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Author: Alain Badiou
Publisher: Stanford University Press
Published: 2005
Total Pages: 172
ISBN-13: 9780804744096
DOWNLOAD EBOOKThis volume presents a new proposal for the link between philosophy and art. Badiou identifies and rejects the three schemes of didacticism, romanticism, and classicism that he sees as having governed traditional "aesthetics," and seeks a fourth mode of accounting for the educative value of works of art.
Author: Jerrold Levinson
Publisher: Oxford University Press
Published: 2005-01-27
Total Pages: 844
ISBN-13: 9780199279456
DOWNLOAD EBOOK'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
Author: Pablo P. L. Tinio
Publisher: Cambridge University Press
Published: 2014-10-30
Total Pages: 1195
ISBN-13: 1316123383
DOWNLOAD EBOOKThe psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.
Author: Amy Kind
Publisher: Routledge
Published: 2016-01-22
Total Pages: 503
ISBN-13: 1317329457
DOWNLOAD EBOOKImagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding Handbook contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The relation between imagination and mental imagery; imagination contrasted with perception, memory, and dreaming Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and ‘imaginative resistance’ Imagination in philosophy of mind and cognitive science: imagination and creativity, the self, action, child development, and animal cognition Imagination in ethics and political philosophy, including the concept of 'moral imagination' and empathy Imagination in epistemology and philosophy of science, including learning, thought experiments, scientific modelling, and mathematics. The Routledge Handbook of Philosophy of Imagination is essential reading for students and researchers in philosophy of mind and psychology, aesthetics, and ethics. It will also be a valuable resource for those in related disciplines such as psychology and art.
Author: Hans Rainer Sepp
Publisher: Springer Science & Business Media
Published: 2010-03-11
Total Pages: 376
ISBN-13: 9048124719
DOWNLOAD EBOOKHistorically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics. ) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources from his endowed chair. That process took longer than anticipated and there were additional unfortunate delays due to factors beyond the editors’s control.
Author: Liora Bresler
Publisher: Springer Science & Business Media
Published: 2007-01-26
Total Pages: 1568
ISBN-13: 1402029985
DOWNLOAD EBOOKProviding a distillation of knowledge in the various disciplines of arts education (dance, drama, music, literature and poetry and visual arts), this essential handbook synthesizes existing research literature, reflects on the past, and contributes to shaping the future of the respective and integrated disciplines of arts education. While research can at times seem distant from practice, the Handbook aims to maintain connection with the live practice of art and of education, capturing the vibrancy and best thinking in the field of theory and practice. The Handbook is organized into 13 sections, each focusing on a major area or issue in arts education research.
Author: Joao Pedro Cachopo
Publisher: Edinburgh University Press
Published: 2020-04-15
Total Pages: 416
ISBN-13: 147444024X
DOWNLOAD EBOOKThis collection explores Rancière's thought along a number of music-historical trajectories, including Italian and German opera, Romantic and modernist music, Latin American and South African music, jazz, and contemporary popular music, and sets him in dialogue with key thinkers including Adorno, Althusser, Badiou and Deleuze.
Author: Jane Forsey
Publisher: Oxford University Press
Published: 2016-02-15
Total Pages: 280
ISBN-13: 019060042X
DOWNLOAD EBOOKThe Aesthetics of Design offers the first full treatment of design in the field of philosophical aesthetics, challenging the discipline to broaden its scope to include the quotidian objects and experiences of our everyday lives and concerns. In doing so, it contributes to the growing field of Everyday Aesthetics.
Author: Alain Badiou
Publisher: Atropos Press
Published: 2015-08-17
Total Pages: 266
ISBN-13: 9781940813868
DOWNLOAD EBOOKAlain Badiou is a professor in philosophy at the Ecole Normale Superieure, the College International de Philosophie, both in Paris, and at the European Graduate School, in Saas-Fee, Switzerland. In addition to being a political militant, a contributing member of Cahiers pour l'Analyse, and one of the founders of L'Organisation Politique, he is the author of a number of plays and novels, and three seminal philosophical works: Being and Event, Logics of Worlds and Theory of the Subject. In addition to two manifestos for philosophy, he is also the author of numerous other philosophical works, including: Conditions, Ethics, Metapolitics, Handbook of Inaesthetics, The Meaning of Sarkozy, The Rebirth of History, Mathematics of the Transcendental, Number and Numbers, Plato's Republic, and The Communist Hypothesis. He is one of the major philosophers of our century."
Author: Bence Nanay
Publisher: Oxford University Press
Published: 2016
Total Pages: 227
ISBN-13: 0199658447
DOWNLOAD EBOOKBence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and experience. He focuses on the ways in which the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics.
