The J. Paul Getty Museum Journal
The J. Paul Getty Museum Journal

Author: The J. Paul Getty Museum

Publisher: Getty Publications

Published: 1979-01-01

Total Pages: 217

ISBN-13: 0892360186

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The J. Paul Getty Museum Journal 6/7 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, sculpture, and works of art. This volume includes an editorial statement by the journal’s editors: Burton B. Fredericksen, curator of Paintings, Jiří Frel, curator of Antiquities, and Gillian Wilson, curator of Decorative Arts. Conservation problems are discussed along with articles written by K. Christiansen, B. B. Fredericksen, S. Holo, G. Wilson, B. L. Shifman, M. Shapiro, J. Frel, D. M. Brinkerhoff, C. C. Vermeule, G. Koch, S. Downey, l. Kilian-Dirlmeier, C. Cardon, F. Brommer, M. A. Del Chiaro, P. Visonà, J. Cody, R. Mellor, D. L. Thompson, E. Langlotz, P. Zazoff, S. Knudsen Morgan, M. Jentoft-Nilsen, and A. Manzoni.

Kypriaka in Crete
Kypriaka in Crete

Author: Basos Karagiōrgēs

Publisher:

Published: 2014

Total Pages: 373

ISBN-13: 9789963732043

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A catalogue of Cypriot objects, found in excavations in Crete, with chronological table, and chronological index.

In Pursuit of Beauty
In Pursuit of Beauty

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1986

Total Pages: 513

ISBN-13: 0870994689

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"This project is the first comprehensive study of a phenomenon that not only dominated the American arts of the 1870s and 1880s, but also helped set the course of such later developments in the United States as the Arts and Crafts movement, the indigenous interpretation of Art Nouveau, and even the rise of modernism. In fact, the early history of the Metropolitan--its founding, its sponsorship of a school of industrial design, and its display of decorative works--is inextricably tied to the Aesthetic movement and its educational goals. "In Pursuit of Beauty: Americans and the Aesthetic Movement" comprised some 175 objects including furniture, metalwork, stained glass, ceramics, textiles, wallpaper, painting, and sculpture. Some of these had rarely been displayed; others, although familiar, were being shown in new and even startling contexts. The exhibition and catalogue are arranged thematically to illustrate both the major styles of a visually rich movement and the ideas that generated its diversity"--From publisher's description.

Hudson River School Visions
Hudson River School Visions

Author: Sanford Robinson Gifford

Publisher: Metropolitan Museum of Art

Published: 2003

Total Pages: 290

ISBN-13: 0300101848

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Sanford Gifford (American, 1823-1880), a leading Hudson River School landscape painter and a founder of The Metropolitan Museum of Art, was so esteemed by the New York art world that, at his untimely death, the Museum mounted a show of his work-the first monographic exhibition accorded any artist-and published a Memorial Catalogue that, for nearly a century, remained the principal source on his oeuvre. Gifford's art, which was inspired by the work of Thomas Cole, the founder of the Hudson River School, and by that of British artist J.M.W. Turner, and enriched by his travels in Europe (from 1855 to 1857, and from 1868 to 1869), came to be called "air painting," for he made the ambient light of each scene-color saturated and atmospherically potent-the key to its expression. His approach to painting and his unique style gave rise to a highly distinctive body of work with enchanting and mesmerizing effect. This publication examines seventy paintings by the artist and includes comparative illustrations of related works by Gifford, his Hudson River School mentors and colleagues, and those painters, in addition to Cole and Turner, who exerted influence on his art, including Frederic Edwin Church and John F. Kensett. The essays discuss Gifford's place in the Hudson River School, his numerous Catskill Mountain subjects, his experiences and perceptions as a traveler both at home and abroad, and the variety of his patrons. -- Metropolitan Museum of Art website.

Ancient Art from Cyprus
Ancient Art from Cyprus

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2000

Total Pages: 320

ISBN-13: 0870999443

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"The Cesnola Collection in The Metropolitan Museum of Art is the richest and most varied representation, outside Cyprus, of Cypriot antiquities. These works were purchased by the newly established Museum in the mid-1870s from General Luigi Palma di Cesnola, a Civil War cavalry officer who had amassed the objects while serving as the American consul on Cyprus." "This catalogue is published on the occasion of the opening of the Museum's four permanent galleries for ancient art from Cyprus. It is also the first scholarly publication since 1914 devoted to the Cesnola Collection (which totals approximately six thousand objects). The volume features some five hundred pieces from the collection, illustrated in new color photography. Dating from about 2500 B.C. to about A.D. 300, these works rank among the finest examples of Cypriot art from the prehistoric, Geometric, Archaic, Classical, Hellenistic, and Roman periods. Among the objects are monumental sculpture; weapons, tools, and domestic utensils; vases, lamps, and ritual paraphernalia; dedicatory figurines; engraved sealstones and jewelry; and luxury objects."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Hellenistic and Roman Terracottas
Hellenistic and Roman Terracottas

Author: Giorgos Papantoniou

Publisher: BRILL

Published: 2019-05-15

Total Pages: 451

ISBN-13: 9004384839

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Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.