A collection of all the known chorales of J.S. Bach in one easy to read format. This is a paperback version of these pieces designed for the musician. Each chorale is given it's own page with plenty of room for notes and large, easy to read notation. There is plenty of room for the music student to write in their own notes and analysis.A helpful index of existing versions of the 371 and 389 Bach chorales as well as BWV numbers is included in the preface for those who might wish to compare or cross reference these versions of the chorales as they appear in this volume of 413.
This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. the chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings.
This two-volume set constitutes the refereed proceedings of the workshops which complemented the 19th Joint European Conference on Machine Learning and Knowledge Discovery in Databases, ECML PKDD, held in Würzburg, Germany, in September 2019. The 70 full papers and 46 short papers presented in the two-volume set were carefully reviewed and selected from 200 submissions. The two volumes (CCIS 1167 and CCIS 1168) present the papers that have been accepted for the following workshops: Workshop on Automating Data Science, ADS 2019; Workshop on Advances in Interpretable Machine Learning and Artificial Intelligence and eXplainable Knowledge Discovery in Data Mining, AIMLAI-XKDD 2019; Workshop on Decentralized Machine Learning at the Edge, DMLE 2019; Workshop on Advances in Managing and Mining Large Evolving Graphs, LEG 2019; Workshop on Data and Machine Learning Advances with Multiple Views; Workshop on New Trends in Representation Learning with Knowledge Graphs; Workshop on Data Science for Social Good, SoGood 2019; Workshop on Knowledge Discovery and User Modelling for Smart Cities, UMCIT 2019; Workshop on Data Integration and Applications Workshop, DINA 2019; Workshop on Machine Learning for Cybersecurity, MLCS 2019; Workshop on Sports Analytics: Machine Learning and Data Mining for Sports Analytics, MLSA 2019; Workshop on Categorising Different Types of Online Harassment Languages in Social Media; Workshop on IoT Stream for Data Driven Predictive Maintenance, IoTStream 2019; Workshop on Machine Learning and Music, MML 2019; Workshop on Large-Scale Biomedical Semantic Indexing and Question Answering, BioASQ 2019.
J.S. Bach's chorale settings of modal cantus firmi pose an interesting problem for the modern analyst: What assumptions'modal or tonal'does one bring to the music and what analytic techniques does one use? Are conventional tonal theories adequate to represent the harmonic techniques used in this repertoire? Are conventional modal theories adequate? Lori Burns explores these questions in her
Following methods known to have been adopted by Bach himself, the exercises provided in chorale harmonization are graded in such a way as to encourage the student to develop both technique and imagination within a closely-defined framework. The instrumental counterpoint section is based on Bach's two-and three-part Inventions. By close analysis the author helps the reader to recognize the procedures Bach adopted in various musical situations. The exercises are taken largely from Bach's keyboard works.
20 Exercises (Part 1) of Charles-Louis Hanon's "The Virtuoso Pianist" transposed into all 24 major and minor keys harmonized in thirds and sixths resulting in invertible counterpoint
