Handel's Oratorios and Eighteenth-Century Thought

Handel's Oratorios and Eighteenth-Century Thought

Author: Ruth Smith

Publisher: Cambridge University Press

Published: 1995-05-04

Total Pages: 502

ISBN-13: 0521402654

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In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.


Handel's Oratorio

Handel's Oratorio

Author: Edward Cuthbert Bairstow

Publisher: London : Oxford University Press ; H. Milford

Published: 1928

Total Pages: 66

ISBN-13:

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Handel's Israelite Oratorio Libretti

Handel's Israelite Oratorio Libretti

Author: Deborah W. Rooke

Publisher: Oxford University Press (UK)

Published: 2012-02-23

Total Pages: 279

ISBN-13: 0199279284

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Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.


The Cambridge History of Eighteenth-Century Music

The Cambridge History of Eighteenth-Century Music

Author: Simon P. Keefe

Publisher: Cambridge University Press

Published: 2009-09-10

Total Pages: 816

ISBN-13: 9780521663199

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The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.


Handel's Messiah and His English Oratorios

Handel's Messiah and His English Oratorios

Author: Ben Finane

Publisher: Continuum

Published: 2009-03

Total Pages: 152

ISBN-13:

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This is Handel's massive drama of human redemption and the most popular oratorio in the history of Western music. After 250 years (1741), it has the power to move listeners spiritually and musically. Drawing from both Testaments, Handel's Messiah has spawned groups of listeners dedicated to its performance. Musically, Messiah ranges from madrigal to aria, with an unvarying transparency of expression, imbued with humility and grace.