Handel's Messiah. Complete, unabridged orchestra and vocal score from the original manuscript. Newly engraved. Perfect for performance, or for Messiah "sing-alongs." Newly engraved edition from Handel's original manuscript.
At long last, a definitive edition providing an authentic and fresh perspective on this time-honored oratorio. Since the page layout remains identical to the old Schirmer/Spicker edition, you can now replace worn copies with this new publication that has been entirely reedited. Based on Handel's autograph and conducting scores, Van Camp corrected over 100 notational and textual errors which appeared in the Spicker edition and also provided fine keyboard accs comfortably under the fingers...with the original bass line fully restored. Singers will rejoice now that the music pages are no longer cluttered with editorial footnotes and annotations. Instead, endnotes are used to provide comprehensive and practical information. Other features included the addition of text sources, breath marks, measure numbers, timings, rehearsal and performance suggestions, and much more. The pagination and layout of the vocal score match the old Spicker edition, so you can use the two of them together without confusion.
(Fake Book). This handy collection perfect for caroling or Christmas parties has been updated! The second edition now features melody, lyrics, and chords for 80 favorite carols and songs: Away in a Manger * Blue Christmas * Christmas Time Is Here * Do You Hear What I Hear * Frosty the Snow Man * Good King Wenceslas * The Holly and the Ivy * It's Beginning to Look Like Christmas * Jingle Bells * Let It Snow! Let It Snow! Let It Snow! * My Favorite Things * O Holy Night * Rudolph the Red-Nosed Reindeer * Silent Night * The Twelve Days of Christmas * White Christmas * and more.
Although the moods may vary throughout these evocative works, the elegance and subtly shifting energies of their musical language could only be those of Maurice Ravel. Includes Rapsodie Espangnole, Ravel's first entirely orchestral composition; the magical Mother Goose Suite; Valses Nobles et Sentimentales; and Pavane for a Dead Princess.
The dramatic overture had its beginnings in Renaissance court entertainments, which often began with a flourish of trumpets. It reached a high point of inspiration in the overtures that George Frideric Handel (1685 1759) composed for his operas and oratorios. This volume presents 60 Handel overtures and sinfonias, originally scored for orchestra, superbly arranged for solo keyboard. They have been reprinted from an extremely rare edition originally printed, probably in the 1750s, by Handel's London publisher, John Walsh. Happily, these brilliant works have lost nothing in translation of their Handelian vitality and interest. Many of them, such as the overtures to "Messiah, Acis and Galatea, Alexander s Feast, Julius Caesar, "the second overture in "Solomon" (known as the "Arrival of the Queen of Sheba"), and the so-called Water Musick, are very familiar to music lovers. Some will be fresh discoveries for keyboard players. Together they demonstrate Handel s exciting theatrical sense, his technical virtuosity in composition, and his dazzling mastery of musical forms, which he often combined into his own unique creations. This edition preserves the original keyboard notation, amazingly precise in its elegant execution and, of course, entirely legible to present-day performers."