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In 1973 twenty-five young women drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. Their remains were recovered and interred collectively in what came to be called the Twenty-five Maiden Ladies Tomb. Without a husband’s ancestral hall where they would have been laid to rest, the spirits of these unmarried women were considered homeless and possibly vengeful, and so the Maiden Ladies Tomb was viewed as a place to be avoided—especially by young men traveling alone, fearful of encountering a female ghost searching for a husband. Over the years, numerous plans were made to revamp the tomb site; finally, in 2008, at the urging of local feminist communities, the Kaohsiung City government renovated the Twenty-five Maiden Ladies Tomb and renamed it the Memorial Park for Women Laborers. Haunted Modernities interrogates the nature of shared expressions of history, sentiments, and memory as it investigates the role of these women and other female workers in the shifting public narrative during and after the Maiden Ladies Tomb renovation. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, the book illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate the tomb, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. The Twenty-five Maiden Ladies Tomb as a heritage site elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.
Set in the first decade of the 20th century, this moving book shares the tragic reality of the Dutch invasion of Bali and the mass suicides that ensued. In Love and Death in Bali, renowned author Vicki Baum skillfully intermeshes several different narratives that all culminate in the infamous puputan (the "ending"), the slaughter and mass suicides that brought the old Bali to an end in 1906. Written within living memory of these bloody events, the book tells the story of the passionate and deeply spiritual people who defy Dutch imperial forces through an act that brings them certain death--and certain rebirth. The looting of a Chinese trading ship gives the Dutch colonial forces the perfect excuse to intervene in island affairs, but they encounter astonishing resistance. In the battle of Badung, wave upon wave of Balinese clothed in white ceremonial garb charge into the blazing Dutch guns, kris daggers in hand, prepared to die. Who among them will survive, and how will their lives be forever changed? Love and Death in Bali, first published in German in 1937, is considered by many to be the finest novel ever written about this island paradise where everyone, regardless of caste or position, is woven into the fabric of an ancient culture, connected by customs and, above all, by strong religious beliefs. In this edition, anthropologist and award-winning author Nigel Barkley's introduction provides excellent context for the complex, dramatic tale that follows.
Paint your own picture of these paradise isles -- covered markets in Denpasar, beachfront villas in Sanur, homestays in the Ubud rice paddies, rave clubs in Kuta, dive sites in the Gili Islands -- or let us do it for you, with all-new color photos and completely revised coverage. Our expert authors bring you honest opinions and lively reviews, as well as special information for outdoors enthusiasts, vegetarian travelers, art lovers, and indigenous crafts collectors.
EAT, PAY, LEAVE!Becky Wicks lifted the burqa on Dubai In BURQALICIOUS. Now she turns her attention to Bali as she hilariously navigates life as an adopted Balinese local. A lot can happen when you set out to 'find yourself'. Sometimes, you can even lose the plot.From visiting ancient healers with cellphone addictions to leaving a shaking ashram intent on extracting her soul, Becky Wicks soon discovered that six months travelling round Bali wasn't all going to be about finding inner peace and harmony. In fact, the perils of possessed teens, eating raw, yogic headstands, diving shipwrecks and dicing with black magic and demons all took their toll on the Island of the Gods.And that was before the vaginal steaming.Becky Wicks lifts the sarong on real life in Bali in a blur of locals, tourists, expats and other other eating, praying lovers who arrive... you know... not really knowing who they are.
Custodians of the Sacred Mountains is the first comprehensive ethnography of the Bali Aga, a large ethnic minority that occupies the island's central highlands. The Bali Aga are popularly viewed as the indigenous counterparts to other Balinese who trace their origin to invaders from the Javanese kingdom of Majapait, who have ruled Bali from the fourteenth century A.D. Although Bali remains one of the most intensely researched localities in the world, the Bali Aga have long been overshadowed by the more exotic courtly culture of the south. A closer analysis of the changing position of the Bali Aga within Balinese society provides a key to understanding the politics and social process of cultural representation in Bali and beyond. The process is marked by a blend of representational competition and cooperation among the Bali Aga themselves, among the Bali Aga and southern Balinese, and later among the island's aristocratic elites and foreign colonizers or scholars, and state authorities. The study of this process raises important issues about the establishment and maintenance of status and power structures at regional, national, and global levels. Custodians of the Sacred Mountains explores the marginalization of the Bali Aga in light of a critical theory of cultural representation and calls for a morally engaged approach to ethnographic research. It proposes an intersubjective and communicative model of human interaction as the foundation for understanding the relative significance of cooperation and competition in the cultural production of knowledge.
Message To the readers: The present book is the output of constant efforts and dedication, late Girish Karnad is the inspiration for me, so I decided to write the book on him He is my favorite playwright; hence, I wrote biography and have done the interpretation of his collected famous plays. The present book also focuses on the unique relevance of the playwright,it contains six chapters and Karnad's biography,his unique writing style,unique text which would be highly beneficial for the research in English Literature. I would like to request that readers your feedback would be highly appreciated. Please send your feedback to [email protected] I would like to express my roses of gratitude to the respected readers of this book for their trust , encouragement and inspiration. I am expecting your feedback & express my honor to the great legend late Girish Karnad for his unique contribution in Indian English Drama
The island of Bali's sensational image was created by the tourists, artists, and scholars who visited the tiny nation between the two world wars. A Dutch colony from 1908, Bali was a source of revenue for the Dutch government, which began to develop its image as the ultimate vacation spot. The tourism industry spread the idea of Bali as a paradise in which noble, happy, spiritual Balinese--all prodigiously creative artists--lived in innocence. Sensual images of beautiful people on an enchanted isle unspoiled by modernity predominated. Bali also acquired a reputation as a homosexual paradise. A host of books and articles fed these images of Bali until it evolved into one of the most romantic stops on the tourist itinerary. The Balinese people, however, made little profit from the tourist traffic. This history of the development of tourism in Bali stretches from the Dutch occupation in 1906 to the Japanese occupation in 1942. After exhaustive research in published records and in unpublished letters, diaries, and oral histories left by many of the American and European visitors to the island as well as the Balinese residents, the author explores the reasons for Bali's popularity among Westerners and their effects on the native culture.
Along comes a global pandemic coronavirus, COVID-19, and our world is turned upside down. Can the idea of samsara shed any light on all this terrible suffering, turmoil and change? Are we all travelling around the ever-turning cycle of samsara, being born, dying, then reborn - again, and again, and again? Does our life, the things that happen to us, and our death, have any meaning? What do Hinduism, Buddhism, and samsara tell us about suffering, life and death? Could spiritual dimensions exist or do we live in a purely material universe? What is consciousness and does it die when our bodies die? Are rebirth or reincarnation even possible? Can we have spirituality without religion? What, if anything, might spirituality or religion mean in a turbulent and unpredictable twenty-first century? Do mysticism, psychedelics, science and quantum physics offer clues to any of these questions? Take a journey with the author through the fascinating cultures of Nepal, India, Bali and Cambodia and explore their rich traditions of Hinduism, Buddhism and samsara. Part exploration of spirituality and religion, part travel adventure to places of astonishing diversity, this book will get you thinking about your own beliefs, life and death, and where those might fit in to a bigger picture.