Here it is....the third and final volume in the popular Harboiled anthology series bought to you by Dead Guns Press! We might be going out but we're taking the lot of you with us down a road less traveled! Check out these jaw-crushing tales by some of the best crime fiction writers on the market.Enjoy these tales of Femme Fatales, bad dames and the gentle touch of power, sex and corruption in this edition of Hardboiled by these authors:DG BraceyTom BarlowLiz JohnsonBruce HarrisCraig Faustus BuckChristopher DavisPreston LangKaren RobiscoeDonald GlassCallum McSorleyBen FineSarah M. ChenJT SiemsBill BaberAidan ThornMax DeVoe TalleyJoe Prosit
An immediate perennial, documenting the critical rise of the graphic novel. Conventional wisdom states that cartooning and graphic novels exist in a golden age of creativity, popularity, and critical acceptance. But why? Today, the signal is stronger than ever, but so is the noise. New York Times, Vanity Fair, and Bookforum critic Ben Schwartz assembles the greatest lineup of comics critics the world has yet seen to testify on behalf of this increasingly vital medium. The Best American Comics Writing is the first attempt to collate the best criticism to date of the graphic novel boom in a way that contextualizes and codifies one of the most important literary movements of the last 60 years. This collection begins in 2000, the game changing year that Pantheon released the graphic novels Jimmy Corrigan and David Boring. Originally serialized as “alternative” comics, they went on to confirm the critical and commercial viability of graphic literature. Via its various authors, this collection functions as a valuable readers’ guide for fans, academics, and librarians, tracing the current comics renaissance from its beginnings and creative growth to the cutting edge of today’s artists. This volume includes Daniel Clowes (Ghost World) in conversation with novelist Jonathan Lethem (Fortress of Solitude), Chris Ware, Jonathan Franzen (The Corrections), John Hodgman (The Daily Show, The Areas of My Expertise, The New York Times Book Review), David Hajdu (The 10-Cent Plague), Douglas Wolk (Publishers Weekly, author of the Eisner award-winning Reading Comics), Frank Miller (Sin City and The Spirit film director) in conversation with Will Eisner (The Spirit’s creator), Gerard Jones’ (Men of Tomorrow), Brian Doherty (author Radicals of Capitalism, This is Burning Man) and critics Ken Parille (Comic Art), Jeet Heer (The National Post), R.C. Harvey (biographer of Milton Caniff), and Donald Phelps (author of the landmark book of comics criticism,Reading the Funnies). Best American Comics Writing also features a cover by nationally known satirist Drew Friedman (The New York Observer, Old Jewish Comedians) in which Friedman asks, “tongue-in-cheek,” if cartoonists are the new literati, what must their critics look like?
An anthology of eighteen science fiction and fantasy stories collected from the InterGalatic Medicine Show online magazine, plus four new Ender Universe stories. Welcome to the first anthology of stories from Orson Scott Card’s online magazine, InterGalactic Medicine Show. The magazine has been at the forefront of publishing the work of new SF and fantasy talents, as well as many tales of wonder from well-known writers. Additionally, this anthology contains four stories by Orson Scott Card set in the Ender Universe. None of these stories has appeared anywhere except in InterGalactic Medicine Show, and are in print in this volume for the first time. Orson Scott Card’s InterGalactic Medicine Show is a true treasure for lovers of science fiction and fantasy, and a must-have for fans of Card’s bestselling novel Ender’s Game. Praise for Orson Scott Card’s Intergalactic Medicine Show: An Anthology “Noteworthy SF and fantasy stories from a bumper crop of talented new authors. . . . If the quality of these stories is any indication, IGMS has as much promise as the newcomers it showcases.” —Publishers Weekly
WILD TO POSSESSLew Brookbank is running from his grief. His wife had left him for another man, and he had discovered them together--murdered. Drowning himself in gin, one night he stumbles across a parked car where a man and a woman are plotting the kidnapping and murder of the man's wife. At first he thinks he should turn them in, but there is some real money involved here, and he makes the liquor-fueled decision to follow them and work a double-cross of his own. But Lew doesn't figure on Clarkson, brother of his dead wife's lover. Clarkson wants to bring him back to pay for the death of his brother. But there's no turning back on the plan now--Lew has got to see this one through to the end.A TASTE FOR SINJim Phalen is obsessed with Felice. He can't get enough of her wild ways, her wicked charms. She is hot like no woman he has ever met before. They're quite a pair. Unfortunately, Felice is married to bank manager George Anderson. But Felice has a plan--to kill her husband one night while he works at the bank and steal all the money. Jim thinks the idea is crazy. But the more he figures it, the more he thinks that it just might work. He knows he had to have Felice. Just the thought of her drives him nuts. But can he create the perfect plan to possess her, and steal the money, too? It's crazy alright--but it just might work.
(FAQ). Quentin Tarantino is a man who came to Hollywood and didn't break the rules so much as make plain that he didn't even notice them. Making the films he wanted to see, Tarantino broke through with Reservoir Dogs in 1992 and then cemented his reputation in 1994 with the release of Pulp Fiction . As his fame grew, he spread his love for movies that are far from commonplace through his promotion of older films and theaters and by reviving the stalled careers of actors such as John Travolta, Pam Grier, and David Carradine. Quentin Tarantino FAQ examines the movies directed by Tarantino, the influences on his work, and the inspiration he gave to others. There are also chapters on certain recurring elements in his films, from fake "product placement" to the music, actors, and even cinematic moments used. The book also reviews his work in television, the articles written about him or by him over the years, his acting career, his public battles, and some of the projects he abandoned along the way. It all comes together to tell the story of a man who forged his own unique path and helped shape the way movies are made today.
