This book documents the dramatic changes in the field of electronic media in the past decade and provides informed insights in the exciting, and changes yet to come. It examines the transition in broadcasting from analog to digital transmission and the changing business models of electronic media.
This book documents the dramatic changes in the field of electronic media in the past decade and provides informed insights in the exciting, and changes yet to come. It examines the transition in broadcasting from analog to digital transmission and the changing business models of electronic media.
In Network Nations, Michele Hilmes reveals and re-conceptualizes the roots of media globalization through a historical look at the productive transnational cultural relationship between British and American broadcasting. Though frequently painted as opposites--the British public service tradition contrasting with the American commercial system--in fact they represent two sides of the same coin. Neither could have developed without the constant presence of the other, in terms not only of industry and policy but of aesthetics, culture, and creativity, despite a long history of oppositional rhetoric. Based on primary research in British and American archives, Network Nations argues for a new transnational approach to media history, looking across the traditional national boundaries within which media is studied to encourage an awareness that media globalization has a long and fruitful history. Placing media history in the framework of theories of nationalism and national identity, Hilmes examines critical episodes of transnational interaction between the US and Britain, from radio’s amateurs to the relationship between early network heads; from the development of radio features and drama to television spy shows and miniseries; as each other’s largest suppliers of programming and as competitors on the world stage; and as a network of creative, business, and personal relationships that has rarely been examined, but that shapes television around the world. As the global circuits of television grow and as global regions, particularly Europe, attempt to define a common culture, the historical role played by the British/US media dialogue takes on new significance.
A Storm Of Violence Paul St. Pierre was an alcoholic driven by an urge to kill all the time. He bullied his younger brother, Chris, into committing unspeakable acts. His childhood friend, Andrew Webb, took drugs, talked to skulls, and dreamed about eating human flesh. It was only a matter of time before the trio terrorized a quiet neighborhood near Tacoma, Washington, with the brutal murders of innocent victims caught in a storm of senseless rage. Then the twisted triad turned on each other--over money. Paul shot Andrew in the stomach. Chris called the cops. But with tortured individuals like these, justice opened the doors to more surprising revelations. . . Warning: contains graphic photos. "True crime at its best." --Jack Olsen
Entertaining America is a captivating look at one of the longest-running and most provocative public discussions in America: the relationship between the nation's Jews and its entertainment media. This colorfully written, lavishly illustrated book surveys how Jews have participated in--and been identified with--American movies, radio, and television from the nickelodeon era at the turn of the twentieth century to the present day. Throughout, the tone is lively, the design is playful, and key points are visually enhanced by stills, publicity photos, and memorabilia. This anthology of original analyses and primary texts covers a wide range of topics, including the multiple versions of The Jazz Singer, the saga of the Hollywood movie moguls, the irrepressible Goldbergs of radio and television fame, the representation of the Holocaust, how Charlie Chaplin and other non-Jewish stars became "virtual Jews," and the dazzling success of the television series Seinfeld. There is also an illustrated gallery of more than twenty Jewish-American stars from Theda Bara to Adam Sandler. The principal authors, J. Hoberman and Jeffrey Shandler, examine not only the history of Jews in the industry but also the steady stream of richly varied voices that have had something to say about this history--in fan magazines as well as literary fiction, by religious and political leaders as well as journalists, historians, and Jews in the entertainment business themselves. Entertaining America, which accompanies an exhibition opening at The Jewish Museum, is itself tremendously entertaining while providing the most expansive, authoritative look at this fascinating subject. In its pages, readers will find ample material to help them formulate their own responses to this frank, contentious, multilayered discussion. EXHIBITION SCHEDULE The Jewish Museum, New York February 21 - September 14, 2003 The Jewish Museum of Maryland, Baltimore October 16, 2003 - January 18, 2004
In Cohn-Head, one of America's most successful female anchors lays bare her hard-fought rise to the top of the sportscasting boys' club and her life inside the ESPN empire, talks candidly about sports personalities she has met, and reveals her personal top ten lists plus much, much more.
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
Heidi chronicles her 19 year career in Talk Radio and 15 years as a Cable TV pundit. She describes what it took to get there, what it took to survive in the business for so long and how she weathered the inevitable blowback and setbacks you'll face in a career based on your opinion. There are great behind-the-scenes stories, tips on picking topics and guests, and lessons learned along the way. Her story is a reminder that regardless of your occupation, being true to yourself and your values is always worth the "cost".