Harper's Weekly
Author:
Publisher:
Published: 1863
Total Pages: 430
ISBN-13:
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Author: Paul Tremewan
Publisher: Xlibris Corporation
Published: 2011-08-30
Total Pages: 248
ISBN-13: 1462873944
DOWNLOAD EBOOKAs near Hell as I ever expect to be is the biography of a Civil War soldier from Ohio. In September 1861 twenty-seven-year-old John Vanetton Patterson left his young wife and two babies on their farm near Pemberville. Patterson and thousands of other Ohioans answered Lincoln's call to save the Union. In November Victoria Patterson received a letter, she opened it, and read the inside address, "As near Hell as I ever expect to be". Over the next four years this soldier husband was sick, wounded, captured, and imprisoned. He escaped... Based on letters to his wife, this is his story of trial and yearning.
Author: Catherine Clinton
Publisher: Oxford University Press
Published: 2006-02-23
Total Pages: 226
ISBN-13: 0195174445
DOWNLOAD EBOOKThis collection addresses how gender scholarship has changed interpretations of the Civil War. It examines the study of masculinity and war, and deals with issues of health, treason, religion, domesticity, and slavery as they affected Northern and Southern men and women during the Civil War era.
Author: Alice Fahs
Publisher: Univ of North Carolina Press
Published: 2010-03-15
Total Pages: 425
ISBN-13: 0807899291
DOWNLOAD EBOOKIn this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War--the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children's stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war's political and social meanings. Instead of narrowly portraying the Civil War as a clash between two great, white armies, popular literature offered a wide range of representations of the conflict and helped shape new modes of imagining the relationships of diverse individuals to the nation. Works that explored the war's devastating impact on white women's lives, for example, proclaimed the importance of their experiences on the home front, while popular writings that celebrated black manhood and heroism in the wake of emancipation helped readers begin to envision new roles for blacks in American life. Recovering a lost world of popular literature, The Imagined Civil War adds immeasurably to our understanding of American life and letters at a pivotal point in our history.
Author: Jim Downs
Publisher: OUP USA
Published: 2012-05-14
Total Pages: 279
ISBN-13: 0199758727
DOWNLOAD EBOOKSick from Freedom provides the first study of the health conditions of emancipated slaves and reveals the epidemics, illnesses, and poverty that former slaves suffered from when slavery ended and freedom began.
Author: Rufus Rockwell Wilson
Publisher:
Published: 1903
Total Pages: 106
ISBN-13:
DOWNLOAD EBOOKReproductions of thirty-two cartoons, originally published between 1860 and 1865 in P̲u̲n̲c̲h̲, H̲a̲r̲p̲e̲r̲'̲s̲ W̲e̲e̲k̲l̲y̲, and other magazines. Pages 3-[18]: Wilson's commentary to each plate.
Author: James L. Terry
Publisher: McFarland
Published: 2018-08-03
Total Pages: 202
ISBN-13: 1476635471
DOWNLOAD EBOOKExactly one hundred years before the Brooklyn Dodgers won the 1955 World Series, the Brooklyn Excelsiors were playing on the same grounds where the Dodgers would begin their long history. Brooklyn and its teams played a prominent role in the early history of the game and reigned as champions of baseball's first organized league through most of the 1860s. The early years of organized baseball (1855-1884) in Brooklyn when it was the center of the baseball universe is the focus of this book. In addition to discussing the early clubs and players, this work examines the transformation of baseball from a recreational pursuit of gentlemen's clubs to a professional spectator sport. It also reveals much about the social norms, gender and race relations, and the role of the media in the early game and covers the many firsts that are attributed to early Brooklyn teams, such as having the first paid player, tragic hero and curveball pitcher, and being the first team to take road trips, play in enclosed ball parks and charge admission. Notably, they were heralded by the most famed sports journalist of the nineteenth century.
Author: Eliza Richards
Publisher: University of Pennsylvania Press
Published: 2018-12-28
Total Pages: 256
ISBN-13: 0812250699
DOWNLOAD EBOOKDuring the U.S. Civil War, a combination of innovative technologies and catastrophic events stimulated the development of news media into a central cultural force. Reacting to the dramatic increases in news reportage and circulation, poets responded to an urgent need to make their work immediately relevant to current events. As poetry's compressed forms traveled more quickly and easily than stories, novels, or essays through ephemeral print media, it moved alongside and engaged with news reports, often taking on the task of imagining the mental states of readers on receiving accounts from the war front. Newspaper and magazine poetry had long editorialized on political happenings—Indian wars, slavery and abolition, prison reform, women's rights—but the unprecedented scope of what has been called the first modern war, and the centrality of the issues involved for national futures, generated a powerful sense of single-mindedness among readers and writers that altered the terms of poetic expression. In Battle Lines, Eliza Richards charts the transformation of Civil War poetry, arguing that it was fueled by a symbiotic relationship between the development of mass media networks and modern warfare. Focusing primarily on the North, Richards explores how poets working in this new environment mediated events via received literary traditions. Collectively and with a remarkable consistency, poems pulled out key features of events and drew on common tropes and practices to mythologize, commemorate, and ponder the consequences of distant battles. The lines of communication reached outward through newspapers and magazines to writers such as Dickinson, Whitman, and Melville, who drew their inspiration from their peers' poetic practices and reconfigured them in ways that bear the traces of their engagements.
Author: Katrina J. Quinn
Publisher: Taylor & Francis
Published: 2023-05-09
Total Pages: 273
ISBN-13: 1000878252
DOWNLOAD EBOOKThe Civil War Soldier and the Press examines how the press powerfully shaped the nation’s understanding and memory of the common soldier, setting the stage for today’s continuing debates about the Civil War and its legacy. The history of the Civil War is typically one of military strategies, famous generals, and bloody battles, but to Americans of the era, the most important story of the war was the fate of the soldier. In this edited collection, new research in journalism history and archival images provide an interdisciplinary study of citizenship, representation, race and ethnicity, gender, disability, death, and national identity. Together, these chapters follow the story of Civil War soldiers, from enlistment through battle and beyond, as they were represented in hometown and national newspapers of the time. In discussing the same pages that were read by soldiers’ families, friends, and loved ones during America’s greatest conflict, the book provides a window into the experience of historical readers as they grappled with the meaning and cost of patriotism and shared sacrifice. Both scholarly and approachable, this book is an enriching resource for undergraduate and graduate courses in Civil War history, American history, journalism, and mass communication history.
Author: Allison M. Johnson
Publisher: LSU Press
Published: 2019-04-10
Total Pages: 221
ISBN-13: 0807171433
DOWNLOAD EBOOKIn The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies—white and black, male and female, soldier and civilian—that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War–era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation’s political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era’s print culture contains a literary and visual record of the war that is embodied and individualized.