object to be bought and sold. With recommendation algorithms and playlists, digital corporations have created a media universe that adapts to us, eliminating the pleasures of brick-and-mortar browsing. Krukowski lays out a choice: do we want a world enriched by the messiness of noise, or one that strives toward the purity of signal only?
